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  Subjects -> MUSEUMS AND ART GALLERIES (Total: 35 journals)
American Museum Novitates     Open Access   (Followers: 5)
Archives and Manuscripts     Partially Free   (Followers: 17)
Archives and Museum Informatics     Hybrid Journal   (Followers: 159)
Curator     Hybrid Journal   (Followers: 12)
Journal of Archival Organization     Hybrid Journal   (Followers: 7)
Journal of Conservation and Museum Studies     Open Access   (Followers: 16)
Journal of Curatorial Studies     Hybrid Journal   (Followers: 5)
Journal of Educational Media, Memory, and Society     Full-text available via subscription   (Followers: 19)
Journal of Jewish Identities     Full-text available via subscription   (Followers: 7)
Journal of Land Use Science     Hybrid Journal   (Followers: 2)
Journal of the History of Collections     Hybrid Journal   (Followers: 12)
Journal of the Institute of Conservation     Hybrid Journal   (Followers: 21)
Journal of the Society of Archivists     Hybrid Journal   (Followers: 8)
Journal of the South African Society of Archivists     Full-text available via subscription   (Followers: 1)
La Lettre de l’OCIM     Open Access  
Land Use Policy     Hybrid Journal   (Followers: 8)
Memoirs of the Queensland Museum, Culture     Full-text available via subscription   (Followers: 1)
Metropolitan Museum Journal     Full-text available via subscription   (Followers: 9)
MIDAS     Open Access  
Mouseion     Open Access  
Museum Anthropology     Hybrid Journal   (Followers: 11)
Museum Anthropology Review     Open Access   (Followers: 6)
Museum History Journal     Hybrid Journal   (Followers: 8)
Museum International     Hybrid Journal   (Followers: 12)
Museum International Edition Francaise     Hybrid Journal   (Followers: 2)
Museum Management and Curatorship     Hybrid Journal   (Followers: 14)
Museums & Social Issues     Hybrid Journal   (Followers: 9)
Museums Journal     Full-text available via subscription   (Followers: 5)
RBM : A Journal of Rare Books, Manuscripts, and Cultural Heritage     Full-text available via subscription   (Followers: 18)
Revista de Museología : Kóot     Open Access   (Followers: 1)
Revista del Museo de Antropología     Open Access  
Studies in Culture & Innovation     Hybrid Journal   (Followers: 6)
Technology and Culture     Full-text available via subscription   (Followers: 13)
Tejuelo : Revista de ANABAD Murcia     Open Access   (Followers: 4)
Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa”     Open Access  
Journal Cover Journal of Jewish Identities
   [9 followers]  Follow    
   Full-text available via subscription Subscription journal
     ISSN (Print) 1939-7941 - ISSN (Online) 1946-2522
     Published by Project MUSE Homepage  [360 journals]
  • Salvage Poetics: S.Y. Agnon’s A Guest for the Night1
    • Abstract: <p>By Sheila E. Jelen</p> In their now-classic anthology, Writing Culture: The Poetics and Politics of Ethnography, James Clifford and George E. Marcus focus on “the making of ethnographic texts” and look “critically at one of the principal things ethnographers do—that is, write.” 2 Clifford and Marcus’s landmark collection is focused on how culture is inscribed in language; every field study written as the result of a course of ethnographic observation and study, must be considered, first and foremost, as a text. Around the same time that anthropologists sought to understand the role of literary consciousness in the writings of ethnographies, literary scholars were looking for anthropological tools to use in order to extrapolate culture ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.jelen.html">Read More</a>
      PubDate: 2014-02-02T00:00:00-05:00
       
  • Material Visions: The Poetry and Collage of Leah Goldberg’s Native
           Landscapes
    • Abstract: <p>By Barbara Mann</p> In a diary entry from 1937, Leah Goldberg, living in Tel Aviv, and generally basking in the warm critical reception afforded upon her arrival in the city two years earlier, makes this offhand speculation: “By the way,” she writes, “why have I recently stopped loving Jesus'”1 Goldberg, a Lithuanian native, was a leading figure of the moderna, the first wave of Hebrew modernist poetry in Palestine, and also a prolific translator from Russian, German, French, and Italian; in addition to nine volumes of poetry, she published several novels, a number of plays, volumes of literary scholarship, journalistic essays, and a series of books for children which have become classics. These works, as well as her diaries, are ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.mann.html">Read More</a>
      Keywords: Goldberg, Leah, 1911-1970
      PubDate: 2014-02-02T00:00:00-05:00
       
