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  Subjects -> LANGUAGE AND LITERATURE (Total: 1733 journals)
    - LANGUAGE AND LITERATURE (647 journals)
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LANGUAGE AND LITERATURE (647 journals)                  1 2 3 4     

Showing 1 - 127 of 127 Journals sorted alphabetically
3L : Language, Linguistics, Literature     Open Access   (Followers: 20)
@nalyses     Open Access   (Followers: 2)
A Cor das Letras     Open Access  
a/b : Auto/Biography Studies : Journal of The Autobiography Society     Hybrid Journal   (Followers: 15)
Abgadiyat     Hybrid Journal   (Followers: 4)
Abril : Revista do Núcleo de Estudos de Literatura Portuguesa e Africana da UFF     Open Access  
Abusões     Open Access  
Ação Midiática : Estudos em Comunicação, Sociedade e Cultura     Open Access  
ACME : Annali della Facoltà di Studi Umanistici dell'Università degli Studi di Milano     Open Access   (Followers: 1)
Acquisition et interaction en langue étrangère     Open Access   (Followers: 4)
Acta Baltico-Slavica     Open Access   (Followers: 3)
Acta Literaria     Open Access   (Followers: 3)
Acta Neophilologica     Open Access  
AFRREV IJAH : An International Journal of Arts and Humanities     Open Access   (Followers: 4)
Aksara     Open Access   (Followers: 2)
Aksara : International Journal of Indonesian Literature     Open Access  
Alea : Estudos Neolatinos     Open Access   (Followers: 2)
Aletria : Revista de Estudos de Literatura     Open Access  
Algazarra : Revista do Centro de Pesquisa Comunicação e Cultura : Barroco e Mestiçagem     Open Access  
Alpha (Osorno)     Open Access  
American Book Review     Full-text available via subscription   (Followers: 9)
American Journal of Philology     Full-text available via subscription   (Followers: 9)
American Literary Realism     Full-text available via subscription   (Followers: 8)
American Literature     Full-text available via subscription   (Followers: 28)
Anagramas : Rumbos y Sentidos de la Comunicación     Open Access  
Anales Galdosianos     Full-text available via subscription  
Anàlisi : Quaderns de Comunicació i Cultura     Open Access  
Âncora : Revista Latino-Americana de Jornalismo     Open Access  
andererseits : Yearbook of Transatlantic German Studies     Open Access   (Followers: 3)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
Annales islamologiques     Open Access  
ANTARES (Letras e Humanidades)     Open Access  
Anuari de Filologia. Llengües i Literatures Modernes     Open Access  
Anuário de Literatura     Open Access  
Anuario Lope de Vega. Texto, literatura, cultura     Open Access  
Appalachian Heritage     Full-text available via subscription   (Followers: 4)
Arabia     Open Access  
Arbitrium     Hybrid Journal   (Followers: 8)
Arcadia - International Journal for Literary Studies     Hybrid Journal   (Followers: 9)
Arethusa     Full-text available via subscription   (Followers: 4)
Argumentation et analyse du discours     Open Access   (Followers: 5)
Arizona Quarterly: A Journal of American Literature, Culture, and Theory     Full-text available via subscription   (Followers: 14)
Ars Aeterna     Open Access  
Artelogie     Open Access   (Followers: 2)
Arthuriana     Full-text available via subscription   (Followers: 5)
Artl@s Bulletin     Open Access   (Followers: 1)
Arts et Savoirs     Open Access  
Asia Minor Studies     Open Access   (Followers: 3)
Atalanta : Revista de las Letras Barrocas     Open Access  
Atalaya     Open Access   (Followers: 1)
Aturá : Revista Pan-Amazônica de Comunicação     Open Access  
Australian Journal of French Studies     Full-text available via subscription   (Followers: 7)
Australian Literary Studies     Full-text available via subscription   (Followers: 5)
Azalea: Journal of Korean Literature & Culture     Full-text available via subscription   (Followers: 4)
Babel     Hybrid Journal   (Followers: 11)
Bahasa dan Seni : Jurnal Bahasa, Sastra, Seni, dan Pengajarannya     Open Access  
Bahastra     Open Access  
Balkanologie : Revue d'Études Pluridisciplinaires     Open Access   (Followers: 3)
Baltic International Yearbook of Cognition, Logic and Communication     Open Access   (Followers: 1)
Barnboken : Journal of Children's Literature Research     Open Access   (Followers: 4)
Between     Open Access   (Followers: 2)
Beyond Words     Open Access   (Followers: 1)
Biblioteca Escolar em Revista     Open Access  
Biography     Full-text available via subscription   (Followers: 17)
Black Camera     Full-text available via subscription   (Followers: 7)
Boletim de Pesquisa NELIC     Open Access  
Book History     Full-text available via subscription   (Followers: 114)
Bookbird: A Journal of International Children's Literature     Full-text available via subscription   (Followers: 12)
Brasiliana - Journal for Brazilian Studies     Open Access   (Followers: 1)
Brazilian Journalism Research     Open Access   (Followers: 1)
Bronte Studies     Full-text available via subscription   (Followers: 4)
Brookings-Wharton Papers on Financial Services     Full-text available via subscription   (Followers: 3)
Brumal. Revista de investigación sobre lo Fantástico     Open Access  
Bulletin for Spanish and Portuguese Historical Studies     Open Access   (Followers: 8)
Bulletin of the Center for Children's Books     Full-text available via subscription   (Followers: 5)
Bunron : Zeitschrift für literaturwissenschaftliche Japanforschung     Open Access   (Followers: 1)
Byron Journal     Hybrid Journal   (Followers: 1)
Byzantinische Zeitschrift     Hybrid Journal   (Followers: 14)
Byzantion Nea Hellás     Open Access   (Followers: 2)
Caderno de Letras     Open Access  
Caderno Seminal     Open Access  
Cadernos de Letras da UFF     Open Access  
Cahiers Balkaniques     Open Access   (Followers: 2)
Cahiers d'histoire. Revue d'histoire critique     Open Access   (Followers: 12)
Cahiers de civilisation espagnole contemporaine     Open Access   (Followers: 2)
Cahiers de littérature orale     Open Access  
Cahiers de recherches médiévales et humanistes     Open Access   (Followers: 10)
Cahiers du Monde Russe     Open Access   (Followers: 10)
Cahiers d’études italiennes     Open Access   (Followers: 6)
Cahiers franco-canadiens de l'Ouest     Full-text available via subscription   (Followers: 1)
Callaloo     Full-text available via subscription   (Followers: 12)
Cambridge Quarterly     Hybrid Journal   (Followers: 9)
Carnets : Revue électronique d'études françaises     Open Access  
Catedral Tomada. Revista de crítica literaria latinoamericana     Open Access  
CELEHIS : Revista del Centro de Letras Hispanoamericanas     Open Access  
Cervantes : Bulletin of the Cervantes Society of America     Full-text available via subscription   (Followers: 1)
Ceræ: An Australasian Journal of Medieval and Early Modern Studies     Open Access   (Followers: 2)
