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  Subjects -> LANGUAGE AND LITERATURE (Total: 1624 journals)
    - LANGUAGE AND LITERATURE (580 journals)
    - LANGUAGES (233 journals)
    - LITERARY AND POLITICAL REVIEWS (184 journals)
    - LITERATURE (GENERAL) (119 journals)
    - NOVELS (12 journals)
    - PHILOLOGY AND LINGUISTICS (482 journals)
    - POETRY (14 journals)

LANGUAGE AND LITERATURE (580 journals)                  1 2 3     

Showing 1 - 127 of 127 Journals sorted alphabetically
3L : Language, Linguistics, Literature     Open Access   (Followers: 11)
@nalyses     Open Access   (Followers: 1)
a/b : Auto/Biography Studies : Journal of The Autobiography Society     Hybrid Journal   (Followers: 13)
Abgadiyat     Hybrid Journal   (Followers: 2)
Abusões     Open Access  
Ação Midiática : Estudos em Comunicação, Sociedade e Cultura     Open Access  
ACME : Annali della Facoltà di Studi Umanistici dell'Università degli Studi di Milano     Open Access   (Followers: 1)
Acquisition et interaction en langue étrangère     Open Access   (Followers: 3)
Acta Baltico-Slavica     Open Access   (Followers: 1)
Acta Literaria     Open Access   (Followers: 3)
Acta Neophilologica     Open Access  
AFRREV IJAH : An International Journal of Arts and Humanities     Open Access   (Followers: 2)
Alea : Estudos Neolatinos     Open Access   (Followers: 1)
Aletria : Revista de Estudos de Literatura     Open Access  
Algazarra : Revista do Centro de Pesquisa Comunicação e Cultura : Barroco e Mestiçagem     Open Access  
Alpha (Osorno)     Open Access  
American Book Review     Full-text available via subscription   (Followers: 6)
American Journal of Philology     Full-text available via subscription   (Followers: 5)
American Literary Realism     Full-text available via subscription   (Followers: 6)
American Literature     Full-text available via subscription   (Followers: 23)
Anagramas : Rumbos y Sentidos de la Comunicación     Open Access  
Anales Galdosianos     Full-text available via subscription  
Âncora : Revista Latino-Americana de Jornalismo     Open Access  
andererseits : Yearbook of Transatlantic German Studies     Open Access   (Followers: 3)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
ANTARES (Letras e Humanidades)     Open Access  
Anuari de Filologia. Llengües i Literatures Modernes     Open Access  
Anuário de Literatura     Open Access  
Anuario Lope de Vega. Texto, literatura, cultura     Open Access  
Appalachian Heritage     Full-text available via subscription   (Followers: 5)
Arbitrium     Hybrid Journal   (Followers: 7)
Arcadia - International Journal for Literary Studies     Hybrid Journal   (Followers: 9)
Arethusa     Full-text available via subscription   (Followers: 3)
Argumentation et analyse du discours     Open Access   (Followers: 6)
Arizona Quarterly: A Journal of American Literature, Culture, and Theory     Full-text available via subscription   (Followers: 12)
Ars Aeterna     Open Access  
Artelogie     Open Access   (Followers: 1)
Arthuriana     Full-text available via subscription   (Followers: 5)
Artl@s Bulletin     Open Access   (Followers: 1)
Arts et Savoirs     Open Access  
Asia Minor Studies     Open Access   (Followers: 2)
Atalanta : Revista de las Letras Barrocas     Open Access  
Atalaya     Open Access   (Followers: 1)
Australian Journal of French Studies     Full-text available via subscription   (Followers: 6)
Australian Literary Studies     Full-text available via subscription   (Followers: 5)
Azalea: Journal of Korean Literature & Culture     Full-text available via subscription   (Followers: 4)
Babel     Hybrid Journal   (Followers: 13)
Balkanologie : Revue d'Études Pluridisciplinaires     Open Access   (Followers: 4)
Baltic International Yearbook of Cognition, Logic and Communication     Open Access  
Barnboken : Journal of Children's Literature Research     Open Access   (Followers: 3)
Between     Open Access   (Followers: 1)
Biblioteca Escolar em Revista     Open Access  
Biography     Full-text available via subscription   (Followers: 18)
Black Camera     Full-text available via subscription   (Followers: 6)
Boletim de Pesquisa NELIC     Open Access  
Book History     Full-text available via subscription   (Followers: 124)
Bookbird: A Journal of International Children's Literature     Full-text available via subscription   (Followers: 12)
boundary 2     Full-text available via subscription   (Followers: 14)
Brasiliana - Journal for Brazilian Studies     Open Access   (Followers: 1)
Bronte Studies     Full-text available via subscription   (Followers: 3)
Brookings-Wharton Papers on Financial Services     Full-text available via subscription   (Followers: 3)
