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  Subjects -> LANGUAGE AND LITERATURE (Total: 2077 journals)
    - LANGUAGE AND LITERATURE (840 journals)
    - LANGUAGES (287 journals)
    - LITERARY AND POLITICAL REVIEWS (199 journals)
    - LITERATURE (GENERAL) (158 journals)
    - NOVELS (12 journals)
    - PHILOLOGY AND LINGUISTICS (563 journals)
    - POETRY (18 journals)

LANGUAGE AND LITERATURE (840 journals)                  1 2 3 4 5     

Showing 1 - 127 of 127 Journals sorted alphabetically
19 : Interdisciplinary Studies in the Long Nineteenth Century     Open Access   (Followers: 8)
3L : Language, Linguistics, Literature     Open Access   (Followers: 32)
A Cor das Letras     Open Access   (Followers: 2)
a/b : Auto/Biography Studies : Journal of The Autobiography Society     Hybrid Journal   (Followers: 19)
AALITRA Review     Open Access  
Abgadiyat     Hybrid Journal   (Followers: 5)
Abril : Revista do Núcleo de Estudos de Literatura Portuguesa e Africana da UFF     Open Access   (Followers: 1)
Ação Midiática : Estudos em Comunicação, Sociedade e Cultura     Open Access   (Followers: 1)
ACME : Annali della Facoltà di Studi Umanistici dell'Università degli Studi di Milano     Open Access   (Followers: 4)
Acquisition et interaction en langue étrangère     Open Access   (Followers: 7)
Acta Baltico-Slavica     Open Access   (Followers: 5)
Acta Humana     Open Access   (Followers: 1)
Acta Literaria     Open Access   (Followers: 6)
Acta Neophilologica     Open Access   (Followers: 1)
Acta Orientalia Vilnensia     Open Access  
Acta Universitatis Lodziensis : Folia Litteraria Rossica     Open Access  
Acta Universitatis Sapientiae     Open Access  
Actio Nova : Revista de Teoría de la Literatura y Literatura Comparada     Open Access   (Followers: 1)
AFRREV IJAH : An International Journal of Arts and Humanities     Open Access   (Followers: 6)
Akademos     Open Access   (Followers: 1)
Akra Kültür Sanat ve Edebiyat Dergisi / Akra Journal of Culture Art and Literature     Open Access   (Followers: 2)
Aksara     Open Access   (Followers: 3)
Aksara : International Journal of Indonesian Literature     Open Access   (Followers: 1)
Alea : Estudos Neolatinos     Open Access   (Followers: 3)
Aletria : Revista de Estudos de Literatura     Open Access  
Algazarra : Revista do Centro de Pesquisa Comunicação e Cultura : Barroco e Mestiçagem     Open Access  
Alpha (Osorno)     Open Access  
Amasya Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi     Open Access  
América sin Nombre     Open Access  
American Book Review     Full-text available via subscription   (Followers: 11)
American Journal of Philology     Full-text available via subscription   (Followers: 13)
American Literary Realism     Full-text available via subscription   (Followers: 9)
American Literature     Full-text available via subscription   (Followers: 35)
Anagramas : Rumbos y Sentidos de la Comunicación     Open Access   (Followers: 1)
Anales Galdosianos     Full-text available via subscription   (Followers: 1)
Anàlisi : Quaderns de Comunicació i Cultura     Open Access  
Âncora : Revista Latino-Americana de Jornalismo     Open Access  
andererseits : Yearbook of Transatlantic German Studies     Open Access   (Followers: 3)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
Annales islamologiques     Open Access   (Followers: 1)
ANTARES (Letras e Humanidades)     Open Access  
Anuari de Filologia. Llengües i Literatures Modernes     Open Access  
Anuário de Literatura     Open Access  
Anuario Lope de Vega. Texto, literatura, cultura     Open Access  
Ao Pé da Letra     Open Access  
Appalachian Heritage     Full-text available via subscription   (Followers: 4)
Arabia     Open Access  
Arbitrium     Hybrid Journal   (Followers: 10)
arcadia     Hybrid Journal   (Followers: 9)
Archivum     Open Access  
Arethusa     Full-text available via subscription   (Followers: 4)
Argumentation et analyse du discours     Open Access   (Followers: 7)
Arizona Quarterly: A Journal of American Literature, Culture, and Theory     Full-text available via subscription   (Followers: 17)
Ars Aeterna     Open Access  
Artelogie     Open Access   (Followers: 2)
Arthuriana     Full-text available via subscription   (Followers: 6)
Artl@s Bulletin     Open Access   (Followers: 3)
Arts et Savoirs     Open Access  
Asia Minor Studies     Open Access   (Followers: 2)
Asiatic : IIUM Journal of English Language and Literature     Open Access   (Followers: 1)
Atalanta : Revista de las Letras Barrocas     Open Access  
Atalaya     Open Access   (Followers: 1)
Ateneo Korean Studies Conference Proceedings     Open Access  
Aturá : Revista Pan-Amazônica de Comunicação     Open Access  