Chasqui. Revista Latinoamericana de Comunicación     Open Access   (Followers: 1)
Children's Literature Association Quarterly     Full-text available via subscription   (Followers: 16)
Chloe: Beihefte zum Daphnis     Full-text available via subscription   (Followers: 4)
Chrétiens et sociétés     Open Access   (Followers: 2)
Cipango     Open Access   (Followers: 4)
Cipango - French Journal of Japanese Studies. English Selection     Open Access   (Followers: 4)
CLCWeb : Comparative Literature and Culture     Open Access   (Followers: 11)
CLEaR     Open Access  
Cognitive Studies : Études cognitives     Open Access  
College Literature     Full-text available via subscription   (Followers: 11)
Colonial Academic Alliance Undergraduate Research Journal     Open Access   (Followers: 3)
Colorado Review     Full-text available via subscription   (Followers: 1)
Comparative Critical Studies     Hybrid Journal   (Followers: 18)
Comparative Literature     Full-text available via subscription   (Followers: 33)
Comparative Literature Studies     Full-text available via subscription   (Followers: 28)
Comparative Mythology     Open Access   (Followers: 4)
Comunicação & Sociedade     Open Access  
Configurations     Full-text available via subscription   (Followers: 6)
Conradiana     Full-text available via subscription   (Followers: 1)
Contemporary Literature     Full-text available via subscription   (Followers: 20)
Contemporary Pacific     Full-text available via subscription   (Followers: 7)
Contemporary Women's Writing     Hybrid Journal   (Followers: 9)
COnTEXTES     Open Access   (Followers: 1)
CoSMo | Comparative Studies in Modernism     Open Access  
CR : The New Centennial Review     Full-text available via subscription   (Followers: 3)
Criticism     Full-text available via subscription   (Followers: 9)
Criticón     Open Access   (Followers: 1)
Critique: Studies in Contemporary Fiction     Full-text available via subscription   (Followers: 9)
Cuadernos AISPI     Open Access  
Cuadernos de Ilustración y Romanticismo     Open Access  
Cuadernos de Rusística Española     Open Access  
Cuadernos LIRICO : Revista de la Red Interuniversitaria de Estudios sobre las Literaturas Rioplatenses Contemporáneas en Francia     Open Access   (Followers: 1)
Cuban Studies     Full-text available via subscription   (Followers: 5)
Cultures et conflits     Open Access   (Followers: 1)
Current Narratives     Open Access   (Followers: 12)
Current Objectives of Postgraduate American Studies     Open Access   (Followers: 1)
Current Writing : Text and Reception in Southern Africa     Hybrid Journal   (Followers: 3)
De Signos y Sentidos     Open Access  
De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief     Open Access   (Followers: 3)
Deuterocanonical and Cognate Literature Yearbook     Hybrid Journal  
Dialektika : Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia     Open Access  
Diálogos Latinoamericanos     Open Access  
Dialogues : An Interdisciplinary Journal of English Language Teaching and Research     Open Access  
Dicenda. Cuadernos de Filología Hispánica     Open Access  
Dickens Quarterly     Full-text available via subscription   (Followers: 1)
Diegesis : Interdisziplinäres E-Journal für Erzählforschung     Open Access  
DIGILEC : Revista Internacional de Lenguas y Culturas     Open Access  
Discours     Open Access   (Followers: 1)
Dix-Neuf     Hybrid Journal   (Followers: 3)
Drammaturgia     Open Access   (Followers: 1)
Dublin James Joyce Journal     Full-text available via subscription   (Followers: 1)
Dutch Crossing : Journal of Low Countries Studies     Hybrid Journal   (Followers: 3)
e-Journal of Linguistics     Open Access   (Followers: 2)
E-rea     Open Access   (Followers: 2)
e-Scripta Romanica     Open Access  
e-Spania     Open Access   (Followers: 1)
e-TEALS     Open Access   (Followers: 1)
Early American Literature     Full-text available via subscription   (Followers: 6)
Early Modern Culture Online     Open Access   (Followers: 35)
Ecotone     Full-text available via subscription  
Ecozon@ : European Journal of Literature, Culture and Environment     Open Access   (Followers: 4)
EDGE - A Graduate Journal for German and Scandinavian Studies     Open Access   (Followers: 4)
Educação & Linguagem     Open Access  
EID&A : Revista Eletrônica de Estudos Integrados em Discurso e Argumentação     Open Access  
Eighteenth-Century Fiction     Full-text available via subscription   (Followers: 17)
Éire-Ireland     Full-text available via subscription   (Followers: 7)
El Hilo de la Fabula     Open Access  
ELH     Full-text available via subscription   (Followers: 18)
ELOPE : English Language Overseas Perspectives and Enquiries     Open Access  
Eltin Journal : Journal of English Language Teaching in Indonesia     Open Access  
Emily Dickinson Journal     Full-text available via subscription   (Followers: 2)
Encyclopedia     Open Access  
English in Africa     Full-text available via subscription   (Followers: 3)
English in Aotearoa     Full-text available via subscription   (Followers: 1)
English in Australia     Full-text available via subscription   (Followers: 2)
English in Education     Hybrid Journal   (Followers: 10)
English Literature in Transition 1880-1920     Full-text available via subscription   (Followers: 6)
English Studies in Africa     Hybrid Journal   (Followers: 2)
English Text Construction     Hybrid Journal   (Followers: 6)
English Today     Hybrid Journal   (Followers: 9)
English: Journal of the English Association     Hybrid Journal   (Followers: 14)
Englisia Journal     Open Access  
Enthymema     Open Access  
Entrelaces     Open Access  
Entrevous : Littérature organique     Full-text available via subscription  
Epiphany     Open Access   (Followers: 4)
ESC: English Studies in Canada     Full-text available via subscription   (Followers: 3)
Escritura e Imagen     Open Access   (Followers: 1)
Eslavística Complutense     Open Access   (Followers: 1)
ESQ: A Journal of the American Renaissance     Full-text available via subscription   (Followers: 1)
Essays in Criticism     Hybrid Journal   (Followers: 16)
Essays in French Literature and Culture     Full-text available via subscription   (Followers: 6)
Estudios de Literatura Colombiana     Open Access  
Estudios de Teoría Literaria - Revista digital: artes, letras y humanidades     Open Access  
Estudios Ingleses de la Universidad Complutense     Open Access  
Estudis de Literatura Oral Popular / Studies in Oral Folk Literature     Open Access  
Estudos Linguísticos e Literários     Open Access  
Etnolingual     Open Access  
Études canadiennes / Canadian Studies     Open Access   (Followers: 1)
Études de lettres     Open Access   (Followers: 3)
Études Épistémè     Open Access  
Études françaises     Full-text available via subscription   (Followers: 4)
Études littéraires     Full-text available via subscription   (Followers: 4)