  • The End of “Language Wanderings'” Yiddish in David
           Grossman’s Ayen erekh: ahava and Aharon Megged’s Foiglman
    • Abstract: <p>By Yael Chaver</p> khanelen a matonele be-ahava1 The mid-1980s saw the publication in Israel of two Hebrew novels in which Yiddish figures largely: David Grossman’s Ayen erekh: ahava (See Under: Love) and Aharon Megged’s Foiglman.2 In both these novels, which are set in Israel, the relationship of native-born Israelis to Yiddish is a crucial theme. The language serves as a key to unlocking part of the protagonists’ heritage and in the process redefines their personalities; it is Yiddish that impels and enables them to set out on a hazardous journey of self-discovery. While they are not the only relatively recent works of Hebrew fiction to incorporate Yiddish into their fabric, these novels are perhaps the most salient ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.chaver.html">Read More</a>
      Keywords: Grossman, David. ʻAyen ʻerekh--ahavah.
      PubDate: 2014-02-02T00:00:00-05:00
       
  • The Language that was Lost on the Roads: Discovering Hebrew through
           Yiddish in Aharon Appelfeld’s Fiction
    • Abstract: <p>By Shachar Pinsker</p> One of the guiding principles of Chana Kronfeld’s work as a scholar, teacher and translator is the absolute necessity of understanding modern Hebrew literature in its multilingual contexts. This principle is clearly at work in her magnum opus on Hebrew and Yiddish modernist poetry,1 as well as in numerous articles and lectures. In one such lecture, the 2005 keynote address at the conference of the National Association of Professors of Hebrew, Kronfeld suggested that “the first Israeli phase of modern Hebrew poetry (known as the “Statehood Generation”) may have been mediated by, indeed partially modeled on…the once-flourishing international Yiddish modernism.”2 She ended the lecture claiming that such “submerged ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.pinsker.html">Read More</a>
      Keywords: Apelfeld, Aharon
      PubDate: 2014-02-02T00:00:00-05:00
       
  • Translation on the Margins: Hebrew-German-Yiddish Multilingualism in
           Avraham Ben Yitzhak and Yoel Hoffmann
    • Abstract: <p>By Maya Barzilai</p> One of the activities that took place on the margins of European modernism and constituted those margins as such was translation. Translation as a whole can be viewed as a marginal pursuit in a number of senses: for one, the work of the translator, as Laurence Venuti has claimed for the cases of American and British cultures, often tends to be marginal and “invisible,” aimed at producing a “fluent” and readable text that does not call attention to itself;1 translation has also been looked upon as marginal to original literary production in a particular language, a mere means to the end of enhancing the target language and its literature. In On the Margins of Modernism, Chana Kronfeld reminds us, however, that ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.barzilai.html">Read More</a>
      Keywords: Ben Yiẓḥak, Avraham, 1883-1950
      PubDate: 2014-02-02T00:00:00-05:00
       
  • What Does It Mean to Write a Modern Jewish Sonnet' Some Challenges of
           Yiddish and Hebrew
    • Abstract: <p>By Jordan Finkin</p> To Chana Kronfeld, whose love for people and for poetry is a gift There is a remarkably extensive body of both discursive and theoretical literature on the sonnet, encompassing all aspects of its history, structure, contents, thematics, and prosody. What is equally remarkable is just how little theory exists for the modern Jewish sonnet, in Yiddish and Hebrew. This lack of a robust body of sonnet theory—either by scholars or practitioners—short of, that is, descriptions of individual poems or cycles, means that these preliminary comments must remain fairly conjectural. Two notable historical realities provided the stimulus for this essay. The first is the fact that within less than a century, perhaps some ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.finkin.html">Read More</a>
      Keywords: Sonnets, Hebrew
      PubDate: 2014-02-02T00:00:00-05:00
       