Australian Journal of French Studies     Full-text available via subscription   (Followers: 7)
Australian Literary Studies     Full-text available via subscription   (Followers: 5)
Australian Slavonic and East European Studies     Open Access   (Followers: 6)
Azalea: Journal of Korean Literature & Culture     Full-text available via subscription   (Followers: 4)
Babel     Hybrid Journal   (Followers: 12)
Bahasa dan Seni : Jurnal Bahasa, Sastra, Seni, dan Pengajarannya     Open Access  
Bahastra     Open Access  
Balkanologie : Revue d'Études Pluridisciplinaires     Open Access   (Followers: 3)
Baltic International Yearbook of Cognition, Logic and Communication     Open Access   (Followers: 1)
Barnboken : Journal of Children's Literature Research     Open Access   (Followers: 5)
Barnelitterært forskningstidsskrift     Open Access   (Followers: 1)
BASINDO : Jurnal Kajian Bahasa, Sastra Indonesia, dan Pembelajarannya     Open Access  
Belas Infiéis     Open Access  
Bergen Language and Linguistics Studies     Open Access   (Followers: 1)
Between     Open Access   (Followers: 2)
Beyond Words     Open Access   (Followers: 1)
Biblioteca Escolar em Revista     Open Access  
Bingöl Üniversitesi Yaşayan Diller Enstitüsü Dergisi     Open Access  
Biography     Full-text available via subscription   (Followers: 18)
Black Camera     Full-text available via subscription   (Followers: 8)
Black Women, Gender & Families     Full-text available via subscription   (Followers: 15)
Boletim de Pesquisa NELIC     Open Access  
Book History     Full-text available via subscription   (Followers: 150)
Bookbird: A Journal of International Children's Literature     Full-text available via subscription   (Followers: 12)
Brazilian Journalism Research     Open Access   (Followers: 2)
Bronte Studies     Full-text available via subscription   (Followers: 5)
Brookings-Wharton Papers on Financial Services     Full-text available via subscription   (Followers: 3)
Brumal. Revista de investigación sobre lo Fantástico     Open Access  
Bulletin De L' Association Thaïlandaise Des Professeurs de Français     Open Access  
Bulletin for Spanish and Portuguese Historical Studies     Open Access   (Followers: 11)
Bulletin of the Center for Children's Books     Full-text available via subscription   (Followers: 5)
Bunron : Zeitschrift für literaturwissenschaftliche Japanforschung     Open Access  
Byron Journal     Hybrid Journal   (Followers: 2)
Byzantinische Zeitschrift     Hybrid Journal   (Followers: 15)
Byzantion Nea Hellás     Open Access   (Followers: 2)
Caderno de Letras     Open Access  
Cadernos de Letras da UFF     Open Access  
Cahiers Balkaniques     Open Access   (Followers: 2)
Cahiers d'histoire. Revue d'histoire critique     Open Access   (Followers: 13)
Cahiers de civilisation espagnole contemporaine     Open Access   (Followers: 2)
Cahiers de littérature orale     Open Access  
Cahiers de Narratologie     Open Access   (Followers: 6)
Cahiers de recherches médiévales et humanistes     Open Access   (Followers: 13)
Cahiers du Monde Russe     Open Access   (Followers: 11)
Cahiers d’Études Germaniques     Open Access  
Cahiers d’études italiennes     Open Access   (Followers: 8)
Cahiers d’Études sur la Représentation     Open Access  
Cahiers franco-canadiens de l'Ouest     Full-text available via subscription   (Followers: 2)
caleidoscópio: linguagem e tradução     Open Access  
Callaloo     Full-text available via subscription   (Followers: 14)
Cambridge Quarterly     Hybrid Journal   (Followers: 10)
Carnets : Revue électronique d'études françaises     Open Access  
Carte Italiane     Open Access   (Followers: 4)
Catedral Tomada. Revista de crítica literaria latinoamericana     Open Access  
CELEHIS : Revista del Centro de Letras Hispanoamericanas     Open Access  
Cervantes : Bulletin of the Cervantes Society of America     Full-text available via subscription   (Followers: 2)
Ceræ: An Australasian Journal of Medieval and Early Modern Studies     Open Access   (Followers: 2)
Chasqui. Revista Latinoamericana de Comunicación     Open Access   (Followers: 2)
Children's Literature Association Quarterly     Full-text available via subscription   (Followers: 18)
Chinese Semiotic Studies     Hybrid Journal  
Chinese Studies Journal     Open Access  
Chrétiens et sociétés     Open Access   (Followers: 2)
Ciencies. Cartafueyos Asturianos de Ciencia y Teunoloxía     Open Access  
Cipango     Open Access   (Followers: 4)
Cipango - French Journal of Japanese Studies. English Selection     Open Access   (Followers: 5)
Circe de clásicos y modernos     Open Access  
CLCWeb : Comparative Literature and Culture     Open Access   (Followers: 21)