        1 2 3 4     

Journal Cover Between
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   ISSN (Print) 2039-6597
   Published by Università degli studi di Cagliari Homepage  [5 journals]
  • Blood relatives. Intertextuality of Tragic in Kleist and Kafka

    • Authors: Mauro Nervi
      Abstract: In a very famous letter to Felice, Kafka includes Kleist (with Dostoevskij, Flaubert and Grillparzer) in a group of «blood relative» writers; however, in the case of Kleist, Kafka’s interest was almost exclusively focused on the prose tale Michael Kohlhaas. I argue that the main intertextual connetion between Kafka and Kleist rests upon their common idea of the tragic (defined accordingly to Szondi’s Essay on the Tragic). For both, the tragic core consists in a lack of awareness, leading the main character to the final catastrophe. Both for Kleist and for Kafka, register and context are lowered if compared to classical tragedy: in Kohlhaas the main character is a merchant, in The Trial or The Metamorphosis a middle-class employee. However, in Kleist for the first time we have an authentically tragic element in the previously rather untragic prose tale, an element which will undergo huge developments in the following narrative until Dostoevskij. The general lack of awareness of the main character and the lowering of tragical context (which is reduced to everyday bourgeois routine) are also present in Kafka’s novels, which are surprising similar to Kleist’s tales from a textual, thematic and stylistic point of view. The Kleistian obsession for justice – often pointed out as a striking similarity with Kafka – turns out to be only a particular case of the general need to put the world in order, to bring back the world to a state of equilibrium, still untouched by the tragic event.
      PubDate: 2017-12-16
      DOI: 10.13125/2039-6597/2775
      Issue No: Vol. 7, No. 14 (2017)
       
  • Early Twentieth-Century: what is the attack against the tragic, what its
           defense

    • Authors: Mimmo Cangiano
      Abstract: Between the last few years of the nineteenth century and the beginning of the twentieth century the tragic discourse went through a significant revaluation. This, practically embodied in Henrik Ibsen, found expression both in the theoretical work of authors such as György Lukács and Otto Weininger, and in the artistic production of figures such as Hugo von Hofmannsthal or – in Italy – Scipio Slataper and Giovanni Boine. Early twentieth century tragic discourse represents an attempt to react to the epistemological crisis that – differently interpreted by authors such as Henri Bergson, Ernst Mach and clearly Friedrich Nietzsche – is imposing as the hegemonic thought of the first part of the century. Early twentieth century tragic discourse was therefore one of the main actors in the philosophical and artistic confrontation the followed the announcement of the “death of God”. It is actually possible to say that Modernist tragic represented one of the most effective weapons for those intellectuals that did not consider positively the cultural horizons embodied by nihilism and relativism. My article, on the one hand, briefly delineates the clash between tragic and anti-tragic conceptions in early twentieth century, clarifying the theoretical genealogies that underlined the two positions. On the other the article points out the connections between the two positions and structural developments of the time (Taylorism, specialization, atomization, etc.)
      PubDate: 2017-12-16
      DOI: 10.13125/2039-6597/2657
      Issue No: Vol. 7, No. 14 (2017)
       
  • Tragic Oedipus, Precarious Oedipus: Inheritance, Legacy and Crisis’
           Imaginary in Game of Thrones

    • Authors: Valentina Sturli
      Abstract: The purpose of this paper is to read the TV series Game of Thrones as a great contemporary narration in which themes and forms of epic and tragic genre intersect and are reconfigured.By analyzing the main narrative sequences of the plot, it will be shown that Game of Thrones stages an original version of oedipal conflict, which plays a key role in the conceptualization of fight between generations, at the confluence of individual aspirations and community rules. This point of view enables to investigate the subjects’ roles and functions in relation to their family units and to the social collectivity, in a serial narration fully focused on fighting for dynastic succession and on the management of power in times of war and turmoil.It will be proposed that the peculiar configuration of the oedipal theme in Game of Thrones deeply resonates whit the dynamics of increasing financial and social crisis of contemporary times.
      PubDate: 2017-12-16
      DOI: 10.13125/2039-6597/2694
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Star Černobyl’. Telling the Nuclear Disaster.