Brumal. Revista de investigación sobre lo Fantástico     Open Access  
Bulletin for Spanish and Portuguese Historical Studies     Open Access   (Followers: 9)
Bulletin of the Center for Children's Books     Full-text available via subscription   (Followers: 5)
Bunron : Zeitschrift für literaturwissenschaftliche Japanforschung     Open Access   (Followers: 1)
Byron Journal     Hybrid Journal   (Followers: 1)
Byzantinische Zeitschrift     Hybrid Journal   (Followers: 11)
Byzantion Nea Hellás     Open Access   (Followers: 2)
Caderno de Letras     Open Access  
Caderno Seminal     Open Access  
Cadernos de Letras da UFF     Open Access  
Cahiers Balkaniques     Open Access   (Followers: 2)
Cahiers d'histoire. Revue d'histoire critique     Open Access   (Followers: 12)
Cahiers de civilisation espagnole contemporaine     Open Access   (Followers: 2)
Cahiers de littérature orale     Open Access  
Cahiers de recherches médiévales et humanistes     Open Access   (Followers: 10)
Cahiers du Monde Russe     Open Access   (Followers: 10)
Cahiers d’études italiennes     Open Access   (Followers: 6)
Cahiers franco-canadiens de l'Ouest     Full-text available via subscription   (Followers: 1)
Callaloo     Full-text available via subscription   (Followers: 11)
Cambridge Quarterly     Hybrid Journal   (Followers: 10)
Carnets : Revue électronique d'études françaises     Open Access  
Carte Italiane     Open Access   (Followers: 3)
Catedral Tomada. Revista de crítica literaria latinoamericana     Open Access  
CELEHIS : Revista del Centro de Letras Hispanoamericanas     Open Access  
Cervantes : Bulletin of the Cervantes Society of America     Full-text available via subscription   (Followers: 1)
Ceræ: An Australasian Journal of Medieval and Early Modern Studies     Open Access   (Followers: 1)
Chasqui. Revista Latinoamericana de Comunicación     Open Access  
Children's Literature Association Quarterly     Full-text available via subscription   (Followers: 16)
Chloe: Beihefte zum Daphnis     Full-text available via subscription   (Followers: 4)
Chrétiens et sociétés     Open Access   (Followers: 3)
Cipango     Open Access   (Followers: 3)
Cipango - French Journal of Japanese Studies. English Selection     Open Access   (Followers: 4)
Claraboia     Open Access  
CLCWeb : Comparative Literature and Culture     Open Access   (Followers: 11)
CLEaR     Open Access  
Cognitive Studies : Études cognitives     Open Access  
College Literature     Full-text available via subscription   (Followers: 10)
Colonial Academic Alliance Undergraduate Research Journal     Open Access   (Followers: 2)
Colorado Review     Full-text available via subscription   (Followers: 1)
Comparative Critical Studies     Hybrid Journal   (Followers: 20)
Comparative Literature     Full-text available via subscription   (Followers: 36)
Comparative Literature Studies     Full-text available via subscription   (Followers: 28)
Comparative Mythology     Open Access   (Followers: 3)
Comunicação & Sociedade     Open Access  
Configurations     Full-text available via subscription   (Followers: 5)
Conradiana     Full-text available via subscription   (Followers: 1)
Contemporary Literature     Full-text available via subscription   (Followers: 20)
Contemporary Pacific     Full-text available via subscription   (Followers: 8)
Contemporary Women's Writing     Hybrid Journal   (Followers: 11)
COnTEXTES     Open Access   (Followers: 1)
CR : The New Centennial Review     Full-text available via subscription  
Criticism     Full-text available via subscription   (Followers: 10)
Criticón     Open Access   (Followers: 1)
Critique: Studies in Contemporary Fiction     Full-text available via subscription   (Followers: 8)
Cuadernos AISPI     Open Access  
Cuadernos de Ilustración y Romanticismo     Open Access  
Cuadernos de Rusística Española     Open Access  
Cuadernos LIRICO : Revista de la Red Interuniversitaria de Estudios sobre las Literaturas Rioplatenses Contemporáneas en Francia     Open Access   (Followers: 1)
Cuban Studies     Full-text available via subscription   (Followers: 6)
Cultures et conflits     Open Access   (Followers: 1)
Current Narratives     Open Access   (Followers: 12)
Current Objectives of Postgraduate American Studies     Open Access   (Followers: 1)
Current Writing : Text and Reception in Southern Africa     Hybrid Journal   (Followers: 2)
De Signos y Sentidos     Open Access  
De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief     Open Access   (Followers: 2)
Deuterocanonical and Cognate Literature Yearbook     Hybrid Journal  
Dialektika : Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia     Open Access  
Diálogos Latinoamericanos     Open Access  