CLEaR     Open Access  
Cognitive Studies : Études cognitives     Open Access  
College Literature     Full-text available via subscription   (Followers: 12)
Colonial Academic Alliance Undergraduate Research Journal     Open Access   (Followers: 4)
Colorado Review     Full-text available via subscription   (Followers: 1)
Communication and Culture Online / Komunikacija i kultura     Open Access   (Followers: 1)
Comparative Critical Studies     Hybrid Journal   (Followers: 19)
Comparative Cultural Studies : European and Latin American Perspectives     Open Access  
Comparative Literature     Full-text available via subscription   (Followers: 46)
Comparative Literature Studies     Full-text available via subscription   (Followers: 41)
Comparative Mythology     Open Access   (Followers: 5)
Comunicação & Sociedade     Open Access  
Comunicação e Sociedade     Open Access  
Con Texte     Open Access  
Configurations     Full-text available via subscription   (Followers: 8)
Conradiana     Full-text available via subscription   (Followers: 1)
Consonanze     Open Access  
Contemporary Literature     Full-text available via subscription   (Followers: 21)
Contemporary Pacific     Full-text available via subscription   (Followers: 10)
Contemporary Women's Writing     Hybrid Journal   (Followers: 9)
COnTEXTES     Open Access   (Followers: 1)
CoSMo | Comparative Studies in Modernism     Open Access   (Followers: 1)
CR : The New Centennial Review     Full-text available via subscription   (Followers: 4)
Criando     Open Access  
Criticism     Full-text available via subscription   (Followers: 11)
Criticón     Open Access   (Followers: 1)
Critique: Studies in Contemporary Fiction     Full-text available via subscription   (Followers: 11)
Cuadernos AISPI     Open Access  
Cuadernos de Ilustración y Romanticismo     Open Access  
Cuadernos de Rusística Española     Open Access  
Cuadernos LIRICO : Revista de la Red Interuniversitaria de Estudios sobre las Literaturas Rioplatenses Contemporáneas en Francia     Open Access   (Followers: 1)
Cuban Studies     Full-text available via subscription   (Followers: 5)
Cultura de la República : Revista de Análisis Crítico (CRRAC)     Open Access  
Cultures et conflits     Open Access   (Followers: 1)
Cumhuriyet Üniversitesi Edebiyat Fakültesi Sosyal Bilimler Dergisi     Open Access  
Current Narratives     Open Access   (Followers: 12)
Current Writing : Text and Reception in Southern Africa     Hybrid Journal   (Followers: 4)
De Signos y Sentidos     Open Access  
De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief     Open Access   (Followers: 3)
Diagonal : Zeitschrift der Universität Siegen     Hybrid Journal  
Dialektika : Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia     Open Access  
Diálogos Latinoamericanos     Open Access  
Dialogues : An Interdisciplinary Journal of English Language Teaching and Research     Open Access   (Followers: 1)
Dicenda. Cuadernos de Filología Hispánica     Open Access  
Diciottesimo Secolo : Rivista della Società Italiana di Studi sul Secolo XVIII     Open Access  
Dickens Quarterly     Full-text available via subscription   (Followers: 2)
Didactique, Sciences Cognitives et Littérature     Open Access  
Diegesis : Interdisziplinäres E-Journal für Erzählforschung     Open Access  
DIGILEC : Revista Internacional de Lenguas y Culturas     Open Access  
Dil ve Edebiyat Araştırmaları     Open Access  
Discours     Open Access   (Followers: 1)
Dix-Neuf     Hybrid Journal   (Followers: 3)
Dixit     Open Access  
Diyalog Interkulturelle Zeitschrift Für Germanistik     Open Access  
Doblele : Revista de lengua y literatura     Open Access  
Dokuz Eylül Üniversitesi Edebiyat Fakültesi Dergisi / Dokuz Eylül University Journal of Humanities     Open Access  
Dokuz Eylül Üniversitesi GÜZEL SANATLAR FAKÜLTESİ (Yedi)     Open Access  
Drammaturgia     Open Access   (Followers: 1)
Dublin James Joyce Journal     Full-text available via subscription   (Followers: 1)
Dutch Crossing : Journal of Low Countries Studies     Hybrid Journal   (Followers: 3)
e-Journal of Linguistics     Open Access   (Followers: 4)
E-rea     Open Access   (Followers: 2)
e-Scripta Romanica     Open Access  
e-Spania     Open Access   (Followers: 2)
e-TEALS: an e-journal of Teacher Education and Applied Language Studies     Open Access   (Followers: 2)
Early American Literature     Full-text available via subscription   (Followers: 6)
Early Modern Culture Online     Open Access   (Followers: 36)
Ecotone     Full-text available via subscription  
Ecozon@ : European Journal of Literature, Culture and Environment     Open Access   (Followers: 5)