    • Authors: Gabriella Elina Imposti
      Abstract: From the Apocalypse: «... there went down from heaven a great star, burning like a flame, and it came on a third part of the rivers and on the fountains of waters. And the name of the star is Wormwood».Another word for Wormwood in Russian is “Černobyl’”. Once Soviet scientists maintained that nuclear power stations were «stars in the heavens of progress» that the government would disseminate within the URSS territory. Behind this pun, one can see the tragedy of the nuclear power station which after it explosion on April 26, 1986, is still nowadays spreading death, ruin and diseases. Is it an omen of the fall of the Soviet Empire' Is it a warning for humankind against its continual exploitation of the resources of the earth'This essay analyses the novel by the Russian dissident Julija Voznesenskaja The Star Černobyl’ (1987) in particular, comparing it with Christa Wolf’s novel Accident (1987), Vladimir Gubarëv's drama Sarcophagus: a Tragedy (1986) and Nobel Prize Svetlana Aleksievič's Chernobyl Prayer: A Chronicle of the Future, written ten years after the catastrophe. It is possible to analyse this novel from a feminist perspective: not by chance the main characters are three sisters who, through their testimony and sacrifice, contribute in keeping alive the memory of the tragedy.
      PubDate: 2017-12-13
      DOI: 10.13125/2039-6597/2787
      Issue No: Vol. 7, No. 14 (2017)
       
  • «I oppose to mourning a certain mannerism»: tragic Weltanschauung in
           last Pasolini's poetry

    • Authors: Gian Luca Picconi
      Abstract: This research, according to a historical perspective, tries to study why Pasolini, author of "tragic forma mentis", as relevant scholars said, since the late 1960s, even in front of tragic events of Italian history, chose humorous representation mode. The answer to this question is that Pasolini poses the problem of the tragic in relation to the Auerbach's theory of styles, according to whom styles were forms of Mimesis of several social forms of language: and the tragic style, primarily used to represent the people, appeared to Pasolini inadequate in the world of Afterhistory, in which the entire society tended to ideologically recognize herself in the neocapitalist bourgeoisie. Patmos, therefore, the poem dedicated to the massacre of Piazza Fontana, dealing with the anthropological disaster recorded by Pasolini, tries to express itself in humorous forms, since humor is not a rejection of the tragic, but rather its masking.
      PubDate: 2017-12-12
      DOI: 10.13125/2039-6597/2801
      Issue No: Vol. 7, No. 14 (2017)
       
  • Waiting for the Barbarians: Conrad, Kafka, Coetzee

    • Authors: Simona Micali
      Abstract: The threat of the “Barbarians at the gates”, who bring chaos and death upon civilization, has gradually become one of the thematic obsessions of contemporary imagination. Along the course of the 20th century, the Enemy became less and less the bearer of another culture, and more and more the carrier of a Nonculture or an Anticulture. Such evolution is particularly evident in popular imagination, in all the comics and blockbuster films which stage the final battle between the heros of (white, Western) civilization against a dreadful army of barbarian enemies. The article focus on three works – Heart of Darkness by Joseph Conrad, Beim Bau der chinesischen Mauer by Franz Kafka, Waiting for the Barbarians by J.M. Coetzee – which investigate on this mechanism from within, highlighting its ideological implications and its tragic potential.
      PubDate: 2017-12-05
      DOI: 10.13125/2039-6597/2794
      Issue No: Vol. 7, No. 14 (2017)
       
  • “Peripeteia” and “Ecstasy of Catastrophe”: Figures of Tragedy in
           the Novels of Proust and Joyce

    • Authors: Raffaello Rossi
      Abstract: The paper considers the presence of  subjects and structures belonging to the aesthetics of the tragic in the work of Marcel Proust and James Joyce. In the first place, the authors’ meditations on tragedies and on the concept of the tragic are compared; the influence derived from tragic plays such as Racine’s Phèdre and Shakespeare’s Hamlet is then analysed and commented on, following the intertextual links and their echo in the characters and plots in the Recherche and Ulysses. Finally, we seek to understand how the tragic meaning of events is developed beyond its aesthetic implications.
      PubDate: 2017-12-01
      DOI: 10.13125/2039-6597/2800
      Issue No: Vol. 7, No. 14 (2017)
       
  • Anrigone's Disorder

    • Authors: Sotera Fornaro
      Abstract: Antigone represents the tragedy of politics, that is, the reversal of the logic of the mechanisms of State power. Analysis of Sofocle's tragedy in the light of the Friedrich Hölderlin's
      'Notes' (1804) and its repercussions in the reception of 'Antigone' in Germany in the '70.
      PubDate: 2017-12-01
      DOI: 10.13125/2039-6597/2797
      Issue No: Vol. 7, No. 14 (2017)
       
  • Interweaving Stories. Hamlet in Jerusalem by Gabriele Vacis and
           Marco Paolini


    • Authors: Franco Nasi
      Abstract: In march 2016, playwright and director Gabriele Vacis, together with Marco Paolini and a group of young Palestinian and Italian actors staged Amleto in Jerusalem, the last production of a “school of theater” for adolescents, directed by Vacis and Paolini. Moving from a brief introduction to the pedagogical and aesthetic philosophy that inspired this educational experience, this article offers a critical description of the structurally complex performance, in which two different theatrical genres, storytelling and tragedy, are continuously intermingled.  In the performance the text by Shakespeare is revisited, deconstructed,  and represented through fragments, which becomes the fundamental dialectical reference for a reflection on problems crucial to the young Palestinian actors, as identity, relations, vengeance, oblivion. Situating this extraordinary theatrical event in relation to the reception of Hamlet in the Arab world, this article explores the narrative development of the reflection urged by an always contemporary Hamlet.
      PubDate: 2017-12-01
      DOI: 10.13125/2039-6597/2695
      Issue No: Vol. 7, No. 14 (2017)
       
  • Cassandra: logos and katastrophé on the Greek contemporary stage

    • Authors: Gilda Tentorio
      Abstract: In Greece, contemporary literature and theatre often resort to myth, above all to the Atrides, when they reflect on their recent history. In the last few years the theatre has been interested in Cassandra, the enigmatic prophetess who is the last witness of the collapse of civilization and visits our present on the weak raft of Memory and Tradition. Ancient Greeks killed her but modern Greeks still need her: in a country severely affected by the crisis, they are unable to describe the catastrophe. The authors focus on the problem of the logos: which language will Cassandra use to talk to XXI century' They also wonder which is her home in the post-mythical and post-modern era. The aim of this paper is to underline the original Greek approach to this mythical character: three paradigmatic plays (Flourakis’ Kassy, 2006; Pontikas’ Neighing, 2009; Dimitriadis’ Annunciation of Cassandra, 2009) employ a frantic, anti-conventional narration in the attempt to find the logos that conveys what can hardly be disclosed. 
      PubDate: 2017-12-01
      DOI: 10.13125/2039-6597/2699
      Issue No: Vol. 7, No. 14 (2017)
       
