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  Subjects -> HUMANITIES (Total: 884 journals)
    - ASIAN STUDIES (157 journals)
    - CLASSICAL STUDIES (111 journals)
    - ETHNIC INTERESTS (156 journals)
    - GENEALOGY AND HERALDRY (7 journals)
    - HUMANITIES (280 journals)
    - NATIVE AMERICAN STUDIES (28 journals)

HUMANITIES (280 journals)                  1 2     

Showing 1 - 71 of 71 Journals sorted alphabetically
Aboriginal and Islander Health Worker Journal     Full-text available via subscription   (Followers: 14)
Aboriginal Child at School     Full-text available via subscription   (Followers: 4)
About Performance     Full-text available via subscription   (Followers: 11)
Access     Full-text available via subscription   (Followers: 26)
ACCESS: Critical Perspectives on Communication, Cultural & Policy Studies     Full-text available via subscription   (Followers: 11)
Acta Academica     Full-text available via subscription   (Followers: 5)
Acta Universitaria     Open Access   (Followers: 4)
Adeptus     Open Access   (Followers: 1)
Advocate: Newsletter of the National Tertiary Education Union     Full-text available via subscription   (Followers: 2)
African and Black Diaspora: An International Journal     Hybrid Journal   (Followers: 11)
African Historical Review     Hybrid Journal   (Followers: 17)
AFRREV IJAH : An International Journal of Arts and Humanities     Open Access   (Followers: 2)
Agriculture and Human Values     Hybrid Journal   (Followers: 12)
Akademika : Journal of Southeast Asia Social Sciences and Humanities     Open Access   (Followers: 4)
Aldébaran     Open Access   (Followers: 3)
Altre Modernità     Open Access   (Followers: 3)
Amaltea. Revista de mitocrítica     Open Access   (Followers: 1)
American Imago     Full-text available via subscription   (Followers: 3)
American Journal of Humanities and Social Sciences     Open Access   (Followers: 10)
American Review of Canadian Studies     Hybrid Journal   (Followers: 7)
Anabases     Open Access  
Analyse & Kritik. Zeitschrift f     Full-text available via subscription   (Followers: 1)
Angelaki: Journal of Theoretical Humanities     Hybrid Journal   (Followers: 16)
Antik Tanulmányok     Full-text available via subscription  
Antipode     Hybrid Journal   (Followers: 47)
Anuario Americanista Europeo     Open Access  
Arbutus Review     Open Access  
Argumentation et analyse du discours     Open Access   (Followers: 6)
Ars & Humanitas     Open Access   (Followers: 7)
Arts and Humanities in Higher Education     Hybrid Journal   (Followers: 33)
Asia Europe Journal     Hybrid Journal   (Followers: 4)
Australasian Journal of Popular Culture, The     Hybrid Journal   (Followers: 2)
Behaviour & Information Technology     Hybrid Journal   (Followers: 52)
Behemoth     Open Access   (Followers: 3)
Bereavement Care     Hybrid Journal   (Followers: 10)
Cahiers de praxématique     Open Access   (Followers: 1)
Carl Beck Papers in Russian and East European Studies     Full-text available via subscription   (Followers: 5)
Child Care     Full-text available via subscription   (Followers: 8)
Choreographic Practices     Hybrid Journal   (Followers: 1)
Chronicle of Philanthropy     Full-text available via subscription   (Followers: 2)
Ciencias Sociales y Humanidades     Open Access   (Followers: 1)
Claroscuro     Open Access   (Followers: 1)
Co-herencia     Open Access  
Coaching: An International Journal of Theory, Research and Practice     Hybrid Journal   (Followers: 9)
Cogent Arts & Humanities     Open Access   (Followers: 3)
Colloquia Humanistica     Open Access  
Communication and Critical/Cultural Studies     Hybrid Journal   (Followers: 26)
Comprehensive Therapy     Hybrid Journal   (Followers: 3)
Congenital Anomalies     Hybrid Journal   (Followers: 1)
Conjunctions. Transdisciplinary Journal of Cultural Participation     Open Access   (Followers: 3)
Conservation Science in Cultural Heritage     Open Access   (Followers: 10)