        1 2 3 4 5     

Similar Journals
Journal Cover
Artl@s Bulletin
Number of Followers: 3  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2264-2668
Published by Purdue University Homepage  [16 journals]
  • Women Artists Shows.Salons.Societies: Towards a Global History of
           All-Women Exhibitions

    • Authors: Catherine Dossin et al.
      Abstract: The Women Artists Shows.Salons.Societies project was launched in 2017 as a collaboration between Artl@s and AWARE. Combining AWARE’s ambitions to restore the presence of 20th-century women artists in the history of art, and Artl@s’s desire to provide scholars with the data and tools necessary to question the canonical art historical narratives through quantitative and cartographic analyses, we decided to work on group exhibitions of women artists.
      Our first ambition is to build a community of scholars and work together to develop a common terminology and even possibly a common and consistent methodology to study these events, because the ones used in the field of exhibition history are inadequate.None of these exhibitions “made art history” or can be thought as “exemplary,”and the discursive silence that surrounds them require art historians to come-up with new questions, new research strategies, and new discourses.
      Through the programs we organized and will organize, and through the tools and resources we are making available to the public, including this issue of the Artl@s Bulletin, we also want to contribute to a global history of all-women exhibitions from the 1860s to the 1960s.
      PubDate: Wed, 15 May 2019 04:15:41 PDT
       