  • 'Mind and Body Walls’ in Goliarda Sapienza, Pina Bausch and
           Francesca Woodman's works

    • Authors: Alessandra Trevisan
      Abstract: A thematic itinerary which subtends literature, dance theatre and photography in an innovative plan. Some characteristics about these three authors will be demonstrated intersecting different fields in dialogue as cinema, philosophy and architecture in addition to the mentioned ones. Trying to catch outstanding aspects of the cultural context in which Bausch, Sapienza and Woodman lived and worked, recreating and crossing their “systems” then reading biography and autobiography beyond their works, applying new interpretations never explored before, it is possible to reconstruct the anatomy of a “tragic body” – central in this article –, both singular and plural. In every part it will reveal unknown and intertextual specificities.
      PubDate: 2017-12-01
      DOI: 10.13125/2039-6597/2766
      Issue No: Vol. 7, No. 14 (2017)
       
  • It Ends Wretchedly. Othello and Nonlinear Female Tragedy

    • Authors: Rocco Coronato
      Abstract: The articles focuses first on the Elizabethan theory of tragedy, being based on the Medieval traditioon of the Fall of Princes and then implemented with the discovery of Artistole’s Poetics. Then it shows how Othello, and more generally Shakespearian tragedy, veers away from this canonical format and instead pursues a model of plotmaking based on the imagery of weaving, as is made clear by the numerous references in the play to knitting and weaving and to women’s domestic work, resulting in a purposedly indistinct, complex result if compared to the canonical fall of the tragical hero.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2693
      Issue No: Vol. 7, No. 14 (2017)
       
  • Oedipus the King and Hamlet: A Descent to the Fathers

    • Authors: Chiara Lombardi
      Abstract: My contribution aims to highlight some relationships between Sophocles and Shakespeare starting from the main hypothesis regarding the circulation of the ancient Greek tragedy in the sixteenth-century Europe, and looking at the Freudian thesis. The analysis does not concerns single mythological figures, but involves the relationships between different symbols and characters: Oedipus, for example, may be seen not only behind the rich palimpsest of Hamlet, as has been widely shown, but also throughout King Lear’s complex plot and symbology. At the same time, Electra and Antigone could be considered as important patterns for understanding the notion of conflict in Hamlet. Accordingly, I would like to show that Shakespeare turns to Greek tragic models (and especially to Sophocles), in a sort of descent to fathers, in order to investigate and represent power in its abysmal – both familiar and individual – relationships.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2812
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Father's Shadow. The Torment of Revenge in Adelchi, Cid and
           Hamlet

    • Authors: Elena Maiolini
      Abstract: This study analyzes similarities and differences between the figures of Adelchi, in Alessandro Manzoni’s tragedy, and the Cid of Pierre Corneille, significantly close to some aspects of the Hamlet’s character, and between the figures of theirs fathers, eager for revenge whose fulfillment falls on the shoulders of their children. Through the analysis of the remarkable Manzoni’s comments on the Cid and their echo in the first version of the Promessi Sposi, it intends to observe the importance for the writer of the representation of the desire for revenge as a literary subject that leads to discovering pulsating motives of truth on man. 
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2785
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Trouble of Innocence: Tragedy, Theory and the Modern Novel

    • Authors: Cristina Savettieri
      Abstract: This article is divided into a premise and two parts: in the first, the author discusses how, from Aristotle’s Poetics onwards, tragic theory and criticism have tackled the issue of innocence and undeserved suffering; in the second, by analyzing the conventional opposition between tragedy and the novel, the author claims that the idea of the novel as an anti-tragic genre stems from a substantially anti-tragic idea of tragedy itself, which proves very resilient in modern theories. Undeserved suffering is then discussed as a conceptual means to overcome this theoretical stalemate.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3067
      Issue No: Vol. 7, No. 14 (2017)
       
  • "Me pare nu film" [It Looks Like a Movie]. High and Low
           Tragedy


    • Authors: Piermario Vescovo
      Abstract: A comparison between the medieval revival of tragedy and some contemporary experiences,, before and after the chronological area in which it becomes a normative "literary genre", tries to detect some characteristic features, taking as reference bands the theory of René Girard and Walter Benjamin's  essay on "destiny and character".
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3082
      Issue No: Vol. 7, No. 14 (2017)
       
  • The tragic before the tragic

    • Authors: Enrica Zanin
      Abstract: It is generally assumed that the tragic becomes a philosophical theory at the end of the eighteenth century, when Schelling and Hegel consider a genre (the tragedy) and draw from it a philosophical thought (the tragic). Before then, writes Szondi, there was no theory of the tragic, but only a poetics of the tragedy. I do not wish to criticize this assumption but rather to show that, before the philosophy of the tragic, there was an idea of the tragic (though fragmented and non systematic) that influenced and prepared its theory. In this paper, I will study its origins and its development through the analysis of the early modern uses of the words tragedy and tragic.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2764
      Issue No: Vol. 7, No. 14 (2017)
       
  • Atilius Regulus: A Tragic Hero in the Culture of the Eighteenth Century

    • Authors: Stefano Ferrari
      Abstract: Atilius Regulus is one of the many tragic heroes that the classical tradition has handed down to Western culture. His fortune in the eighteenth century, however, is marked by an almost unique peculiarity that specifically measures the transition from ancient to modern age. Unlike other figures, that of the Roman consul is submitted between the second half of the seventeenth century and the end of the eighteenth century to a careful philological examination that has the result not only to reject as historically groundless the famous episode of torture suffered in Carthage, but also that of the embassy held in front of the Rome senate to deal with peace between the two rival cities. Despite the authenticity of this last episode of the life of the Roman consul has been questioned, it has also met in the course of the eighteenth century a huge favor by poets, philosophers, art writers and painters.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2678
      Issue No: Vol. 7, No. 14 (2017)
       
  • Don Juan: eine Tragödie. Faustian intertextuality and tragic rewriting in
           E. T. A. Hoffmann's tale