Cornish Studies     Hybrid Journal   (Followers: 2)
Creative Industries Journal     Hybrid Journal   (Followers: 9)
Critical Arts : South-North Cultural and Media Studies     Hybrid Journal   (Followers: 11)
Crossing the Border : International Journal of Interdisciplinary Studies     Open Access   (Followers: 4)
Cuadernos de historia de España     Open Access   (Followers: 4)
Cultural History     Hybrid Journal   (Followers: 23)
Cultural Studies     Hybrid Journal   (Followers: 49)
Culturas     Open Access   (Followers: 1)
Culture, Theory and Critique     Hybrid Journal   (Followers: 25)
Daedalus     Hybrid Journal   (Followers: 21)
Dandelion : Postgraduate Arts Journal & Research Network     Open Access   (Followers: 2)
Death Studies     Hybrid Journal   (Followers: 16)
Debatte: Journal of Contemporary Central and Eastern Europe     Hybrid Journal   (Followers: 5)
Digital Humanities Quarterly     Open Access   (Followers: 55)
Diogenes     Hybrid Journal   (Followers: 8)
Doct-Us Journal     Open Access  
Dorsal Revista de Estudios Foucaultianos     Open Access  
e-Hum : Revista das Áreas de Humanidade do Centro Universitário de Belo Horizonte     Open Access   (Followers: 1)
Early Modern Culture Online     Open Access   (Followers: 39)
Égypte - Monde arabe     Open Access   (Followers: 4)
Eighteenth-Century Fiction     Full-text available via subscription   (Followers: 19)
Éire-Ireland     Full-text available via subscription   (Followers: 8)
En-Claves del pensamiento     Open Access   (Followers: 1)
Ethiopian Journal of the Social Sciences and Humanities     Full-text available via subscription   (Followers: 8)
Études arméniennes contemporaines     Open Access   (Followers: 1)
Études canadiennes / Canadian Studies     Open Access   (Followers: 1)
Études de lettres     Open Access   (Followers: 2)
European Journal of Cultural Studies     Hybrid Journal   (Followers: 26)
European Journal of Social Theory     Hybrid Journal   (Followers: 15)
Expositions     Full-text available via subscription  
Fronteras : Revista de Ciencias Sociales y Humanidades     Open Access   (Followers: 2)
Frontiers in Digital Humanities     Open Access  
Fudan Journal of the Humanities and Social Sciences     Hybrid Journal  
GAIA - Ecological Perspectives for Science and Society     Full-text available via subscription   (Followers: 4)
German Research     Hybrid Journal   (Followers: 1)
German Studies Review     Full-text available via subscription   (Followers: 26)
Germanic Review, The     Hybrid Journal   (Followers: 5)
Globalizations     Hybrid Journal   (Followers: 8)
Gothic Studies     Full-text available via subscription   (Followers: 15)
Gruppendynamik und Organisationsberatung     Hybrid Journal  
Habitat International     Hybrid Journal   (Followers: 5)
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi     Open Access   (Followers: 1)
Harvard Journal of Asiatic Studies     Full-text available via subscription   (Followers: 12)
Heritage & Society     Hybrid Journal   (Followers: 17)
History of Humanities     Full-text available via subscription   (Followers: 5)
Hopscotch: A Cultural Review     Full-text available via subscription  
Human Affairs     Open Access   (Followers: 1)
Human and Ecological Risk Assessment: An International Journal     Hybrid Journal   (Followers: 4)
Human Nature     Hybrid Journal   (Followers: 16)
Human Performance     Hybrid Journal   (Followers: 4)
Human Remains and Violence : An Interdisciplinary Journal     Full-text available via subscription  
Human Studies     Hybrid Journal   (Followers: 11)
humanidades     Open Access  
Humanitaire     Open Access   (Followers: 2)
Humanities     Open Access   (Followers: 11)
Hungarian Cultural Studies     Open Access  
Hungarian Studies     Full-text available via subscription  
Ibadan Journal of Humanistic Studies     Full-text available via subscription  
Inkanyiso : Journal of Humanities and Social Sciences     Open Access   (Followers: 1)
