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  Subjects -> HUMANITIES (Total: 880 journals)
    - ASIAN STUDIES (157 journals)
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    - HUMANITIES (279 journals)
    - NATIVE AMERICAN STUDIES (28 journals)

HUMANITIES (279 journals)                  1 2     

Showing 1 - 71 of 71 Journals sorted alphabetically
Aboriginal and Islander Health Worker Journal     Full-text available via subscription   (Followers: 14)
Aboriginal Child at School     Full-text available via subscription   (Followers: 5)
About Performance     Full-text available via subscription   (Followers: 12)
Access     Full-text available via subscription   (Followers: 26)
ACCESS: Critical Perspectives on Communication, Cultural & Policy Studies     Full-text available via subscription   (Followers: 10)
Acta Academica     Full-text available via subscription   (Followers: 5)
Acta Universitaria     Open Access   (Followers: 4)
Adeptus     Open Access   (Followers: 1)
Advocate: Newsletter of the National Tertiary Education Union     Full-text available via subscription   (Followers: 1)
African and Black Diaspora: An International Journal     Hybrid Journal   (Followers: 11)
African Historical Review     Hybrid Journal   (Followers: 17)
AFRREV IJAH : An International Journal of Arts and Humanities     Open Access   (Followers: 2)
Agriculture and Human Values     Hybrid Journal   (Followers: 13)
Akademika : Journal of Southeast Asia Social Sciences and Humanities     Open Access   (Followers: 5)
Aldébaran     Open Access   (Followers: 3)
Alterstice : Revue internationale de la recherche interculturelle     Open Access  
Altre Modernità     Open Access   (Followers: 3)
Amaltea. Revista de mitocrítica     Open Access   (Followers: 1)
American Imago     Full-text available via subscription   (Followers: 3)
American Journal of Humanities and Social Sciences     Open Access   (Followers: 10)
American Review of Canadian Studies     Hybrid Journal   (Followers: 7)
Anabases     Open Access  
Analyse & Kritik. Zeitschrift f     Full-text available via subscription   (Followers: 1)
Angelaki: Journal of Theoretical Humanities     Hybrid Journal   (Followers: 17)
Antik Tanulmányok     Full-text available via subscription  
Antipode     Hybrid Journal   (Followers: 49)
Anuario Americanista Europeo     Open Access  
Arbutus Review     Open Access  
Argumentation et analyse du discours     Open Access   (Followers: 6)
Ars & Humanitas     Open Access   (Followers: 9)
Arts and Humanities in Higher Education     Hybrid Journal   (Followers: 34)
Asia Europe Journal     Hybrid Journal   (Followers: 5)
Australasian Journal of Popular Culture, The     Hybrid Journal   (Followers: 2)
Behaviour & Information Technology     Hybrid Journal   (Followers: 52)
Behemoth     Open Access   (Followers: 3)
Bereavement Care     Hybrid Journal   (Followers: 11)
Cahiers de praxématique     Open Access   (Followers: 1)
Carl Beck Papers in Russian and East European Studies     Full-text available via subscription   (Followers: 5)
Child Care     Full-text available via subscription   (Followers: 8)
Choreographic Practices     Hybrid Journal   (Followers: 1)
Chronicle of Philanthropy     Full-text available via subscription   (Followers: 2)
Ciencias Sociales y Humanidades     Open Access   (Followers: 1)
Claroscuro     Open Access   (Followers: 1)
Co-herencia     Open Access  
Coaching: An International Journal of Theory, Research and Practice     Hybrid Journal   (Followers: 9)
Cogent Arts & Humanities     Open Access   (Followers: 3)
Colloquia Humanistica     Open Access  
Communication and Critical/Cultural Studies     Hybrid Journal   (Followers: 26)
Comprehensive Therapy     Hybrid Journal   (Followers: 3)
Congenital Anomalies     Hybrid Journal   (Followers: 1)
Conjunctions. Transdisciplinary Journal of Cultural Participation     Open Access   (Followers: 3)
Conservation Science in Cultural Heritage     Open Access   (Followers: 10)
Cornish Studies     Hybrid Journal   (Followers: 2)
Creative Industries Journal     Hybrid Journal   (Followers: 10)
Critical Arts : South-North Cultural and Media Studies     Hybrid Journal   (Followers: 11)