    • Authors: Francesco Marola
      Abstract: The literary myth of don Juan, arose in the comedy, is reformulated in the direction of the tragic around 1800. The transformation begins with the Mozart-Da Ponte’s opera and finds fulfillment in Hoffmann’s tale, which projects the new tragic tone of the Mozartian finale on the whole myth. The purpose of the paper is to highlight the presence in the Don Juan of many intertextual references to Goethe’s Faust, not fully noticed by critics so far, through which it is possible to read such tragic rewritingas a declared synthesis of the two myths, where don Juan takes the role of Faust-Mephistopheles and donna Anna that of Gretchen. The rewriting of the myth culminates in the final mirroring of the narrator in Anna-Gretchen. But the value of the tragic is relativized in Hoffmann by the ironic self-consciousness of the romantic artist: confined to the fantastic world of art, it is meaningless in the prosaic reality of the bourgeois life.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2781
      Issue No: Vol. 7, No. 14 (2017)
       
  • Tragic and Tragedy: Ancient Conflicts and New Survivals

    • Authors: Arturo Mazzarella
      Abstract: The essay starts from the need to underline the profound irreconcilability existing in modern times between the terms of tragedy and tragic: two terms that, unlike what happened in the Greek tragedy, promptly revealed a profound divergence over the course of time. The conflict between opposing principles, but also deeply interwoven with each other, personified in the Birth of the tragedy of Nietzsche by Apollo and Dionysius, is present only in Greek tragedy. With the advent of Christianity - according to Hegel's interpretation in his youthful writings - precisely the figure of Christ bears witness, in the suffering required to bring his message of salvation, to the greatest tragedy. After this decisive event there will be no more room for the tragedy considered in its classical form. The tragic spirit will survive, with increasing vigor, in completely secularized genres: first of all, the novel. 
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3094
      Issue No: Vol. 7, No. 14 (2017)
       
  • Don Carlos: Variations of Tragic from Schiller to Verdi

    • Authors: Fabio Vittorini
      Abstract: In 1867 Giuseppe Verdi makes a grand opéra out of the dramatic poem Don Carlos, Infant von Spanien (1787) by Friedrich von Schiller. The workshop of Don Carlos lasts twenty years, from 1866 to 1886, when Verdi (re)opens and closes several other workshops (Simon Boccanegra, La forza del destino, Aida, Requiem, Otello), creating a porous work in progress, whose analysis keeps giving us surprises. The libretto by Joseph Méry et Camille Du Locle, under the supervision of the composer, is a palimpsest where, under the official text referable to the common historical nucleus and its best known literary versions, some hidden or deleted heterogeneous texts appear, in a supranational, multilinguistic, intercultural and intertextual dimension, not always stirring along the road of a locatable derivation, of a voluntary imitation, but sometimes taking the shape of an unpredictable dissemination.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2663
      Issue No: Vol. 7, No. 14 (2017)
       
  • Virginia: a Political Subject for the European Tragedy between the
           Seventeenth and the Eighteenth Century

    • Authors: Enrico Zucchi
      Abstract: The paper takes into account several tragedies based on the Roman subject – drawn by Titus Livius – of Appio and Virginia, composed in English, French and Italian between the seventeenth and eighteenth centuries, in order to show how the subject's progressive refinement allows the dramatists to cope with essential matters of the Early modern political philosophy, from the relationship between the sovereign and the law to the gap between public and private happiness. The analysis aims to prove that, at the beginning of the eighteenth century, the subject of Virginia becomes an unavoidable passage for dramatist interested in representing political tragedies.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2720
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Journey Without νόστος: Franz Kafka and
           Gracco

    • Authors: Raffaella Bertazzoli
      Abstract: The short story Gracchus Hunter written by Franz Kafka (1917) is about the ‘unheimlich’ adventure of Gracchus, a dead man traveller and Kafka’s alter ego, who is unable to overcome the limits of life. The inattentive boatman Charon takes a wrong path and Gracchus is compelled to roam in the sea - that is in the border between life and death - forever. This story is an allegory of Kafka's existential condition of illness and discomfort.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3064
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Faceless Masks. The Tragic “Hero” in the Nouveau Roman

    • Authors: Andrea Chiurato
      Abstract: As many other experimental writers of the XX century, the nouveaux romanciers have paid a particular attention to the role and the scope of the tragedy in the modern world. By questioning its conceptual and prototypical structures they thus wished to understand its everlasting influence on our civilisation and, at the same time, to undercover its ideological underpinnings. That’s perhaps the reason behind their fascination for the long vexed questions related to status of the tragic hero in the contemporary age; the same questions which, since the beginning of the Fifties, aroused a heated debate among themselves.Robbe-Grillet – the leading light of the group – regarded indeed such figure with a certain suspicion because of its close connection with the notions of “fate” and “destiny”; while other novelist, as Michel Butor, rather praised its potential as a metaphor of the human condition. The aim of my paper to provide an overview of their production from Les gommes (1953) and L’emploi du temps (1956) to Sphinx en chapeau (1984) in order to highlight their different approaches to the same subject – the story of Oedipus – as well as the differences between their own artistic visions.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2681
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Myth of Ulysses in the Postwar Novel: Tragic and Anti-tragic mode in
           Stefano D’Arrigo and Walter Jens

    • Authors: Nora Moll
      Abstract: In Twentieth Century’s Literature, the various declinations and rewritings of the Odysseus’ theme were conducted both in the tragic and the anti-tragic mode: the latter involving often, but not necessarily, the use of narrative strategies of parody. Referring to Hans Blumenberg (1979), we can speak of a constant “work on myth” that goes hand in hand with the development of postmodern poetics and elaboration of history, characterized by different narrative styles and strategies depending on the literary and cultural context in which they are inserted. Starting from one of the main theories about literary rewriting, as well as about mythopoetic and mythocritical discourse in twentieth century, this article aims to examine in a comparative perspective two novels, conceived almost at the same time in the Fifties, even if published separated by a distance of years. This is the "Mediterranean" novel Hocynus Orca (1975), by the Sicilian Stefano D'Arrigo, and Das Testament des Odysseus (1957), by the German writer Walter Jens, who is also known for his theoretical work on Greek mythology and tragedy. In these novels both authors choose the odyssean hypotext for liaising with the difficult legacy of World War II, but also to express its positioning in the contemporary world. The need to "complete" (Blumenberg) the myth of Ulysses thus produces in D'Arrigo a reinterpretation of the novel in the epic and tragic way, while Jens escapes to the anti-tragic modus offering to its anti-hero a secondary way out from his own myth.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2697
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Polymorphous Return of the Tragic in J. Littell e M. Amis