Inter Faculty     Open Access  
Interim : Interdisciplinary Journal     Open Access   (Followers: 3)
International Journal for History, Culture and Modernity     Open Access   (Followers: 6)
International Journal of Arab Culture, Management and Sustainable Development     Hybrid Journal   (Followers: 8)
International Journal of Cultural Studies     Hybrid Journal   (Followers: 25)
International Journal of Heritage Studies     Hybrid Journal   (Followers: 18)
International Journal of Humanities and Arts Computing     Hybrid Journal   (Followers: 13)
International Journal of Humanities and Cultural Studies     Open Access   (Followers: 4)
International Journal of Humanities of the Islamic Republic of Iran     Open Access   (Followers: 11)
International Journal of Listening     Hybrid Journal   (Followers: 4)
International Journal of the Classical Tradition     Hybrid Journal   (Followers: 12)
Interventions : International Journal of Postcolonial Studies     Hybrid Journal   (Followers: 15)
ÍSTMICA. Revista de la Facultad de Filosofía y Letras     Open Access   (Followers: 1)
Jangwa Pana     Open Access  
Jewish Culture and History     Hybrid Journal   (Followers: 18)
Journal de la Société des Américanistes     Open Access  
Journal des africanistes     Open Access   (Followers: 1)
Journal for Cultural Research     Hybrid Journal   (Followers: 11)
Journal for General Philosophy of Science     Hybrid Journal   (Followers: 6)
Journal for Learning Through the Arts     Open Access   (Followers: 7)
Journal for New Generation Sciences     Open Access   (Followers: 2)
Journal for Research into Freemasonry and Fraternalism     Hybrid Journal  
Journal for Semitics     Full-text available via subscription   (Followers: 5)
Journal Of Advances In Humanities     Open Access   (Followers: 2)
Journal of Aesthetics & Culture     Open Access   (Followers: 20)
Journal of African American Studies     Hybrid Journal   (Followers: 8)
Journal of African Cultural Studies     Hybrid Journal   (Followers: 5)
Journal of African Elections     Full-text available via subscription  
Journal of Arts & Communities     Hybrid Journal   (Followers: 4)
Journal of Arts and Humanities     Open Access   (Followers: 19)
Journal of Bioethical Inquiry     Hybrid Journal   (Followers: 3)
Journal of Cultural Economy     Hybrid Journal   (Followers: 9)
Journal of Cultural Geography     Hybrid Journal   (Followers: 22)
Journal of Data Mining and Digital Humanities     Open Access   (Followers: 27)
Journal of Developing Societies     Hybrid Journal   (Followers: 2)
Journal of Family Theory & Review     Hybrid Journal   (Followers: 3)
Journal of Franco-Irish Studies     Open Access   (Followers: 1)
Journal of Happiness Studies     Hybrid Journal   (Followers: 25)
Journal of Interactive Humanities     Open Access   (Followers: 3)
Journal of Intercultural Communication Research     Hybrid Journal   (Followers: 15)
Journal of Intercultural Studies     Hybrid Journal   (Followers: 12)
Journal of Interdisciplinary History     Hybrid Journal   (Followers: 24)
Journal of Labor Research     Hybrid Journal   (Followers: 19)
Journal of Medical Humanities     Hybrid Journal   (Followers: 22)
Journal of Medieval and Early Modern Studies     Full-text available via subscription   (Followers: 33)
Journal of Modern Greek Studies     Full-text available via subscription   (Followers: 4)
Journal of Modern Jewish Studies     Hybrid Journal   (Followers: 11)
Journal of Open Humanities Data     Open Access   (Followers: 1)
Journal of Semantics     Hybrid Journal   (Followers: 11)
Journal of the Musical Arts in Africa     Hybrid Journal   (Followers: 1)
Journal of Visual Culture     Hybrid Journal   (Followers: 30)
Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage     Open Access  
Jurisprudence     Hybrid Journal   (Followers: 17)
Jurnal Sosial Humaniora     Open Access  