Dicenda. Cuadernos de Filología Hispánica     Open Access  
Dickens Quarterly     Full-text available via subscription   (Followers: 1)
Diegesis : Interdisziplinäres E-Journal für Erzählforschung     Open Access  
Discours     Open Access   (Followers: 2)
Dix-Neuf     Hybrid Journal   (Followers: 3)
DQR Studies in Literature     Full-text available via subscription   (Followers: 1)
Drammaturgia     Open Access  
Dublin James Joyce Journal     Full-text available via subscription   (Followers: 1)
Dutch Crossing : Journal of Low Countries Studies     Hybrid Journal   (Followers: 4)
e-Journal of Linguistics     Open Access   (Followers: 1)
E-rea     Open Access   (Followers: 2)
e-Scripta Romanica     Open Access  
e-Spania     Open Access   (Followers: 1)
e-TEALS     Open Access   (Followers: 1)
Early American Literature     Full-text available via subscription   (Followers: 7)
Early Modern Culture Online     Open Access   (Followers: 37)
Ecotone     Full-text available via subscription  
Ecozon@ : European Journal of Literature, Culture and Environment     Open Access   (Followers: 4)
EDGE - A Graduate Journal for German and Scandinavian Studies     Open Access   (Followers: 5)
Educação & Linguagem     Open Access  
Eighteenth-Century Fiction     Full-text available via subscription   (Followers: 19)
Éire-Ireland     Full-text available via subscription   (Followers: 8)
El Hilo de la Fabula     Open Access  
ELH     Full-text available via subscription   (Followers: 17)
ELOPE : English Language Overseas Perspectives and Enquiries     Open Access  
Emily Dickinson Journal     Full-text available via subscription   (Followers: 3)
English in Africa     Full-text available via subscription   (Followers: 2)
English in Aotearoa     Full-text available via subscription   (Followers: 1)
English in Australia     Full-text available via subscription   (Followers: 2)
English in Education     Hybrid Journal   (Followers: 13)
English Literature in Transition 1880-1920     Full-text available via subscription   (Followers: 6)
English Studies in Africa     Hybrid Journal   (Followers: 1)
English Text Construction     Hybrid Journal   (Followers: 7)
English: Journal of the English Association     Hybrid Journal   (Followers: 13)
Enthymema     Open Access  
Entrelaces     Open Access  
Epiphany     Open Access   (Followers: 3)
ESC: English Studies in Canada     Full-text available via subscription   (Followers: 3)
Escritura e Imagen     Open Access   (Followers: 1)
Eslavística Complutense     Open Access   (Followers: 1)
ESQ: A Journal of the American Renaissance     Full-text available via subscription   (Followers: 1)
Essays in Criticism     Hybrid Journal   (Followers: 15)
Essays in French Literature and Culture     Full-text available via subscription   (Followers: 6)
Estudios de Literatura Colombiana     Open Access  
Estudios de Teoría Literaria - Revista digital: artes, letras y humanidades     Open Access  
Estudios Ingleses de la Universidad Complutense     Open Access  
Estudis de Literatura Oral Popular / Studies in Oral Folk Literature     Open Access  
Études canadiennes / Canadian Studies     Open Access   (Followers: 1)
Études de lettres     Open Access   (Followers: 2)
Études Épistémè     Open Access  
Études françaises     Full-text available via subscription   (Followers: 5)
Études littéraires     Full-text available via subscription   (Followers: 5)
Eugene O’Neill Review     Full-text available via subscription  
European Journal of Life Writing     Open Access   (Followers: 5)
European Romantic Review     Hybrid Journal   (Followers: 10)
ExELL : Explorations in English Language and Linguistics     Open Access  
Exercices de Rhétorique     Open Access  
Figurationen     Hybrid Journal   (Followers: 3)
Fólio : Revista de Letras     Open Access  
Fourth Genre: Explorations in Nonfiction     Full-text available via subscription   (Followers: 1)
French Forum     Full-text available via subscription   (Followers: 8)
French Studies in Southern Africa     Full-text available via subscription   (Followers: 1)
FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária     Open Access  
Genre     Full-text available via subscription   (Followers: 12)
Genre & histoire     Open Access   (Followers: 4)
George Herbert Journal     Full-text available via subscription  
German Studies Review     Full-text available via subscription   (Followers: 26)
Globe : A Journal of Language, Culture and Communication     Open Access   (Followers: 1)
Goethe Yearbook     Full-text available via subscription   (Followers: 7)
Gothic Studies     Full-text available via subscription   (Followers: 14)
Hardy Review     Full-text available via subscription   (Followers: 1)