    • Authors: Emanuela Piga
      Abstract: In this article I intend to analyse Jonathan Littell’s novel Les Bienveillants (2006) and Martin Amis’s novel The Zone of Interest (2014) in their dealing with the traumatic events of the Twentieth Century through literary writing and in their conveying meaning in terms of remembrance and historical awareness of collective traumas. In particular, I tackle the relationship between historical consciousness and the return of the tragic, as a way to identify in the representation of the inner rupture of the self the connection between the psychoanalytic dimension and the tragic dimension, and between private and political unconscious.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2803
      Issue No: Vol. 7, No. 14 (2017)
       
  • Looking Back in Anger. Bianciardi and the Masks of Melancholia

    • Authors: Diego Varini
      Abstract: This paper analyzes the concept and perception of melancholia in Luciano Bianciardi’s works, in the context of his cultural framework and especially the American authors he deeply knew as translator. Through close reading and discourse analysis, the melancholia originating from Bianciardi’s critique to contemporary life and his simultaneous tragic inability to find a suitable alternative is traced in some of his literary works and compared to the American antecedents. The conclusion pinpoints the similarities between the social and cultural representation brought about by authors such as Saul Bellow and John Barth, and the (even more complex and contradictory) reading of Italian society of the Sixties performed in Bianciardi’s works.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2808
      Issue No: Vol. 7, No. 14 (2017)
       
  • Tragedy and Delirium in Montevideo: The Theater of Copi

    • Authors: Stefano Casi
      Abstract: In his comic plays, French-Argentine playwright Copi (1939-1987) faces tragedy. References and forms from tragedy are plunged in humor and camp, within a framework characterized by the most extreme relativism – life and death coincide and every character (often transgender character) affirms and denies his/her identity. Copi's “heroes” show a lack of will, that leads their titanic efforts to become losers and they break into stalemate or ridiculous results. His plays are “circus” and “tragedy”, as protagonist of Cachafaz (1981) says. In Cachafaz, defined by the author “barbarian tragedy”, the tradition of Argentine gauchesco combines with a bloody and supernatural concept of tragedy, recalling Macbeth and The Bacchae. The language of the humorous and camp comedy is the basis for the reconstruction of a new tragic language, and the whole theatrical corpus of Copi doesn’t appear as parody or desecration, but as a “reactivation” of tragedy in the century of its “death” (Steiner).
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2765
      Issue No: Vol. 7, No. 14 (2017)
       
  • Critical awareness in the post atomic age: Günther Anders's Diary of
           Hiroshima and Nagasaki and Ōe Kenzaburō's Hiroshima Notes

    • Authors: Luisa Bienati
      Abstract: In my essay, I propose an unparalleled comparison between the Hiroshima and Nagasaki diary of the German philosopher Günter Anders who recounts his experience in Japan in 1958 at the "IV International Congress on Atomic and Nuclear Weapons and Disarmament" and the diary that the Nobel Prize for Literature of 1994, Ōe Kenzaburō, wrote in 1963 at the "IX World Conference Against Atomic and Hydrogen Bombs in Hiroshima" in Hiroshima. The center of my analysis is the narrative of the catastrophe as seen from the eyes and the different perspectives of those who have devoted themselves to the nuclear war in Europe (Anders) and Japan (Ōe). The difficulties of a “language of the catastrophe” that both authors experience and the moral problems that the nuclear era has placed on both the victims and those who have faced the theme of survival choices in the face of the danger and the fear of "atomic illness" are explored. Also addressed will be the symbolic power of Hiroshima and the message that tragedy leaves to the contemporary man forced to live in this post-atomic era, living with what Anders calls the "promethean gap", the ever more incoherent distance between man and his technical-scientific discoveries.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2687
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Tragedy of Migrants. Gabriele Del Grande's Reportage

    • Authors: Luigi Franchi
      Abstract: With the expression "tragedy of migrants" mainstream media usually refer to the ever-increasing number of shipwrecks of migrant ships in the Mediterranean Sea. Despite its literary connotation, the term “tragedy” does not help to explain the reasons for the death of thousands of people in the last few years. On the contrary, Gabriele Del Grande’s Mamadou va a morire (2007) and Il mare di mezzo (2010), thanks to the hybrid nature of the reportage forms, cast a new light on the interpretation of the migratory phenomenon: the joint action of the journalist approach and the literary imagination can help to grasp the complexity of this tragic events. Moreover, the reverberations in Del Grande’s works of some elements of Classical tragedy allow an interpretation of these reportage based on the “mythical method”: this reading strategy can be a useful resource to prevent the denial of the audience and to generate forms of solidarity between the migrants and the members of societies who welcome them.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2795
      Issue No: Vol. 7, No. 14 (2017)
       
  • The Tragedy of Work: Working Class Heroes in the Italian 21st-century
           Literature

    • Authors: Claudio Panella
      Abstract: The paper aims at exploring how the literary representation of the worker has changed between the end of 20th-century and the beginning of the 21st-century. With the fall of the 20th-century ideologies and raising the fragmentation of labour, texts have emerged in Italian literature which illustrated the tragic social and existential condition of the working class. Among these texts we can find some récits de filiation written by sons and daughters of workers whose health and ideals have been undermined even down to death. These typology of texts let emerged two equally tragic characters: fathers, ill and defeated but still working class heroes and sons, tragically conscious of their roles witnesses-superstites of those ‘denied heroes’. Among the texts being tackled in the paper Il nemico (2009) by Emanuele Tonon, Amianto (2012) by Alberto Prunetti, Il fuoco a mare (2015) by Andrea Bottalico, Ilva Football Club (2016) by Fulvio Colucci and Lorenzo d’Alò
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2716
      Issue No: Vol. 7, No. 14 (2017)
       
  • «I’ll kill him and I’ll eat him!»: Peter Greenaway and the cinematic
           Trauerspiel