L'Orientation scolaire et professionnelle     Open Access   (Followers: 1)
La lettre du Collège de France     Open Access   (Followers: 1)
La Revue pour l’histoire du CNRS     Open Access   (Followers: 2)
Lagos Notes and Records     Full-text available via subscription  
Language and Intercultural Communication     Hybrid Journal   (Followers: 20)
Language Resources and Evaluation     Hybrid Journal   (Followers: 7)
Law and Humanities     Hybrid Journal   (Followers: 7)
Law, Culture and the Humanities     Hybrid Journal   (Followers: 12)
Le Portique     Open Access   (Followers: 1)
Leadership     Hybrid Journal   (Followers: 32)
Legal Ethics     Hybrid Journal   (Followers: 13)
Legon Journal of the Humanities     Full-text available via subscription  
Letras : Órgano de la Facultad de Letras y Ciencias Huamans     Open Access  
Literary and Linguistic Computing     Hybrid Journal   (Followers: 5)
Litnet Akademies : 'n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe, Regte en Godsdienswetenskappe     Open Access  
Lwati : A Journal of Contemporary Research     Full-text available via subscription  
Measurement     Hybrid Journal   (Followers: 2)
Medical Humanities     Full-text available via subscription   (Followers: 22)
Medieval Encounters     Hybrid Journal   (Followers: 9)
Médiévales     Open Access   (Followers: 5)
Mélanges de la Casa de Velázquez     Partially Free   (Followers: 1)
Memory Studies     Hybrid Journal   (Followers: 35)
Mens : revue d'histoire intellectuelle et culturelle     Full-text available via subscription  
Messages, Sages and Ages     Open Access  
Mind and Matter     Full-text available via subscription   (Followers: 3)
Mneme - Revista de Humanidades     Open Access  
Modern Italy     Hybrid Journal   (Followers: 8)
Motivation Science     Full-text available via subscription   (Followers: 2)
Mouseion     Open Access   (Followers: 1)
Mouseion: Journal of the Classical Association of Canada     Full-text available via subscription   (Followers: 14)
Museum International Edition Francaise     Hybrid Journal   (Followers: 4)
National Academy Science Letters     Hybrid Journal   (Followers: 5)
Nationalities Papers     Hybrid Journal   (Followers: 7)
Natures Sciences Sociétés     Full-text available via subscription  
Neophilologus     Hybrid Journal   (Followers: 8)
New German Critique     Full-text available via subscription   (Followers: 12)

        1 2     

Journal Cover Journal of African American Studies
  [SJR: 0.155]   [H-I: 8]   [8 followers]  Follow
   Hybrid Journal Hybrid journal (It can contain Open Access articles)
   ISSN (Print) 1559-1646 - ISSN (Online) 1936-4741
   Published by Springer-Verlag Homepage  [2352 journals]
  • Implicit Racial Bias and Police Use of Lethal Force: Justifiable Homicide
           or Potential Discrimination'
    • Authors: James H. Price; Erica Payton
      Abstract: Abstract Implicit bias seems to be a universal primitive function of all brains. Police officers have been found to have near universal implicit bias against racial and ethnic minorities. This does not mean that discriminatory behavior (explicit bias) has to inevitably follow. Reports of police use of lethal force have found that African Americans are far more likely to be shot and killed than their numbers in the population would predict. The actual number of individuals killed by police is not certain since the reporting of lethal force by police departments is voluntary. Evidence suggests that appropriate training of police can help reduce any tendency for police officers to exhibit discriminatory lethal violence against African Americans. We recommend the following changes: required reporting of all police shootings and the circumstances surrounding the shootings, counter training for implicit bias for all police officers, organizational policy and legislative reforms for law enforcement, and more diligent prosecution of inappropriate use of lethal force by police officers.