        1 2 3     

Journal Cover Artl@s Bulletin
  [1 followers]  Follow
    
  This is an Open Access Journal Open Access journal
   ISSN (Print) 2264-2668
   Published by Purdue University Homepage  [15 journals]
  • Artistic Emigration From Portugal To Paris In The First Half Of The 1960s:
           Six Portuguese Painters From Paris Revisited

    • Authors: Joana Baião
      Abstract: This paper proposes to revisit some issues related to the impact of emigration on the paths followed by a group of six Portuguese painters who settled in Paris between 1958 and 1961. To do that, it will analyze and contextualize the evolution of their work in the first half of the 1960’s, and it will recall the small exhibition Seis Pintores Portugueses de Paris that opened in 1966 in Lisbon with the purpose of highlight the particularities of the artistic research that was being developed by those artists in Paris, integrating them into the international artistic movements of the period.
      PubDate: Tue, 20 Jun 2017 08:38:00 PDT
       
  • The Reception of Modern European Art in Calcutta: a Complex Negotiation
           (1910s-1940s)

    • Authors: Julia Madeleine Trouilloud
      Abstract: This article analyzes the reception of Modern European Art in Calcutta in the early decades of the twentieth century. In the initial years, the knowledge of the European avant-gardes was limited. It then got rejected as a legitimate source of influence by the Bengal School ideologues close to the nationalist movement. In the early 1930s, the painter Jamini Roy paved the way for a new aesthetics which rejected the Bengal School ideological project and turned to folk arts as models. The style he pioneered naturally appealed to the global modern sensibility. The 1940s are marked by a phase of enthusiasm for European avant-gardes and the departure of many Indian artists to Paris.
      PubDate: Tue, 20 Jun 2017 08:37:57 PDT
       
  • « Dégénérés » en France. Tentatives de Définition d'une
           Identité collective par les Artistes Germaniques exilés en France à la
           Fin des Années 1930