Crossing the Border : International Journal of Interdisciplinary Studies     Open Access   (Followers: 4)
Cuadernos de historia de España     Open Access   (Followers: 4)
Cultural History     Hybrid Journal   (Followers: 24)
Cultural Studies     Hybrid Journal   (Followers: 50)
Culturas     Open Access   (Followers: 1)
Culture, Theory and Critique     Hybrid Journal   (Followers: 26)
Daedalus     Hybrid Journal   (Followers: 21)
Dandelion : Postgraduate Arts Journal & Research Network     Open Access   (Followers: 2)
Death Studies     Hybrid Journal   (Followers: 18)
Debatte: Journal of Contemporary Central and Eastern Europe     Hybrid Journal   (Followers: 5)
Digital Humanities Quarterly     Open Access   (Followers: 57)
Diogenes     Hybrid Journal   (Followers: 8)
Doct-Us Journal     Open Access  
Dorsal Revista de Estudios Foucaultianos     Open Access  
e-Hum : Revista das Áreas de Humanidade do Centro Universitário de Belo Horizonte     Open Access   (Followers: 1)
Early Modern Culture Online     Open Access   (Followers: 39)
Égypte - Monde arabe     Open Access   (Followers: 4)
Eighteenth-Century Fiction     Full-text available via subscription   (Followers: 20)
Éire-Ireland     Full-text available via subscription   (Followers: 8)
En-Claves del pensamiento     Open Access   (Followers: 1)
Ethiopian Journal of the Social Sciences and Humanities     Full-text available via subscription   (Followers: 8)
Études arméniennes contemporaines     Open Access   (Followers: 1)
Études canadiennes / Canadian Studies     Open Access   (Followers: 1)
Études de lettres     Open Access   (Followers: 2)
European Journal of Cultural Studies     Hybrid Journal   (Followers: 26)
European Journal of Social Theory     Hybrid Journal   (Followers: 16)
Expositions     Full-text available via subscription  
Fronteras : Revista de Ciencias Sociales y Humanidades     Open Access   (Followers: 2)
Frontiers in Digital Humanities     Open Access   (Followers: 1)
Fudan Journal of the Humanities and Social Sciences     Hybrid Journal  
GAIA - Ecological Perspectives for Science and Society     Full-text available via subscription   (Followers: 4)
German Research     Hybrid Journal   (Followers: 1)
German Studies Review     Full-text available via subscription   (Followers: 27)
Germanic Review, The     Hybrid Journal   (Followers: 5)
Globalizations     Hybrid Journal   (Followers: 8)
Gothic Studies     Full-text available via subscription   (Followers: 15)
Gruppendynamik und Organisationsberatung     Hybrid Journal   (Followers: 1)
Habitat International     Hybrid Journal   (Followers: 5)
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi     Open Access   (Followers: 1)
Harvard Journal of Asiatic Studies     Full-text available via subscription   (Followers: 13)
Heritage & Society     Hybrid Journal   (Followers: 17)
History of Humanities     Full-text available via subscription   (Followers: 5)
Hopscotch: A Cultural Review     Full-text available via subscription  
Human Affairs     Open Access   (Followers: 1)
Human and Ecological Risk Assessment: An International Journal     Hybrid Journal   (Followers: 4)
Human Nature     Hybrid Journal   (Followers: 18)
Human Performance     Hybrid Journal   (Followers: 5)
Human Remains and Violence : An Interdisciplinary Journal     Full-text available via subscription  
Human Studies     Hybrid Journal   (Followers: 11)
humanidades     Open Access  
Humanitaire     Open Access   (Followers: 2)
Humanities     Open Access   (Followers: 11)
Hungarian Cultural Studies     Open Access  
Hungarian Studies     Full-text available via subscription  
Ibadan Journal of Humanistic Studies     Full-text available via subscription  
Inkanyiso : Journal of Humanities and Social Sciences     Open Access   (Followers: 1)
Inter Faculty     Open Access  
Interim : Interdisciplinary Journal     Open Access   (Followers: 3)
International Journal for History, Culture and Modernity     Open Access   (Followers: 7)
International Journal of Arab Culture, Management and Sustainable Development     Hybrid Journal   (Followers: 8)
International Journal of Cultural Studies     Hybrid Journal   (Followers: 25)