  • À l’assaut ! Explosion d’expositions de femmes artistes en France
           pendant le mouvement féministe

    • Authors: Fabienne Dumont
      Abstract: En France, durant les années 1970, les plasticiennes se sont regroupées afin de lutter contre leur invisibilité sur la scène artistique. Plusieurs collectifs ont porté leurs revendications, accompagnés de quelques théoriciennes qui ont œuvré pour faire connaître leurs travaux. La décennie voit ainsi surgir de multiples expositions de femmes artistes, liées à des collectifs aux idéologies variées. Cet article s’attache au foisonnement d’expositions, à partir de recherches pionnières, parues dans l’ouvrage Des sorcières comme les autres. Artistes et féministes dans la France des années 1970.
      PubDate: Tue, 14 May 2019 15:21:50 PDT
       
  • Femmes artistes italiennes du XXe siècle : Il complesso di
           Michelangelo, Rome 1977

    • Authors: Laura Iamurri
      Abstract: Une exposition historique de femmes artistes s’ouvrit à Rome en février 1977 : installée dans une galerie privée, la première rétrospective consacrée aux artistes italiennes du XXe siècle avait été organisée à l’occasion de la parution du livre Il complesso di Michelangelo [Le complexe de Michel-Ange], écrit par l’artiste Simona Weller. Cet ouvrage, premier essai de recensement de la présence féminine dans l’art contemporain en Italie, citait 270 artistes tout au long du siècle, la plupart d’entre elles oubliées ou inconnues ; seules les artistes professionnelles étaient prises en considération.
      PubDate: Tue, 14 May 2019 15:21:42 PDT
       
  • Exhibiting Women's Art in Post-War Europe

    • Authors: Agata Jakubowska
      Abstract: This essay elaborates on women-only shows organized in post-war Europe by the associations of (women) artists, that – as initial research showed – were major initiators of this type of exhibitions during the period. It proposes a comparative analysis of operations of this type of associations in three countries whose situations during and after the war differed considerably: Austria, France and Poland. The geopolitical position of these countries and the gender politics they implemented influenced the operation of (women) artists’ associations and organization of their annual exhibitions, but also the place they occupy in the art historical narratives.
      PubDate: Tue, 14 May 2019 15:21:33 PDT
       
  • Se Rendre Visible dans l’Espagne de Franco: le Salón Femenino
           de Arte Actual (1962-1971)

    • Authors: Maria Lluïsa Faxedas et al.
      Abstract: The paper examines the history and the critical reception of the Salón femenino del arte actual, an annual all-female exhibition organized by a group of women artists in Barcelona between 1962 and 1971. Unique at the time, the Salón challenged the traditional role attributed to women under Franco's dictatorship, managing at the same time to obtain support from local authorities. The paper argues that it was the ability of the organisers to take advantage of political ambivalence, to find a delicate balance between complicity and resistance, which allowed the exhibition to survive for a decade.
      PubDate: Tue, 14 May 2019 15:21:22 PDT
       
  • The exhibition “Contribuição da mulher às artes plásticas no país"
           and the silence of Brazilian art criticism

    • Authors: Marina Mazze Cerchiaro et al.
      Abstract: In 1960 the São Paulo Museum of Modern Art inaugurated the exhibition “Contribuição da mulher às artes plásticas no país”. This was the first female collective exhibition of a large scale to happen in Brazil. However, although it happened in a prestigious institution and it gathered renowned artists, this exhibition did not get extensive press coverage and it did not inspire similar initiatives during the decade. This article proposes a reflection on this silence and on the resistance of Brazilian artistic circles to treating women artists as a collective, which could explain the late impact of feminism in this field.
      PubDate: Tue, 14 May 2019 15:21:12 PDT
       