      PubDate: 2017-09-30
      DOI: 10.1007/s12111-017-9383-3
  • The Day My Purple Sky Turned Gray
    • Authors: Laurinda D. Brown
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9371-7
  • Ben Greenman: Dig If You Will the Picture: Funk, Sex, God, and Genius in
           the Music of Prince
    • Authors: Zachary Hoskins
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9367-3
  • Studying Prince: An Introduction
    • Authors: Judson L. Jeffries; Shannon M. Cochran
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9374-4
  • When Faith and Music Intersect: the Spiritual Evolution of a Musical
    • Authors: Tracey M. Lewis-Giggetts
      Abstract: Abstract Over the course of Prince’s legendary career, there were some clear points of transition—points where his faith and musical genius intersected. Prince’s music often reflected his spiritual journey, and despite his conversion to the Jehovah’s Witnesses in the late 90s and early 2000s, he could never entirely shake the sexuality and sensuality he was known and loved for in the mainstream. In a way that worked, Prince found ways to merge his spiritual seeking with his sexual expressions in the music. This essay argues that while some in society, particularly legalists across many faiths, may attempt to categorize Prince’s wrestlings as a contradiction, in truth, this duality of his represents the way many artists—Black artists, in particular—reconcile the nuances of their creative work with any faith traditions or spiritual beliefs they may have. In the end, these beautiful complexities were a critical part of Prince’s spiritual and artistic evolution.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9379-z
  • Prince, Roger, and Me
    • Authors: Judson L. Jeffries
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9377-1
  • Jim Walsh. Gold Experience: Following Prince in the ‘90s
    • Authors: Roy Kay
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9368-2
  • Growing Up Prince, Sheila E., and Uncle Gary: Notes on Gender
    • Authors: Shannon M. Cochran
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9375-3
  • The Electric Life of Prince Rogers Nelson
    • Authors: kYmberly Keeton
      Abstract: Abstract A reflective dedication (experimental prose) about my personal relationship as a fan of Prince Rogers Nelson.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9378-0
  • Dream If You Can: A Mother and Daughter’s Reflections on Prince,
           Self-Realization, and Black Womanhood
    • Authors: Saidah K. Isoke
      Abstract: Abstract The day that Prince died left our world in mourning and celebration. For some of us millennials, the first few calls that went out were to our parents. As I talked to my mother on that day, various inquiries presented themselves, the bulk of which had to do with how and why through our vast differences, my mother and I were able to meet at Prince. In this reflection, I expand on a conversation that I had with my mother during my first visit back home after Prince died. The conversation answered my questions about Prince’s ability to unite us through his artistry and life.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9373-5
  • For Colored Girls Who Loved Prince Rogers Nelson: Issues of Colorism and
    • Authors: Donnetrice Allison
      Abstract: Abstract This article carefully examines the women with whom the artist, Prince Rogers Nelson, was most closely associated and the potential messages about colorism those relationships suggest. The author examines the issue from a personal perspective, as one who grew up idolizing Prince and as someone whose appearance did not reflect that of the women Prince flaunted. One overarching question asks: Was Prince a victim of colorism, as well as a perpetrator of it'
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9361-9
  • Prince Awakens the Queer Child
    • Authors: Derrick Cohens
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9376-2
  • Erotic Cities: Instrumental Anthropomorphism in Prince’s
    • Authors: Brian Jude de Lima
      Abstract: Abstract The aim of this paper is to show how Prince Rogers Nelson’s lewd onstage antics and perverse song lyrics were not the only factors that contributed to his sexually charged compositions. By examining the use of anthropomorphism (the ascription of human characteristics to what is not human), in the analysis of several of Prince’s early works between the years 1980 and 1984, the researcher makes the argument that his musical arrangements taken from this earlier musical cannon embody the stages of Masters and Johnson’s human sexual response cycle. Ultimately, the researcher views Prince’s musical arrangements and improvisations to be metaphors for his own genitalia having intercourse with his public.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9362-8
  • Teaching Prince as Critical Pedagogy: an Autoethnography
    • Authors: Zada Johnson