International Journal of Heritage Studies     Hybrid Journal   (Followers: 18)
International Journal of Humanities and Arts Computing     Hybrid Journal   (Followers: 13)
International Journal of Humanities and Cultural Studies     Open Access   (Followers: 6)
International Journal of Humanities of the Islamic Republic of Iran     Open Access   (Followers: 11)
International Journal of Listening     Hybrid Journal   (Followers: 4)
International Journal of the Classical Tradition     Hybrid Journal   (Followers: 12)
Interventions : International Journal of Postcolonial Studies     Hybrid Journal   (Followers: 16)
ÍSTMICA. Revista de la Facultad de Filosofía y Letras     Open Access   (Followers: 1)
Jangwa Pana     Open Access  
Jewish Culture and History     Hybrid Journal   (Followers: 18)
Journal de la Société des Américanistes     Open Access  
Journal des africanistes     Open Access   (Followers: 1)
Journal for Cultural Research     Hybrid Journal   (Followers: 11)
Journal for General Philosophy of Science     Hybrid Journal   (Followers: 6)
Journal for Learning Through the Arts     Open Access   (Followers: 7)
Journal for New Generation Sciences     Open Access   (Followers: 2)
Journal for Research into Freemasonry and Fraternalism     Hybrid Journal  
Journal for Semitics     Full-text available via subscription   (Followers: 5)
Journal Of Advances In Humanities     Open Access   (Followers: 2)
Journal of Aesthetics & Culture     Open Access   (Followers: 21)
Journal of African American Studies     Hybrid Journal   (Followers: 8)
Journal of African Cultural Studies     Hybrid Journal   (Followers: 5)
Journal of African Elections     Full-text available via subscription  
Journal of Arts & Communities     Hybrid Journal   (Followers: 5)
Journal of Arts and Humanities     Open Access   (Followers: 20)
Journal of Bioethical Inquiry     Hybrid Journal   (Followers: 3)
Journal of Cultural Economy     Hybrid Journal   (Followers: 9)
Journal of Cultural Geography     Hybrid Journal   (Followers: 22)
Journal of Data Mining and Digital Humanities     Open Access   (Followers: 29)
Journal of Developing Societies     Hybrid Journal   (Followers: 2)
Journal of Family Theory & Review     Hybrid Journal   (Followers: 3)
Journal of Franco-Irish Studies     Open Access   (Followers: 1)
Journal of Happiness Studies     Hybrid Journal   (Followers: 26)
Journal of Interactive Humanities     Open Access   (Followers: 3)
Journal of Intercultural Communication Research     Hybrid Journal   (Followers: 15)
Journal of Intercultural Studies     Hybrid Journal   (Followers: 12)
Journal of Interdisciplinary History     Hybrid Journal   (Followers: 24)
Journal of Labor Research     Hybrid Journal   (Followers: 19)
Journal of Medical Humanities     Hybrid Journal   (Followers: 22)
Journal of Medieval and Early Modern Studies     Full-text available via subscription   (Followers: 33)
Journal of Modern Greek Studies     Full-text available via subscription   (Followers: 4)
Journal of Modern Jewish Studies     Hybrid Journal   (Followers: 11)
Journal of Open Humanities Data     Open Access   (Followers: 1)
Journal of Semantics     Hybrid Journal   (Followers: 11)
Journal of the Musical Arts in Africa     Hybrid Journal   (Followers: 1)
Journal of Visual Culture     Hybrid Journal   (Followers: 31)
Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage     Open Access  
Jurisprudence     Hybrid Journal   (Followers: 18)
Jurnal Sosial Humaniora     Open Access   (Followers: 1)
L'Orientation scolaire et professionnelle     Open Access   (Followers: 1)
La lettre du Collège de France     Open Access   (Followers: 1)
La Revue pour l’histoire du CNRS     Open Access   (Followers: 2)
Lagos Notes and Records     Full-text available via subscription  
Language and Intercultural Communication     Hybrid Journal   (Followers: 21)
Language Resources and Evaluation     Hybrid Journal   (Followers: 7)
Law and Humanities     Hybrid Journal   (Followers: 7)
Law, Culture and the Humanities     Hybrid Journal   (Followers: 12)
Le Portique     Open Access   (Followers: 1)
Leadership     Hybrid Journal   (Followers: 33)
Legal Ethics     Hybrid Journal   (Followers: 13)
Legon Journal of the Humanities     Full-text available via subscription  