  • The Purim-shpiler and the Melancholy Clown: Folk Performance between
           Tradition and Modernism in the Work of Avraham Shlonsky and Moyshe
           Broderzon
    • Abstract: <p>By Zehavit Stern</p> The special Purim double issue of the literary journal Turim (Columns) was indeed, as promised in the previous number, sizable and delightful, offering “old time jests by renowned people to read on the joyous holiday.” Turimpurim, which came out a day before Purim, on February 28, 1934, presented light poems (pizmonim) by Nathan Alterman and Avraham Shlonsky, and jokes, caricatures, and Purim-related drawings alongside articles on subjects such as the spirit of Purim or, quite differently, the charm of actresses. In line with the purimesque topic yet quite in contrast to its cheerful atmosphere, the cover page presented a poem by Shlonsky, entitled “Mukyon ki yivke...” (When a Clown Cries...), suitably accompanied ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.stern.html">Read More</a>
      Keywords: Shlonsky, Abraham, 1900-1973
      PubDate: 2014-02-02T00:00:00-05:00
       
  • Milgroym, Rimon and Interwar Jewish Bilingualism
    • Abstract: <p>By Naomi Brenner</p> This article is dedicated to Chana Kronfeld, who introduced me to Hebrew and Yiddish literatures and their intersections. In 1922, a Jewish reader could have walked into several shops in Berlin’s Schöneberg neighborhood, Max N. Maisel’s bookstore on Grand Street in New York, Hasefer on D’Arblay Street in London, or Farlag Yiddish on Robert Street in Toronto and come across the striking covers of two related new magazines, the Yiddish Milgroym and the Hebrew Rimon, both of which mean “pomegranate.” In contrast to the small dense typography of Hebrew journals such as Ha-shiloach, with businesslike front covers that channeled its scholarly intentions as much as its modest budget, or the hand-drawn covers ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.brenner.html">Read More</a>
      Keywords: Jews
      PubDate: 2014-02-02T00:00:00-05:00
       
  • On the Margins and Other Impossible Spaces
    • Abstract: <p>By Naomi Seidman</p> My friend tells an old Yiddish joke about a rabbi who comes into the synagogue during the Days of Awe, prostrates himself in front of the Holy Ark and says: “Master of the universe, forgive me for I am nothing.” A few minutes later, the chazn (cantor) walks in, prostrates himself in front of the ark of the Torah and says: “Master of the universe, forgive me for I am nothing.” After yet a few more minutes, in comes the lowly shammes (synagogue sexton), who prostrates himself in front of the ark and says: “Master of the universe, forgive me for I am nothing.” Hearing this, the rabbi sits up, pokes the chazn, and, pointing to the shammes, says: “Look who’s a nothing!” (ze nor ver s’iz a gornisht). If the ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.seidman.html">Read More</a>
      Keywords: Jewish literature
      PubDate: 2014-02-02T00:00:00-05:00
       
  • The Berkeley School of Jewish Literature
    • Abstract: <p>By David Shneer, Robert Adler-Peckerar</p> It was a seminar on Yiddish and Hebrew literature early in my graduate career, sometime in the mid-1990s. Chana Kronfeld’s classes usually took place in the lovely living room or dining room of her home, really more of a classic Victorian salon, the space in which my best graduate learning happened at Berkeley. Chana’s salon was my intellectual home at Berkeley, where I met the people who would become my lifelong colleagues, teachers, and friends, and where I fell in love with reading. I would even go one step further; Chana Kronfeld taught me to read. Of course, it was my parents and kindergarten teacher who taught me to discern individual letters, put them together to make words, and to put those words ... <a href="http://muse.jhu.edu/journals/journal_of_jewish_identities/v007/7.1.shneer.html">Read More</a>
      Keywords: Jewish literature
      PubDate: 2014-02-02T00:00:00-05:00
       
 
 
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