    • Authors: Hélène Duret
      Abstract: Cet article examine les stratégies d'identification mises en œuvre par les artistes allemands et autrichiens exilés en France au moment où les expositions d'art « dégénéré » circulent dans l'Allemagne hitlérienne. Dans un contexte de tensions internationales et d'accueil méfiant des réfugiés allemands en France, certains collectifs d'artistes se définissent tour à tour comme fers de lance de l'« autre Allemagne », d'un héritage français de liberté artistique ou d'une « Internationale » artistique. En revanche, ces artistes ne franchissent pas le pas d'un « retournement du stigmate » (Goffman) vis-à-vis du qualificatif nazi « dégénéré ».
      PubDate: Mon, 19 Jun 2017 14:31:05 PDT
       
  • Nothing to Do with Politics, Only Art' On Wassily Kandinsky's
           Work in Paris, from 1934 until the Outbreak of the War

    • Authors: Kate C. Kangaslahti
      Abstract: Following his move to Paris at the end of 1933, Wassily Kandinsky clung to his conviction that art must remain free of politics. The purpose of this essay is to consider both the limitations and advantages of this position in the polarized political climate of the French capital and to chart the aesthetic path he embarked on after his arrival, with particular reference to the personal ties and artistic alliances that he forged (or not) in this complex cultural terrain. Far from having nothing to do with politics, the transformation his painting underwent in Paris, the period he dubbed “synthetic,” was the result of both the maturation of his ideas on abstract art and his adaptation to a rocky political and cultural landscape.
      PubDate: Mon, 19 Jun 2017 14:31:02 PDT
       
  • Unwanted by Both the Political Left and Right: Interwar Europe’s
           Hungarian Migrating Artists

    • Authors: Eva Forgacs
      Abstract: A little known group of Hungarian artists who were students at the Hungarian Academy of Fine Arts, Budapest in 1927-1930, joined by a few artists from outside the Academy, were modernists, explored the Soviet Russian avant-garde and abstraction, and therefore were rejected by the mainstream, official art in Hungary. However, the strictly principled left-wing Munka (Work) Circle of Lajos Kassák was not hospitable to therm, either. Members of “The Progressives” group left Hungary in 1930. The increasingly classicist Hungarian avant-garde did not tolerate bias; thus the idiosyncratic poet and artist Tamkó-Sirató had to leave Hungary, too and develop his Dimensionism in Paris.
      PubDate: Mon, 19 Jun 2017 14:30:58 PDT
       
  • From Foix to Dalí: Versions of Catalan Surrealism between Barcelona
           and Paris

    • Authors: Enric Bou
      Abstract: The purpose of this article is to illustrate a little known episode of Salvador Dalí’s initial intervention in the surrealist movement: his relationship with Catalan writer Josep Vicenç Foix. To what extent writers such as Foix adapted Surrealism in his own writing and what kind of exchanges he had with Paris' Was Foix a predecessor of Dalí’s surrealist writing' As early as 1918, J.V. Foix made an impact in Catalan literary circles and one of the first imitators of Apollinaire (and maybe Breton). After 1926 Foix he developed a close relationship with Dalí and helped him with the publication of his firsts texts in Catalan in the journal L’Amic de les Arts. Close reading of surrealist texts by Foix and Dalí provide an illustration of the limitations of Catalan Surrealism and help explain why Dalí decided to go to Paris (where Foix never went) becoming a crucial voice in the French surrealist group. Also it demonstrates how Dalí used many sources to build his artistic and literary identity, and what impact had his Barcelona connections before becoming a member of the surrealist group. Foix and Dalí accomplished a dynamic process capable of transforming and reconfiguring the meaning and function of surrealist aesthetics in Catalonia in a complex network and context.
      PubDate: Mon, 19 Jun 2017 14:30:54 PDT
       
  • Distance and Distortion: Amadeo Souza Cardoso's and Joan Miró's
           War-years Painting and the Words that Fail Them

    • Authors: Joana Cunha Leal
      Abstract: This essay considers art historical discourses on the work produced during the First World War by two painters born and living in the Iberian Peninsula: the Portuguese Amadeo de Souza Cardoso (1887–1918) and the Catalan Joan Miró (1893–1983). It considers the dialogues and relations maintained by these painters in their war-affected national artistic milieus and with the equally disrupted, international avant-garde circles, while discussing historiographical biased assumptions about production-places and their meanings, namely how localness was read as expressing isolation, distance, and lack of aesthetic significance.
      PubDate: Mon, 19 Jun 2017 14:30:51 PDT
       