    • Authors: Mattia Petricola
      Abstract: The career of British director Peter Greenaway, now more than four decades long, has often been animated by a profound interest in what one may call the aesthetics of death. This is particularly true for his 80s and 90s films, which explore a wide array of strategies for the staging and ritualization of death. In The Cook, the Thief, his Wife & Her Lover (1989), for the first time, this interest takes Greenaway into the territories of the tragic.I propose to rethink the fundamental relationship that Greenaway’s film entertains with the narrative and aesthetic forms of the tragic. More precisely, I suggest to interpret The Cook in the light of the reflections on the Trauerspiel (mourning-play) that Walter Benjamin elaborates in The Origin of German Tragic Drama [Ursprung des deutschen Trauerspiels]. After giving a short account of the first macro-section of Benjamin’s essay, I will argue that the opposition between the Thief and the Lover mirrors the Trauerspiel’s opposition between Tyrant and Martyr, that Benjamin regards as one of the conceptual cores of this theatrical form. This, in turn, reflects the presence in the film of a more abstract conflict between two systems for the construction of knowledge and experience. By drawing on Benjamin’s study, I will trace this conflict back to the opposition between nature and books in baroque culture.The battle between the Thief/Tyrant and the Lover/Martyr takes the form of a succession of rites and counter-rites for the (un)making of social bonds, and the film constructs these rites by clearly referring to the Christian imagination and its subversion. I will contend that the motif of the subversion of the Holy Communion can provide us with a unifying key for the interpretation of the film. From a semiotic perspective, this manipulation consists in the substitution of what our culture constructs as food with its dysphoric counterparts: decay, excrement, and human flesh. 
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2788
      Issue No: Vol. 7, No. 14 (2017)
       
  • Each Girl Kill the Thing she Loves. Melodramatic Variations on the
           Contemporary Scene

    • Authors: Stefania Rimini
      Abstract: This essay attempts to draw an innovative map of melodramatic sensitivity according to specific criteria of genre and form. It derives its inspiration from themes found in Fassbinder's cinematgraphy - such as the complex interplay of love, power and desire - and then proceeds on three different axes based on The bitter tears of Petra von Kant, A Streetcar Named Desire andVeronika Voss. Each section analyzes its subject in parallel with with some theatre revisions, combining thematic issues and semiotic patterns. 
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3081
      Issue No: Vol. 7, No. 14 (2017)
       
  • Iconografie del melodrammatico fin de siècle: Salomé di Wilde/Beardsley
           e La signorina Else di Schnitzler/Fior

    • Authors: Beatrice Seligardi
      Abstract: The article aims at comparing two works that show a melodramatic representation of the fin de siècle woman: the tragic drama Salome written by Oscar Wilde and illustrated by Aubrey Beardsley and the graphic novel La signorina Else by Manuele Fior based on Schnitzler's novel.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/2799
      Issue No: Vol. 7, No. 14 (2017)
       
  • Interview with Paolo Puppa

    • Authors: Alessandro Cinquegrani
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3105
      Issue No: Vol. 7, No. 14 (2017)
       
  • Michele Cometa, Archeologie del dispositivo

    • Authors: Angela Albanese
      Abstract: Review of the book Archeologie del dispositivo. Regimi scopici della letteratura by Michele Cometa 
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3163
      Issue No: Vol. 7, No. 14 (2017)
       
  • Adam Kirsch, The Global Novel. Writing the World in the 21st
           Century

    • Authors: Francesco Barbieri
      Abstract: Review of the book The Global Novel. Writing the World in the 21st Century by Adam Kirsch.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3164
      Issue No: Vol. 7, No. 14 (2017)
       
  • Luciano Curreri, Play it again, Pinocchio. Saggi per una storia delle
           «pinocchiate»

    • Authors: Veronica Bonanni
      Abstract: Review of the book Play it again, Pinocchio. Saggi per una storia delle «pinocchiate» by Luciano Curreri.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3165
      Issue No: Vol. 7, No. 14 (2017)
       
  • Graziella Parati, Migrant Writers and Urban Space in Italy. Proximities
           and Affect in Literature and Film

    • Authors: Simone Brioni
      Abstract: Review of the book Migrant Writers and Urban Space in Italy. Proximities and Affect in Literature and Film by Graziella Parati. 
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3166
      Issue No: Vol. 7, No. 14 (2017)
       
  • Michela Graziani – Salomé Vuelta García (eds.), Traduzioni,
           riscritture, ibridazioni. Prosa e teatro fra Italia, Spagna e Portogallo

    • Authors: Paolo Caboni
      Abstract: Review of the book Traduzioni, riscritture, ibridazioni Prosa e teatro fra Italia, Spagna e Portogallo edited by Michela Graziani – Salomé Vuelta García.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3167
      Issue No: Vol. 7, No. 14 (2017)
       
  • Angus Fletcher, The Topological Imagination. Spheres, Edges, and
           Islands

    • Authors: Corrado Confalonieri
      Abstract: Review of the book The Topological Imagination. Spheres, Edges, and Islands by Angus Fletcher.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3168
      Issue No: Vol. 7, No. 14 (2017)
       
  • Paola Bacchetta – Laura Fantone (eds.), Femminismi queer postcoloniali.
           Critiche transnazionali all’omofobia, all’islamofobia e
           all’omonazionalismo

    • Authors: Lorenzo Mari
      Abstract: Review of the book Femminismi queer postcoloniali. Critiche transnazionali all’omofobia, all’islamofobia e all’omonazionalismo edited by Paola Bacchetta and Laura Fantone.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3169
      Issue No: Vol. 7, No. 14 (2017)
       
  • Daniela Brogi – Tiziana De Rogatis – Cristiana Franco – Lucinda
           Spera (eds.), Nel nome della madre. Ripensare le figure della maternità

    • Authors: Serena Todesco
      Abstract: Review of the book Nel nome della madre. Ripensare le figure della maternità edited by Daniela Brogi, Tiziana De Rogatis, Cristiana Franco, Lucinda Spera.
      PubDate: 2017-11-30
      DOI: 10.13125/2039-6597/3170
      Issue No: Vol. 7, No. 14 (2017)
       
 
 
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