  • Α “Guarantee of Clustered Energy and Collective Promotion”: The
           

    • Authors: Glafki Gotsi
      Abstract: Founded in Athens in 1954 the Association of Greek Women Artists aimed at promoting art among the Greek public, confronting the problems of women artists through collective action, and encouraging the presentation of Greek art on the international scene. In the 1950s and 1960s it organized a significant number of group exhibitions in Greece as well as abroad, where its members showed their work. This paper examines the context of the association’s all-women shows and their meaning in relation to feminist cultural politics inside but also beyond national borders. More specifically, it analyzes the circumstances under which the collectivity was formed and the purposes it was decided to serve. It also examines the criticism its exhibitions received in Greece and their interpretation as female initiatives. Finally, it explores the possible connections between the association and other Greek or foreign women’s groups.
      PubDate: Tue, 14 May 2019 15:21:02 PDT
       
  • Women Artists' Salon of Chicago (1937-1953): Cultivating Careers and
           Art Collectors

    • Authors: Joanna P. Gardner-Huggett
      Abstract: This article reconstructs the history of the Women Artists’ Salon of Chicago, which was founded as an exhibition society in Chicago in 1937, and argues that the Board of Directors turned to the 19th century precedents of the Palette Club and the Woman’s Building at the World’s Columbian Exhibition as models for their organization. The essay also traces how members of the Women Artists’ Salon deliberately exhibited traditional artworks associated with the feminine and domestic and coordinated social events in order to cultivate greater sales and a new generation of female art collectors.
      PubDate: Tue, 14 May 2019 15:20:51 PDT
       
  • Women's Art Club and Women’s Group Exhibitions in Zagreb from
           1928 until 1940

    • Authors: Darija Alujević et al.
      Abstract: In 1927 painters Nasta Rojc and Lina Crnčić Virant, inspired by their British colleagues founded the Women's Art Club in Zagreb. From 1928 until 1940 the Club organized group exhibitions of its members. The main idea of the Club was to improve arts and crafts, to organize female exhibitions and to collaborate with other international women associations. The Club took part in the organisation of the exhibition of Bulgarian women artists and the exhibition of Little Entente of Women held in 1938 in Zagreb. Women`s Art Club was an important factor of the female artists emancipation – organizing the first female group exhibitions in Zagreb.
      PubDate: Tue, 14 May 2019 15:20:41 PDT
       
  • The Exhibitions of the Femmes Artistes Modernes (FAM), Paris, 1931-38

    • Authors: Paula J. Birnbaum
      Abstract: The Société des Femmes Artistes Modernes (FAM) opened up a productive space for women artists who were active in Paris during the 1930s through annual multigenerational exhibitions and international collaborations. I argue that FAM embodied a paradox: on the one hand, it supported artists wishing to question stereotypes of gender, race, class, and nation; on the other, its institutional structure and leadership did not challenge patriarchal assumptions about women’s subordinate role in society. The paper explores this tension by comparing the work and critical reception of several artists in the group who represented the theme of motherhood.
      PubDate: Tue, 14 May 2019 15:20:32 PDT
       
  • An exhibition of one’s own: the Salón Femenino de Bellas Artes (Buenos
           Aires, 1930s-1940s)

    • Authors: Georgina G. Gluzman
      Abstract: From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist character for women artists. In spite of their importance, these regular shows have not received any attention from art history literature. Their vast development, the extensive coverage by the press, and their links to feminist institutions have gone completely unnoticed. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, the purpose of this article is to reconstruct the organization of these events, to examine their reception by art critics, and to analyze the careers of some of the participating women artists. These forgotten exhibitions offer a new perspective for the analysis of a period of intense feminine artistic activity in Argentina.
      PubDate: Tue, 14 May 2019 15:20:24 PDT
       