Letras : Órgano de la Facultad de Letras y Ciencias Huamans     Open Access  
Literary and Linguistic Computing     Hybrid Journal   (Followers: 5)
Litnet Akademies : 'n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe, Regte en Godsdienswetenskappe     Open Access  
Lwati : A Journal of Contemporary Research     Full-text available via subscription  
Measurement     Hybrid Journal   (Followers: 2)
Medical Humanities     Full-text available via subscription   (Followers: 23)
Medieval Encounters     Hybrid Journal   (Followers: 9)
Médiévales     Open Access   (Followers: 5)
Mélanges de la Casa de Velázquez     Partially Free   (Followers: 1)
Memory Studies     Hybrid Journal   (Followers: 35)
Mens : revue d'histoire intellectuelle et culturelle     Full-text available via subscription  
Messages, Sages and Ages     Open Access  
Mind and Matter     Full-text available via subscription   (Followers: 3)
Mneme - Revista de Humanidades     Open Access  
Modern Italy     Hybrid Journal   (Followers: 8)
Motivation Science     Full-text available via subscription   (Followers: 2)
Mouseion     Open Access   (Followers: 1)
Mouseion: Journal of the Classical Association of Canada     Full-text available via subscription   (Followers: 14)
Museum International Edition Francaise     Hybrid Journal   (Followers: 4)
National Academy Science Letters     Hybrid Journal   (Followers: 5)
Nationalities Papers     Hybrid Journal   (Followers: 7)
Natures Sciences Sociétés     Full-text available via subscription  
Neophilologus     Hybrid Journal   (Followers: 8)

        1 2     

Journal Cover Neophilologus
  [SJR: 0.158]   [H-I: 7]   [8 followers]  Follow
   Hybrid Journal Hybrid journal (It can contain Open Access articles)
   ISSN (Print) 1572-8668 - ISSN (Online) 0028-2677
   Published by Springer-Verlag Homepage  [2354 journals]
  • The Anacoluthon in Le Rouge et le noir : Cutting Cords and Tying Knots
    • Authors: Sudarsan Rangarajan
      Pages: 387 - 397
      Abstract: In Le Rouge et le noir (1830), the protagonist Julien Sorel’s quest for upward social mobility is facilitated by father figures and romantic partners. Abandoned by his abusive father, Julien is inspired by Napoleon and the surgeon-major, and aided by several other father figures: the priests Chélan and Pirard, M. de Rênal, and marquis de La Mole. Further, his own paternity is a predominant theme in the novel. His relationship with Mme de Rênal disrupts both her conjugal relationship, and her husband’s relationship with his children. While Mathilde struggles with her decision to marry Julien, her relationship with her father is strained. Using Miller, Derrida, and Enqvist, this essay proposes to show that the paternal and conjugal relationships, which involve two (in)fidelities, are governed by a chain of anacoluthons. Further, a nuanced definition of the trope will provide insights into Mathilde’s attempt to bridge the gap between the nobility and the working class. The essay concludes that Julien Sorel’s death leaves many loose ends, and that his character is an embodiment of the ambiguity in the anacoluthon.
      PubDate: 2017-07-01
      DOI: 10.1007/s11061-017-9521-0
      Issue No: Vol. 101, No. 3 (2017)
  • The Emotive Textualities of Wilhelm Jensen’s Karin von Schweden
    • Authors: Ervin Malakaj
      Abstract: This article traces the emotive textuality in Wilhelm Jensen’s (1837–1911) Karin von Schweden (1872), which is an anomaly in the author’s expansive oeuvre of over 160 prose works in that it is one of his very few literary successes. Drawing on work in cognitive literary theory and emotion studies, the essay identifies emotive textualities in (1) the text’s emphasis on characters’ interiority through an extensive interest in fostering readerly attribution of thoughts, emotions, and motivations to actions of fictive characters (or, Theory of Mind, as cognitive sciences call the process), and (2) the text’s emphasis on facilitating readerly empathetic alignment with figures. The goal is to use the emotive textuality as a way to situate Jensen’s text in the context of sentimental fiction and the author’s personal populist style.
