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  Subjects -> HUMANITIES (Total: 879 journals)
    - ASIAN STUDIES (157 journals)
    - CLASSICAL STUDIES (110 journals)
    - DEMOGRAPHY AND POPULATION STUDIES (144 journals)
    - ETHNIC INTERESTS (155 journals)
    - GENEALOGY AND HERALDRY (7 journals)
    - HUMANITIES (278 journals)
    - NATIVE AMERICAN STUDIES (28 journals)

HUMANITIES (278 journals)            First | 1 2     

Showing 201 - 71 of 71 Journals sorted alphabetically
New West Indian Guide     Open Access   (Followers: 1)
nonsite.org     Full-text available via subscription   (Followers: 3)
Northeast African Studies     Full-text available via subscription   (Followers: 4)
OMEGA - Journal of Death and Dying     Full-text available via subscription   (Followers: 10)
Österreichische Zeitschrift für Soziologie     Hybrid Journal  
Pacific Science Review B: Humanities and Social Sciences     Open Access  
Palgrave Communications     Open Access   (Followers: 2)
Patrimônio e Memória     Open Access   (Followers: 2)
Personal Relationships     Hybrid Journal   (Followers: 10)
Personnel Psychology     Hybrid Journal   (Followers: 29)
Platform Papers     Full-text available via subscription  
Poiesis & Praxis : International Journal of Technology Assessment and Ethics of Science     Open Access   (Followers: 2)
Progress in Human Geography     Hybrid Journal   (Followers: 47)
Public Culture     Full-text available via subscription   (Followers: 22)
Quaestiones Disputatae : temas en debate     Open Access   (Followers: 1)
Qui Parle : Critical Humanities and Social Sciences     Full-text available via subscription   (Followers: 7)
Reactions Weekly     Hybrid Journal   (Followers: 15)
Realidad : Revista de Ciencias Sociales y Humanidades     Open Access  
Reception : Texts, Readers, Audiences, History     Full-text available via subscription   (Followers: 4)
Recherches sur Diderot et sur l'Encyclopédie     Open Access   (Followers: 1)
Refugee Survey Quarterly     Hybrid Journal   (Followers: 15)
Regional Studies     Hybrid Journal   (Followers: 25)
Research on Humanities and Social Sciences     Open Access   (Followers: 13)
Resilience : A Journal of the Environmental Humanities     Full-text available via subscription   (Followers: 2)
Review of European Studies     Open Access   (Followers: 9)
Revista de Divulgação Interdisciplinar     Open Access  
Revista de Humanidades     Open Access  
Revista Mosaico     Open Access  
Revista Periódicus     Open Access  
Revue LISA / LISA e-journal     Open Access  
RIV : Rassegna Italiana di Valutazione     Full-text available via subscription   (Followers: 1)
Rives méditerranéennes     Open Access  
Russian Review     Hybrid Journal   (Followers: 19)
Sancho el Sabio : revista de cultura e investigación     Open Access  
Science, Technology & Human Values     Hybrid Journal   (Followers: 14)
Self & Society     Hybrid Journal   (Followers: 2)
Semiotica     Hybrid Journal   (Followers: 14)
Sexuality & Culture     Hybrid Journal   (Followers: 18)
Sexuality and Disability     Hybrid Journal   (Followers: 14)
Slavery & Abolition: A Journal of Slave and Post-Slave Studies     Hybrid Journal   (Followers: 11)
Social Indicators Research     Hybrid Journal   (Followers: 7)
Social Text     Full-text available via subscription   (Followers: 14)
Somatechnics     Hybrid Journal   (Followers: 2)
South African Journal of Philosophy = Suid-Afrikaanse Tydskrif vir Wysbegeerte     Hybrid Journal   (Followers: 4)
Southern African Humanities     Full-text available via subscription   (Followers: 2)
Sri Lanka Journal of the Humanities     Open Access  
Studi Slavistici     Open Access   (Followers: 3)
Studia Aurea : Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro     Open Access   (Followers: 1)
Studia Humanistyczne AGH     Open Access  
Studies in Arts and Humanities     Open Access   (Followers: 1)
Studies in Ethics, Law, and Technology     Hybrid Journal   (Followers: 1)
Summa Humanitatis     Open Access  
Symposium     Full-text available via subscription   (Followers: 3)
TD : The Journal for Transdisciplinary Research in Southern Africa     Full-text available via subscription  
TechTrends     Hybrid Journal   (Followers: 9)
Temporalités     Open Access   (Followers: 1)
Textos Escolhidos de Cultura e Arte Populares     Open Access  
The Ecumenical Review     Hybrid Journal   (Followers: 5)
The Journal of American Culture     Hybrid Journal   (Followers: 11)
The Journal of Ethics     Hybrid Journal   (Followers: 8)
The Journal of Value Inquiry     Hybrid Journal   (Followers: 4)
The Year's Work in Critical and Cultural Theory     Hybrid Journal   (Followers: 14)
Theoria     Full-text available via subscription   (Followers: 4)
Theory, Culture & Society     Hybrid Journal   (Followers: 132)
Third World Planning Review     Hybrid Journal   (Followers: 5)
Trajectoires     Open Access   (Followers: 2)
Transitions : Journal of Transient Migration     Hybrid Journal  
Trivium     Open Access  
UJAH : Unizik Journal of Arts and Humanities     Open Access  
Universitas : Revista de Ciencias Sociales y Humanas     Open Access   (Followers: 1)
University of Toronto Quarterly     Full-text available via subscription  
Universum : Revista de Humanidades y Ciencias Sociales     Open Access   (Followers: 1)
Urban Studies     Hybrid Journal   (Followers: 57)
Victorian Studies     Full-text available via subscription   (Followers: 25)
Visão Global     Open Access  
Wacana : Jurnal Sosial dan Humaniora     Open Access  
Yale Journal of Law & the Humanities     Open Access   (Followers: 9)
Zeitschrift für Kultur- und Kollektivwissenschaft     Full-text available via subscription  