  • "Actividades femeninas" Collective exhibitions of women in Chile
           between 1914 and 1939

    • Authors: Gloria Cortes
      Abstract: In 1927 the Great Female Exhibition was held in Chile within the framework of the fiftieth anniversary of the Amunátegui Decree (1877), a precept that allowed women to go to university. The Exhibition was the result of a series of initiatives by the high bourgeoisie that began in 1914 with the creation of women's organizations such as the Women's Art Society.Twelve years later, in 1939, the MEMCH —Pro Emancipation Movement of Women in Chile— held the Feminine Activities exhibition, conceived as a response to previous experiences led by the elite, and focused on the political and social aspirations of women.
      PubDate: Tue, 14 May 2019 15:20:16 PDT
       
  • "Women Artists to Victims of War" - the First Exhibition of the Moscow
           Union of Women Painters and its Reception by the Contemporary Press.

    • Authors: Natalia Y. Budanova
      Abstract: A few surviving visual and documentary sources related to the exhibition Women Artists to Victims of the Warorganised by the Moscow Union of Women Painters in winter 1914 represent a useful primary material for piecing together fragments of the history of this short-lived female art group. The Union exemplified impressive gender changes in educational and professional spheres of Russian art. Yet, it failed to attract strong membership and disintegrated within few years after its institution. By analysing available evidence this essay seeks to uncover and assess the causes of the Union’s defeat in establishing a prominent public profile.
      PubDate: Tue, 14 May 2019 15:20:07 PDT
       
  • The Exhibition of Former Students of the Elise von Jung-Stilling Drawing
           School in Riga in 1904

    • Authors: Baiba Vanaga
      Abstract: In the 19th century, the art scene in the Baltic provinces and their largest city, Riga, was fairly undeveloped: it was impossible to acquire good art education, the art market practically did not existed and only a comparatively small number of artists educated outside of the Baltic were working here. The local art scene became significantly more active after 1870, when the Riga Art Society was established. In 1898, Society opened its Art Salon, which held several solo exhibitions of women artists and at least two group shows where all of the participants were women: the exhibition of works by six young women artists from Riga in 1901 and the exhibition of works by the former students of the drawing school of Elise von Jung-Stilling, organised after her death in 1904.
      PubDate: Tue, 14 May 2019 15:19:59 PDT
       
  • “Non più Cenerentole!” The Società delle Artiste at the 1906 Mostra
           Nazionale di Belle Arti in Milan

    • Authors: Chiara Iorino
      Abstract: The Society of women artists was created in Rome in the house of the painter Ida Salvagnini Bidoli and her husband Francesco Alberto Salvagnini. Its members presented themselves as a group at the National Exhibition of Fine Arts during the International Exhibition of Sempione in Milan in 1906 where they managed to get their own room. This article will describe the difficulties encountered by these artists, show the importance of the exhibition as a site where artistic ambitions coincided with the women’s movement and contextualize it within the broader transformations of women’s roles in Italy at the beginning of the 20th century.
      PubDate: Tue, 14 May 2019 15:19:51 PDT
       
  • Le Cercle des femmes peintres de Bruxelles : un collectif, quatre
           expositions (1888-1893)

    • Authors: Denis Laoureux
      Abstract: Entre 1888 et 1893, le Cercle des femmes peintres de Bruxelles organise quatre expositions rassemblant 400 tableaux peints par près de 80 femmes. Celles-ci sont décrites par la presse d’époque comme des dilettantes. L’analyse montre pourtant qu’elles présentent un niveau de professionnalisation contraire à l’oubli qu’elles connaissent aujourd’hui. Plusieurs paramètres permettent d’en prendre la mesure. Le réseau relationnel, le niveau de visibilité dans les Salons d’État, les indicateurs de légitimité (prix, titres…) et les valeurs chiffrées des œuvres font ressortir un corpus d’une trentaine d’artistes qu’il conviendrait de réintégrer au canon de l’histoire de l’art de la Belgique fin de siècle.
      PubDate: Tue, 14 May 2019 15:19:42 PDT
       