  • Les Recueils d'Ornements Latino-Américains. Instrumentalisations
           Nationales et Internationales (1923 - 1947)

    • Authors: élodie vaudry
      Abstract: L'étude des recueils d'ornements latino-américains publiés au cours de la première moitié du xxe siècle propose une nouvelle lecture de l'indigénisme et une approche spécifique des processus de resémantisation des motifs précolombiens à l'époque contemporaine. Cette analyse permet de cerner la volonté des gouvernements d'Amérique latine d’établir un socle culturel national mais aussi continental et de les étudier comme une des manifestations plastiques des processus indigénistes. Ce sujet tente de montrer, par le biais de l’ornement, les dynamiques communes et l’hybridation diachronique et diasporique de la culture visuelle latino-américaine.
      PubDate: Mon, 19 Jun 2017 14:30:46 PDT
       
  • Art History and the Global Challenge: A Critical Perspective

    • Authors: Paula Barreiro López
      Abstract: The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with us their insights, questions, doubts, but also hopes for the discipline. This survey must be regarded as a dialogue in progress: other conversations will follow and will contribute to widening the range of critical perspectives on art history and the Global challenge.
      PubDate: Wed, 07 Jun 2017 22:31:20 PDT
       
  • L'histoire de l'art au défi de la mondialisation: Une
           position critique

    • Authors: Paula Barreiro López
      Abstract: Le défi de la mondialisation et de la “décolonisation” de nos pensées est désormais une préoccupation quotidienne pour la majorité des chercheurs en histoire de l’art. Il est trop tôt pour faire le bilan du fameux « Global turn », tournant d’autant plus timide qu’il se concrétise plus lentement dans les collections publiques et dans l’opinion que dans les livres. Mais nous avons voulu interroger, un peu partout dans le monde, des acteurs à l’écoute des nouvelles pratiques mondiales en histoire de l’art. Issus de milieux culturels et de traditions universitaires variées, de générations diverses, ils ont accepté de répondre à nos questions – nous les en remercions chaleureusement. Cette enquête doit être considérée comme un dialogue en progrès : d’autres entretiens suivront et viendront s’ajouter à cette enquête.
      PubDate: Mon, 17 Apr 2017 05:36:29 PDT
       
  • Art History and the Global Challenge: A Critical Perspective

    • Authors: Patrick D. Flores
      Abstract: The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with us their insights, questions, doubts, but also hopes for the discipline. This survey must be regarded as a dialogue in progress: other conversations will follow and will contribute to widening the range of critical perspectives on art history and the Global challenge.
      PubDate: Mon, 17 Apr 2017 05:21:37 PDT
       
  • Art History and the Global Challenge: A Critical Perspective

    • Authors: Jonathan Harris
      Abstract: The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with us their insights, questions, doubts, but also hopes for the discipline. This survey must be regarded as a dialogue in progress: other conversations will follow and will contribute to widening the range of critical perspectives on art history and the Global challenge.
      PubDate: Mon, 17 Apr 2017 05:21:31 PDT
       
  • Art History and the Global Challenge: A Critical Perspective

    • Authors: Atreyee Gupta
      Abstract: The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with us their insights, questions, doubts, but also hopes for the discipline. This survey must be regarded as a dialogue in progress: other conversations will follow and will contribute to widening the range of critical perspectives on art history and the Global challenge.
      PubDate: Sat, 15 Apr 2017 04:31:24 PDT
       
  • Art History and the Global Challenge: A Critical Perspective

    • Authors: Nuria Rodríguez Ortega
      Abstract: The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with us their insights, questions, doubts, but also hopes for the discipline. This surveymust be regarded as a dialogue in progress: other conversations will follow and will contribute to widening the range of critical perspectives on art history and the Global challenge.
      PubDate: Sat, 15 Apr 2017 04:31:20 PDT
       