  First | 1 2     

Journal Cover nonsite.org
  [3 followers]  Follow
    
   Full-text available via subscription Subscription journal
   ISSN (Online) 2164-1668
   Published by Emory College of Arts and Sciences Homepage  [1 journal]
  • Alone In A World of Objects:
    • Authors: Trevor A. Strunk
      Abstract: Is feeling good an aesthetic' We might say that feeling a kind of subjective pride is a commodified politics—an affiliation of progressive sentiment with market forces that we have seen in such ad campaigns as Oreo’s LGBTQ-positive viral advertising, a way to align politics with preferences. This preferential politics is mobilized, at least in part, by Gone Home as form and content marry to create a limited political efficacy, a reaffirmation of the player’s good politics regarding sexuality (or, conversely, a negative pleasure for the player in experiencing politics that they do not find agreeable). But while preference can produce a politics, it is difficult to imagine that “feeling good” can count as an aesthetic.
      PubDate: Mon, 06 Nov 2017 13:00:05 +000
       
  • Response to Trevor Strunk
    • Authors: Will Partin
      Abstract: Trevor Strunk’s “Alone in a World of Objects” is a welcome and persuasive addition to the sparse literature on the aesthetics of video games. Generally, as Strunk has elsewhere argued, scholarly attempts to legitimize videogames as an object of study have appealed to the medium’s obvious connections to novels, as in the case of Anastasia Salter’s What is Your Quest' (2014), or art history, per Andy Clarke and Grethe Mitchell’s Videogames and Art (2007, 2014). Yet in part because of these texts’ limited artistic horizons, neither offered a clear sense of what a “videogame aesthetic” might be. Strunk’s primary contribution, here, is to lay out the foundations for asking such questions in ways that take seriously the distinctiveness of the medium.
      PubDate: Mon, 06 Nov 2017 12:00:14 +000
       
  • Experience and Experimental Writing:
    • Authors: Paul Grimstad
      Abstract: Consider looking at that cursive “c” through a microscope, the edges of the dried ink branching out in irregular furrows into the fabric of the paper. Could Dickinson mean that' Could any human mean that' Would ever more powerful microscopes uncover more and more layers of meaning' It made sense to me to think the answers here should be “no.”
      PubDate: Mon, 06 Nov 2017 11:00:54 +000
       