      PubDate: 2017-10-30
      DOI: 10.1007/s11061-017-9543-7
  • Exeter Book Riddle 90 under a New Light: A School Drill in Hisperic Robes
    • Authors: Mercedes Salvador-Bello
      Abstract: Being the only text written entirely in Latin extant in the Exeter Book, Riddle 90 has eluded a plausible explanation of its exceedingly obscure clues and no satisfactory solution has been proposed for it yet. In this paper, I argue this is so because this composition was probably not a riddle in origin. Instead, what has traditionally been referred to as Riddle 90 should rather be seen as a school drill that probably seeped into the Exeter Book in the last stages of its compilation process or—more probably—its exemplar. A paleographical study of this text will evince that this poem was copied into the Exeter Book exemplar rather mechanically by a scribe who could not make much of its contents. Furthermore, an analysis of the rhetorical characteristics of Riddle 90 shows that the poet probably had in mind the literary patterns set by the Hisperic style, as observed in Aldhelm’s Carmen rhythmicum and The Rhyming Poem. Finally, I demonstrate that the formal aspects of Riddle 90 suggest that—in spite of being a modest Latin drill—this text could have been included into the Exeter Book because its stylistic features were consonant with the poetic modes cultivated by authors belonging to “Æthelwold’s school,” of which Wulfstan of Winchester was the leading representative.
      PubDate: 2017-10-30
      DOI: 10.1007/s11061-017-9540-x
  • Conocimiento, escepticismo y poder en En la vida todo es verdad y todo
           mentira de Calderón
    • Authors: David J. Hildner
      Abstract: Previous critics of Pedro Calderón de la Barca’s late play En la vida todo es verdad y todo mentira have correctly pointed out the debt that the piece owes to skeptical premises, either from Graeco-Roman sources or from Renaissance recastings, but these treatments have generally not taken into consideration three factors which limit the degree to which En la vida could be termed a drama of skepticism: (1) Much of the uncertainty surrounding identities and events stems, not from a general incapacity of humans to possess certain knowledge, but from the manipulation of knowledge and ignorance by individual interests or for reasons of state. (2) Although the neo- Aristotelian tradition in dramatic theory was often rejected by Spanish baroque dramatists, they still accepted that each drama needed a comprehensible, summarizable story line, thus limiting the scope of plot ambiguity, no matter what ambiguities arose from other elements. (3) Calderón’s characters, no matter how much they may discourse on their inability to know certain facts, must at certain points take action and move the plot forward, often in spite of their uncertainty.
      PubDate: 2017-10-30
      DOI: 10.1007/s11061-017-9544-6
  • Royal Authority in the Biblical Quotations of the Old English Pastoral
    • Authors: Amy Faulkner
      Abstract: The Old English Pastoral Care, a late-ninth-century translation of Gregory the Great’s Regula pastoralis attributed to Alfred the Great, is a text without a clear authorial voice. Gregory’s authorial presence is hinted at in the metrical preface and epilogue to the translation, but is curiously absent from the prose preface. Here, at the very beginning of the text, the authorial voice is that of King Alfred. Whether or not Alfred was actually responsible for translating the Regula pastoralis, as the prose preface claims, his voice and presence resonate throughout the translation. The king’s persona re-voices not only Gregory’s words, but the many biblical quotations that Gregory relies upon to support his argument. The royal authority natural to a king is compounded with the textual authority that comes through translating and therefore re-voicing a canonical text such as the Regula pastoralis, and this is nowhere more significant than in the translations of biblical quotations. Here, the Alfred-persona re-voices biblical figures such as King David, King Solomon, the evangelists and Christ Himself. In the translations of these quotations, Alfred’s royal authority is shored up by the echoes of these voices from Scripture. This article finds examples of where the wording of these translated quotations represents ideology, and even phraseology, found elsewhere in Alfredian documents. Through appropriation of scriptural voice, Alfredian ideals such as wisdom, moderate use of resources and a ruler’s humility are given unquestionable authoritative backing.