  • Art History and the Global Challenge: A Critical Perspective

    • Authors: Sven Spieker
      Abstract: The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with us their insights, questions, doubts, but also hopes for the discipline. This survey must be regarded as a dialogue in progress: other conversations will follow and will contribute to widening the range of critical perspectives on art history and the Global challenge.
      PubDate: Sat, 15 Apr 2017 04:31:16 PDT
       
  • L’histoire mondiale de l’art, au défi d’un grand
           récit

    • Authors: Béatrice Joyeux-Prunel
      Abstract: Pour proposer une « histoire mondiale », et pour faire honneur à toutes les productions issues de tous les continents, en particulier ceux qu’on avait méprisés, l’idéal serait d’articuler un récit lui-même mondial. Il nous faut un récit émancipé non seulement des hiérarchies propres au canon (ancien/moderne, beaux-arts/décoration, kitsch / classique), mais aussi un récit qui aille plus loin que la production de hiérarchies dont même le récit postcolonial a du mal à sortir (dominants/dominés). Comment produire un récit qui, en outre, connecte des collections « locales » et des collections « internationales » en gardant du lien entre les deux ?
      PubDate: Fri, 14 Apr 2017 07:25:37 PDT
       
  • South-South: Too Political?

    • Authors: Béatrice Joyeux-Prunel
      Abstract: When it comes to researching South-South relationships, a powerful political imperative underpins studies of such relationships—an imperative that seems to always point northwards in one way or another. This imperative sometimes leads to the application of pre-existing theories to studies of circulation between different parts of the world and of the roles of the individuals driving these circulations. When, regardless of the situation in question, we must always identify a dominator and a dominated party, a predator and a victim, a colonizer and a colonial subject, we risk developing a historical picture that is incomplete or distorted. Promoting studies into South-South circulation is something of an experiment, one that consists in first imagining configurations that differ from those proposed by postcolonial theory, in order to work more freely, whilst nonetheless allowing ourselves to return to such approaches at a later stage.
      hen it comes to researching South-South relationships,
      PubDate: Wed, 25 Jan 2017 11:11:23 PST
       
  • Index of the Disappeared: Representing the Invisible South

    • Authors: Bindu Bhadana
      Abstract: Jacques Rancière states that an aesthetic politics defines itself by a recasting of the distribution of the sensible, my text applies Rancière's statement in its analysis of Index of the Disappeared (2004-), a project created by two diasporic artists from the Global South based in the US. Chitra Ganesh and Mariam Ghani productively use the gaps in de-classified post 9/11 documents to make visible the excluded and marginalized voices from contemporary politics and society in the North..
      PubDate: Sat, 12 Nov 2016 14:21:25 PST
       
  • South Ways - Art Undercurrents across the South

    • Authors: Kevin D. Murray
      Abstract: A series of projects attempted to explore a southern perspective for global visual art. The South Project was a series of gatherings across the latitude to develop a south-south network and conversation. This was followed by an intellectual push through Southern Theory to diversity academic frameworks beyond the trans-Atlantic. The application of this to visual arts was explored with the project South Ways, which involved developing particular verbs for creative engagements - to bestow, to open, to swap and to glean. Such ventures involve a promise yet to be realised - that the orientation of visual arts towards the South can involve people of the South themselves, both popular and elite..
      PubDate: Sat, 12 Nov 2016 14:21:22 PST
       
  • Biennale d’Art Bantu Contemporain : passeport ethnique et circulations
           artistiques en Afrique sub-sahélienne

    • Authors: nora greani
      Abstract: Hosted by four African capitals and designed as a turn-over by Africans of « their » history, the Biennale of Contemporary Bantu Art created in 1985 is an emblematic example of transnational artistic exchanges not dominated by the colonial powers. Each of its seven editions were based on a simple premise, yet subject to controversy: the existence of a common culture between the Bantu. This article studies this event focusing to highlight the historical and political context in which it occurs. Through the analysis of various aspects of the Bantu Biennale, we will identify the extent of the identity (or the identification) of Bantu acts as a passport or, conversely, a yoke under the artistic circulations in sub-Saharan Africa.
      PubDate: Sat, 12 Nov 2016 14:21:19 PST
       
 
 
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