  • Modernism, Theatricality, and Objecthood
    • Authors: Richard Moran
      Abstract: The imperative to establish an artistic medium means that the artist herself must somehow assume the authority to determine and declare how her work is to count for us, determine as just what medium of art it is to confront its specific possibilities of success and failure. In art, as well as in ordinary speech and gesture, possibilities of meaning and expression exist only insofar as there are answers to the criterial questions of what sort of thing is the subject of expression here, what speech, what action, what medium of expression.
      PubDate: Wed, 01 Nov 2017 19:50:07 +000
       
  • Authors and Authority
    • Authors: Tracy Strong
      Abstract: How do we know what counts as true to art, of “art as such”' Take a parallel case: In the sixteenth century, arguments over what counts as Scripture raised the question of precisely what makes something Scripture. What can count as proof—for one cannot ask the author, and certainly not the Author' The key here is the experience of finding oneself in (absorbed by) what has a claim to be art—or in this case in what claims to be Scripture. “Art as such” gives this: art is thus never primarily representation.
      PubDate: Wed, 01 Nov 2017 19:40:10 +000
       
  • Missed Connections
    • Authors: Daniel Morgan
      Abstract: Thinking in this way, we might recast Fried’s wonder about why modernist artists went to the cinema. Perhaps they were not (just) seeking refuge from the burdens of the seriousness of their work; perhaps they saw in the cinema a range of different ways of negotiating the same questions about the relation of artwork to beholder that they were themselves preoccupied with. On this view, cinema does not stand apart from Fried’s modernist history; it continues that history by other means.
      PubDate: Wed, 01 Nov 2017 19:30:21 +000
       
  • The Stakes of Modernist Acknowledgment
    • Authors: Danielle Follett
      Abstract: It is important to recognize, when reading his critique of literalist sensibility in “Art and Objecthood,” that his view of literalness and contingency is not that these should be abolished from artworks (as though that could ever be possible! Mallarmé reminds us that it’s not), but that the literal and contingent properties of a work should be acknowledged and incorporated into it, creating an intimate and non-arbitrary relation between a work’s literal conditions and its configuration, between its situation and its syntax. The problem is not literalness, but what one does with it.
      PubDate: Wed, 01 Nov 2017 19:20:50 +000
       
  • Art and Objecthood
    • Authors: Rex Butler
      Abstract: It is just this split that Fried introduces into the world, and after which there is no going back because no matter how far back we go there is always the same doubling (this is part of the meaning of the Caravaggio book, which sees the problematic of absorption in a period notionally before modernism) and no outside (because even indifference is now only an attempt to overcome a prior scepticism, that is, an effort at absorption). All this is exactly that willed indifference that Fried evokes through Diderot in Absorption and Theatricality, in which painting must seek the “superior fiction” of not being beheld, just as the actor must ignore the audience in front of them (and this effect of will applies in Diderot—this is the important point—whether there is an actual audience or not).
      PubDate: Wed, 01 Nov 2017 19:00:46 +000
       
  • A Marginal Note on “Art and Objecthood”
    • Authors: Jeremy Gilbert-Rolfe
      Abstract: “Art and Objecthood” reminds us that the past is a foreign country, as the (now) quite obscure British author L.P. Hartley was the first to say. It belongs to an era in which Artforum was full of writing about art, and where the question of whether what was being discussed was worth considering as—or, as Fried’s essay asks, even was—art, was thought to be important. There could be no hint in the essay, or of any thing or of the artists to which it refers, of the anthropological haze moist with sanctimony that has since descended, obscuring and diluting questions having to do with aesthetic judgment while seeking to wash them away altogether.
      PubDate: Wed, 01 Nov 2017 11:00:17 +000
       
  • The Reality Contract
    • Authors: Anna Shechtman
      Abstract: Perhaps not surprisingly, the history of Hollywood production mirrors the history of venture capital in the United States, as each new film presents an idiosyncratic set of risk factors, and each new production or distribution technology distorts return forecasts for a new generation of film speculators.
      PubDate: Wed, 02 Aug 2017 15:45:20 +000
       
 
 
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