      Abstract: Abstract In the 20 years that I have practiced critical pedagogy in college instruction, some of my most exciting student engagement has centered around the musical legacy of Prince. From the social commentary in his lyrics to his struggle for ownership of his master recordings, teaching Prince has provided a space in my courses for lively class discussion and deep critical analysis. In “Teaching Prince as Critical Pedagogy: an Autoethnography,” I examine the critical pedagogy models that I have used to connect students’ knowledge of Prince’s music to larger social, cultural, and historical contexts. While a great deal of the literature on critical pedagogy aptly addresses the influence of hip hop music, there has been little attention given to the genres of music represented by Prince (soul, R&B, funk, blues, jazz) particularly in classrooms of adult learners. In this case, I argue that using the types of popular culture contexts that are represented in Prince’s musical legacy offer a prime opportunity to create a learning environment that critically engages adult learners.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9365-5
  • A Conceptual Falsetto: Re-imagining Black Childhood Via One Girl’s
           Exploration of Prince
    • Authors: Kimberly C. Ransom
      Abstract: A young Prince scoffed at a single story of identity, i.e., dominant social constructions of race, class, gender, and youth associated with inadequacy and confinement. Inspired by Prince, this autoethnography introduces a conceptual falsetto framework (CFF). Like Prince’s falsetto which resists the constraints of his tenor voice, CFF resists the tenor of a single story of Black childhood—it goes higher. CFF calls Black scholars to (re)imagine Black childhood into ideologies of love (Delgado 1995 in The Rodrigo Chronicles; Dumas and Nelson, 86(1), 27–47, 2016; Duncan, 8(1), 85–104, 2002), by using reflexive practices to write about one’s own childhood on multiple tracks. Identifying and examining the social/cultural and political material of their childhoods, Black scholars can produce new ideas and approaches to research on Black childhood more generally—swelling a new discourse on Black childhood from the margins of society into the public discourse. “Many feminist writers advocate starting research from one’s own experience… using personal knowledge to help them in the research process” (Ellis 2004:48). I illustrate CFF by analyzing my childhood journal (1986–1988) which examines and emulates Prince’s artistry. Findings reveal Black childhoods are spent resisting, creating symbolic universes, being in relationship, bonding around intellectuality and abstract ideas—choosing to love something and being in pursuit of it.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9372-6
  • Prince: Postmodern Icon
    • Authors: Nancy J. Holland
      Abstract: Abstract This paper argues that the main dynamic of the postmodern is the deconstruction of the hierarchical oppositions (God/mortal, good/evil, male/female, man/nature, mind/body, etc.) that govern the dominant discourse in the European tradition, and that the questions of identity, difference, and intersectionality Prince posed to a mass audience over the last thirty-five years lie at the very core of the movement. His music provides the basis for deconstructing the obvious hierarchies of race, gender, and sexuality, but also those of the sacred and the profane, the writer/composer/producer and the performer, and even Self and the Other. He touched the hearts and lives of a far wider audience than any theorist and helped create a new cultural climate without any apparent awareness of academic postmodernism. This opens the possibility for a deconstruction on the meta-level of another traditional hierarchy, the one between reason and intuition, or put differently, between words and music.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9363-7
  • Black Muse 4 U: Liminality, Self-Determination, and Racial Uplift in the
           Music of Prince
    • Authors: James Gordon Williams
      Abstract: Abstract Prince’s unparalleled, innovative musical style remains widely revered by his worldwide audience in the wake of his death less than two years ago. Since the late twentieth century, many scholars have used European critical theory to examine Prince’s musical multidimensionality. These important analyses help us understand Prince’s music and performativity in new ways but repeatedly ignore the cultural roots of his music. Indeed, many critical discussions focus on his performance of ambiguous sexualities and sartorial strategies without addressing how Prince’s understanding of his Blackness played a crucial role in his creative practice and theatricality. I contend that exploring Prince’s dynamic oeuvre through interpretive lenses of radical black theory is a productive space for understanding his performance of lyrical and musical liminality, his self-determination in the music business, and his commitment to using his music for racial uplift. Prince’s creative practices were linked to his covert, but avid, support of social justice initiatives