      PubDate: 2017-10-30
      DOI: 10.1007/s11061-017-9545-5
  • El Arte Poética en Romance Castellano (1580) de Miguel Sánchez de Lima y
           la preceptiva poética castellana de influencia italiana de finales del
           siglo XVI
    • Authors: Irene Rodríguez Cachón
      Abstract: The first poetic principles that organized and fixed the new way of doing poetry in Spanish—both in their maxims and in their uses—did not appear in the Iberian Peninsula until almost the last two decades of the sixteenth century. However, this fact does not imply that the Spanish poets were not caught up in the new winds of change, which it started during the Thirties of the same century in Italy, just the opposite. Therefore, some normative texts, which seek to explain and systematize the new poetic regulation, just all in Spanish instead of in Latin, begin to diffidently appear from 1580. El Arte Poética en Romance Castellano (1580), by the Portuguese poet Miguel Sánchez de Lima, is one of the first attempts that tries to justify and set up the new literary precepts of the moment, in contrast to the old medieval Spanish literary theories.
      PubDate: 2017-10-25
      DOI: 10.1007/s11061-017-9542-8
  • Góngora’s Sonnet “El Cuarto Enrico yace mal herido”
    • Authors: Diane Chaffee-Sorace
      Abstract: This article is an analysis of Luis de Góngora’s skillful employment of language to characterize King Henry IV of France in the funereal sonnet “El Cuarto Enrico yace mal herido.” Góngora wrote his poem in 1610 to honor Henry who was murdered in Paris in that same year by Jean-François Ravaillac. In the text the Spanish lyric poet creates historical, mythological, and heraldic allusions, rhetorical figures, and images of color. In particular, he is adept at forming various types of metaphors. By relating these metaphors to charges on Henry’s coats of arms as well as to accounts of the king’s personal history, Góngora paints a brilliant verbal picture of one of France’s most beloved rulers. This vibrant description of King Henry reveals that Góngora, the baroque poet, was also Góngora, the master of portraiture and expert commentator on events connected to the period in which he and the monarch lived.
      PubDate: 2017-10-24
      DOI: 10.1007/s11061-017-9541-9
  • ‘La Beauté’: Art and Dialogism in the Poetry of
    • Authors: Jennifer Yee
      Abstract: Studies of Baudelaire’s poem ‘La Beauté’ have generally agreed that it has a key role to play in our understanding of his aesthetic theories, but have differed wildly in how this role is interpreted. The present study brings together arguments that see the speaker of the poem, Beauty, as a statue, along with those that understand the poem as being fundamentally ironic. Situating ‘La Beauté’ in the context of Baudelaire’s art criticism allows us to understand it as part of his engagement in debates within the visual arts. This gives us a new reading of Beauty’s claims as voicing the positions of neo-classical idealism, and specifically those of nineteenth-century academic theorists influenced by the eighteenth-century German inventor of art history, Winckelmann. Recognizing the importance of Winckelmann in approaching this poem sheds light on the rejection of movement and emotion that is pronounced by Beauty, and which contradict Baudelaire’s theoretical positions expressed elsewhere. The sonnet is thus incorporating the language of a speaker who is distinct from the lyric ‘je’ and cannot be reduced to a mask for him or a part of his divided self. This language and the position it expresses are framed within the sonnet, whose implicit irony leads to what Bakhtin calls double voicing. This approach offers a new reading of ‘La Beauté’ in formal terms as an example of Bakhtinian dialogism within lyric poetry.
      PubDate: 2017-10-14
      DOI: 10.1007/s11061-017-9536-6
  • A Reconsideration of Old English fāh
    • Authors: Bethany Christiansen
      Abstract: The Old English (OE) adjective fāh—a word bearing a complex semantic profile and appearing in both poetic and non-poetic genres—has recently come under scrutiny. Filip Missuno argues that although fāh is usually listed in lexical aids as two separate lemmata, the words had actually fallen together into one polysemous lexeme bearing meanings of both lemmata, and that fāh 2 ‘particolored’ had disappeared as a separate lexeme in OE. Through diachronic evidence of pre-OE and post-OE forms, and through synchronic evidence that examines fāh’s place in the whole of the OE lexicon (rather than just poetry, as Missuno does), I demonstrate that fāh 1 ‘hostile’ and fāh 2 ‘particolored’ are in fact separate lexemes, and their lexical relationship is one of homophony and not polysemy. I also show that the allomorphic forms fāg 1 and fāg 2, previously thought to be the result of phonological processes in late OE, actually date from pre-Germanic and are beginning to show principled differentiation in OE records: allomorph fāg is being associated with the ‘particolored’ meaning while allomorph fāh is associated with the ‘hostile’ meaning. This association is loose in OE but produces distinct reflexes in late Middle English (foe from fāh, and fawe from fāg) with clearly differentiated semantics. Missuno is correct that the meanings of fāh 1 and fāh 2 show some overlap with one another, but I argue that this is an example of conventionalized word play, creating intentional associations between two distinct lexemes, rather than a seamless polysemous blend.