  • Les Polonaises s’organisent : les premières expositions de femmes
           artistes polonaises au tournant du XXe siècle

    • Authors: Ewa Bobrowska
      Abstract: À la fin du XIXe siècle, à la suite des partages de l’Etat polonais entre la Russie, la Prusse et l’Empire austro-hongrois, les conditions du développement de l’art polonais ne sont pas favorables au sein d’une nation privée d’indépendance. Cependant, elle connaît alors une exceptionnelle prolifération de talents artistiques. Face à un manque de structures d’enseignement, de commerce et de promotion de l’art, les artistes forment des groupes pour promouvoir leur travail. Les femmes artistes, bien que privées de possibilités de formation, commencent à se professionnaliser et fonder leurs propres groupements. Les enjeux de la première exposition du Cercle des artistes polonaises en 1899 seront l’objet de notre analyse.
      PubDate: Tue, 14 May 2019 15:19:33 PDT
       
  • L'Esposizione Internazionale Femminile di Belle Arti (Torino,
           1910-1911; 1913). Note su genere, arte e professione in Italia
           all'inizio del XX secolo

    • Authors: Francesca Lombardi
      Abstract: Il contributo intende ricostruire la vicenda delle Esposizioni Internazionali Femminili di Belle Arti (1910-11; 1913), prima manifestazione artistica di taglio internazionale riservata esclusivamente alle donne organizzata in Italia. Promosse a Torino dalla rivista La Donna, le due rassegne si svolsero in un momento storicamente determinante per l'affermazione di un nuovo status delle artiste, contribuendo a dare visibilità e legittimità al fenomeno della produzione artistica femminile. La ricerca ripercorre, sulla scorta soprattutto di documenti d'epoca e fonti d'archivio, la storia e gli esiti di questa innovativa esperienza, evidenziando la complessità delle reti istituzionali, sociali, di patronage e matronage che concorsero alla sua genesi e al suo successo.
      PubDate: Tue, 14 May 2019 15:19:24 PDT
       
  • Autour de Frances Benjamin Johnston, Gertrude Käsebier et Catharine Weed
           Barnes Ward: stratégies séparatistes dans l’exposition des femmes
           photographes américaines au tournant des XIXe et XXe siècles

    • Authors: Thomas Galifot
      Abstract: Cette étude inclut une nouvelle analyse de l’exposition des photographes américaines conçue par Frances Benjamin Johnston à l’occasion de l’Exposition universelle de Paris de 1900. Dans une mise en perspective inédite, l’événement est également replacé dans un contexte américain élargi, riche en initiatives et en débats aussi fondateurs que méconnus. Cette enquête, qui donne lieu au premier panorama des expositions collectives de photographes américaines jusqu’en 1914, aboutit à une nécessaire remise à l'honneur de Catharine Weed Barnes Ward et de Gertrude Käsebier, personnalités dont le rôle central sur ces questions est largement mésestimé.
      PubDate: Tue, 14 May 2019 15:19:14 PDT
       
  • Colonial Maps and a Cartographic Reckoning in Post-Revolutionary Mexico
           City

    • Authors: Delia A. Cosentino
      Abstract: By the 20th century, 16th-century maps of Mexico City were not new, but their value was renewed by an urban elite grappling with the nation's historical geography. The capital saw fresh developments, including modern architecture and industry, while early excavations offered glimpses of Aztec Tenochtitlan buried beneath. This stratigraphic tension necessitated a reckoning; of concern here is the way that visual and intellectual cultures engaged in a particular cartographic reckoning. Colonial maps filled a void as artists, architects, art historians, and others worked to reconcile Mexico City’s modern identity with its ancient foundations.
      PubDate: Mon, 05 Nov 2018 11:07:13 PST
       
 
 
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