that support black humanity. Framing my analysis through Prince’s composition “Black Muse” from his final studio album, I explain how “Black Muse” provides lyrical and musical evidence of Prince’s political thought and deployment of counter narratives. I put “Black Muse” in conversation with “Baltimore,” “Resolution,” and “Planet Earth,” unapologetically activist songs written by Prince that discuss police brutality, warmongering, and climate change. I discuss how Prince’s strategic use of musical liminality in “Lady Cabdriver” obscures his political diatribes through a layer of sonic salacity. Combining close musical analysis with Black theoretical thought that explores Prince’s definitions of Black Muse, I explore Prince’s performances of blues hybridity, his tireless effort in repositioning his relationship with the music industry, and his mission to uplift his people. While Prince had muses, who were both Black and white, Prince’s ultimate creative muse was the Black community and the black experience itself. Prince scholars can benefit from exploring and utilizing various black performance theories to better understand and explain his contribution to global music culture.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9370-8
  • “We Are in the Feminine Aspect Now”: Women Artists, Prince,
           and Visions of Utopia
    • Authors: H. Zahra Caldwell
      Abstract: Abstract Prince’s 1978 debut album For You credits the artist with production, arrangement, composition, and performance. This signaled not only his inimitable musical mastery but also his singular clarity of vision. Central to this vision were Prince’s unique aspirations to Utopia—a thread that would run throughout his musical career. This imagined society was rooted in nonconformity and, among many other things, granted men and women, Black and white, rich and poor equal access to love, sexuality, success, and peace. Utopian aspirations existed within the creative production of Prince’s earliest incarnation as an artist until his untimely death. A fictitious and very real Paisley Park, backing bands such as The Revolution, and record titles such as The Rainbow Children all point to his reach for a different more egalitarian world. This utopia would include significant challenges to constructions of race, gender, and the composition of Blackness. Prince’s singular vision of utopia cast women as essential to its creation. This paper specifically explores Prince’s unwavering support of women artists as well as their function in building and sustaining this vision. This discussion confronts the media focus on women in Prince’s musical life as simply paramours/muses and reinterrogates his commitment to female artistry and, above all, a utopian world.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9366-4
  • Nothing Compares to You: Prince and the Theory of Optimal Distinctiveness
    • Authors: Deirdre T. Guion Peoples
      Abstract: Abstract Prince has left an indelible mark on the hearts and minds of people everywhere, not only in the USA but also globally. Using Marilyn Brewer’s optimal distinctiveness theory (ODT) as a framework, this article examines how Prince negotiated his social identity as an integral part of two worlds—(African Americans and the music industry) while standing apart from both. The optimal distinctiveness model posits that social identities derive from a fundamental tension between two competing social needs—the need for inclusion and the need for uniqueness. By utilizing Brewer’s model, we gain greater insight into Prince’s musicianship and business acumen.
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9369-1
  • Prince Rogers Nelson: from “Dirty Mind” to Devout
           Jehovah’s Witness
    • Authors: Cassandra Chaney
      Abstract: Abstract Prince Rogers Nelson (born: June 7, 1958) was an American singer, songwriter, multi-instrumentalist, record producer, and actor. He was a musical innovator and known for his eclectic work, flamboyant stage presence, extravagant dress and makeup, and wide vocal range. When he passed unexpectedly on April 21, 2016, he had built an immensely successful career that spanned over 30 years. Although Prince is widely known for his highly sexual behavior, we know less about his spiritual beliefs as well as how these beliefs influenced his public persona and private life. Through the lens of social identity theory, this manuscript will examine how Prince demonstrated his belief in God, his values, and the changes that he made in his life after he became a devout Jehovah’s Witness. In particular, this manuscript will provide song lyrics and excerpts from televised and print interviews to qualitatively respond to the following three questions: (1) How did Prince demonstrate his belief in God in his music' (2) What were Prince’s values' (3) What changes did Prince make in his public performances after he became a Jehovah’s Witness'
      PubDate: 2017-09-26
      DOI: 10.1007/s12111-017-9380-6
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