      PubDate: 2017-10-14
      DOI: 10.1007/s11061-017-9539-3
  • English Past and English Present: The Phrase “Old English” in
           Middle English Texts
    • Authors: Susan E. Deskis
      Abstract: Examining English texts from the thirteenth through fifteenth centuries that use the phrase “Old English” reveals the writers’ attitudes about older forms of the language. In most instances, they did not intend to identify or define “Old English” but instead, to note its close or distant relationship to the language as they used it themselves, including in contrast to French or Latin. When proverbs are described as “Old English” both age and vernacularity are meant to impress an English-speaking audience. Elsewhere, writers such as William Langland and William Caxton use “Old English” to indicate linguistic archaism, especially of lexicon.
      PubDate: 2017-10-09
      DOI: 10.1007/s11061-017-9537-5
  • Carnal Manifestations of Divine Love in the Mystical Writings of Elsbeth
           of Oye, Mechthild of Magdeburg and Margery Kempe
    • Authors: Simone Kügeler-Race
      Abstract: This article considers literary representations of the body in female mysticism from a transdisciplinary and comparative perspective. It is one of the first studies to provide a comparative reading of three female authors of the Middle Ages: Mechthild of Magdeburg’s Das Fließende Licht der Gottheit (c. 1250), Elsbeth of Oye’s Leben und Offenbarungen (c. 1340) and The Book of Margery Kempe (c. 1440). The literary depiction of bodily urges ranges from erotic encounters as a representation of mystical union, to longing, suffering and despair in order to be a living example of imitatio Christi. Through analysing relevant excerpts of the three mystical texts, which illustrate the yearning for physical pain (the vita of Elsbeth of Oye) and differing accentuations of sexuality (The Book of Margery Kempe, Das Fließende Licht der Gottheit), the instrumentalisation of the female body for salvific purposes becomes clear. These carnal manifestations of divine love can be viewed as major motifs structuring the texts rather than giving unmediated and ‘documentary’ evidence of their authors’ experience.
      PubDate: 2017-10-04
      DOI: 10.1007/s11061-017-9535-7
  • Wealhtheow and Her Name: Etymology, Characterization, and Textual
    • Authors: Leonard Neidorf
      Abstract: This article reconsiders the interpretation of Wealhtheow and her name in the light of recent advances in onomastic and textual scholarship. It argues against the supposition of a relationship between name-etymology and characterization in Beowulf, while raising the possibility that the genuine name of Hrothgar’s queen might have been obscured during the poem’s textual transmission.
      PubDate: 2017-10-04
      DOI: 10.1007/s11061-017-9538-4
  • The Genetic Fluke in Zadie Smith and Philip Roth: Order, Chaos and Utopia
    • Authors: Roxanne Covelo
      Abstract: The article explores the occurrence of the genetic fluke in Zadie Smith’s White Teeth (2000) and Philip Roth’s American Pastoral (1997). Although genetics, eugenics, heredity and breeding are described by the characters in terms of determinism, and understood by them as expressions of order and controllability in nature, the events of the novels invariably unfold in such a way as to prove them wrong. Their various utopian projects (genetic, religious, and political) are undone by unexpected agents of chaos, of which the genetic fluke is an example, leading to a broader discussion in the novels of the problem of determinism and chance, or order and disorder, at levels extending well beyond the biological.
      PubDate: 2017-08-19
      DOI: 10.1007/s11061-017-9534-8
  • “Qu’est-ce que c’est que l’amour'” Curiosité, amour et
           monstruosité chez Stendhal
    • Authors: Steffie Van Neste
      Abstract: “What is love'” (Lamiel, suivi de Armance, Hachette, Paris, 1965, 90) Stendhal’s characters wonder. In their quest to understand love, they encounter a hostile society. In response, they return to the self: instead of accepting the authority of tradition, they rely on their own observations and experiences. Stendhal, who defends intellectual equality, praises this concept of curiosity. Empirical curiosity is a response to a patriarchal mindset, to a mindset that clearly obstructs the cultivation of the self. In that regard, curiosity appears to be a subversive weapon, allowing the characters to deconstruct conventional roles. At the same time, this new form of curiosity is dangerous. As empirical curiosity escapes any kind of rules, it knowns no boundaries: the curiosity of the subject is unbridled, reckless, and savage. It is even so destructive that it threatens the integrity of the subject, that it turns the curious into a monster. In Lamiel and La Chartreuse de Parme, Stendhal reflects upon this paradox. He proposes three medicines to reckless curiosity: organization, concentration and reflection.
      PubDate: 2017-08-10
      DOI: 10.1007/s11061-017-9533-9
  • Teoría y crítica literaria en Agudeza y arte de ingenio
    • Authors: Alfonso Rey
      Abstract: The aim of Gracián’s Agudeza y arte de ingenio (Sharp-mindedness and the Art of Wit) was to write a treatise explaining all the different types of conceits. Being aware that concepto is a multi-purpose word, Gracián proceded to make additional definitions and distinctions, outlining some categories and subcategories of conceits, and establishing different possibilities of combination between them. His theory, based on an inductive procedure, raises some objections: 1) it is difficult to find the rules governing the faculty of wit, the technique of arte de ingenio; 2) the idea of conceit based on the relationship of similarity does not take into account the fact that many witty correspondences are devoid of literary quality; 3) the practice of conceit barely explains the most important achievements and innovations made by the great Baroque poets, at least in Spain, despite their reputation for the bold use of conceptos. In spite of those shortcomings, Agudeza y arte de ingenio deserves credit for its theoretical ambition and for Gracian’s effort to renovate the literary and gnoseological thought of his time.
      PubDate: 2017-08-09
      DOI: 10.1007/s11061-017-9530-z
  • Una invectiva inédita contra Gracias y desgracias del ojo del culo de
    • Authors: María José Alonso Veloso
      Abstract: This article aims to give notice about the existence of an unknown invective against Gracias y desgracias del ojo del culo, one of the most famous Francisco de Quevedo’s burlesque works. That printed work is entitled Excelencias y desagravios de los nobilísimos ojos de la cara, y zurriago contra el abogado del nefando ojo del culo. Published in the seventeenth century without date or place of printing, this new invective is now kept in the Biblioteca Valenciana and it has never been described. The author of this work remains hidden behind the pseudonym “Bachiller Polvorín de Tras-Te-Riego”. This new testimony is very interesting for completing the complex puzzle of the abundant controversial texts against Quevedo and his works, which were especially written and divulged along the decade between 1626 and 1635. Additionally, this unknown textual source draw critical attention to one aspect: the fact that this invective could have been one of the earliest among all known invectives so far. Its textual source might have not been one of the numerous preserved manuscripts but the first edition of Quevedo’s text, dated between 1620 and 1626, as the author suggests when describing the atmosphere in the Court of Spain where it was released. However, the real author of the invective and the circumstances of its writing and publishing are still needed of further inquiries.
      PubDate: 2017-08-09
      DOI: 10.1007/s11061-017-9532-x
  • The Insular Landscape of the Old English Poem The Phoenix
    • Authors: Helen Appleton
      Abstract: The opening section of the Old English poem The Phoenix derives from a fourth-century Latin poem, Carmen de ave phoenice, which is usually attributed to Lactantius. It is well known that The Phoenix Christianises and substantially enlarges upon descriptive details derived from its Latin source, but little detailed work has been done on how this actually takes place. The poet of The Phoenix’s expansions have been dismissed as prolix, yet when examined in light of similar passages elsewhere in the corpus of Old English literature, these additions can be seen to introduce images of particular resonance. This essay will focus on the landscape of the poem’s opening to argue for the Anglo-Saxon poet’s introduction of a distinctively insular spatial imaginaire to the setting inherited from the Latin source material. This insular imaginaire is in keeping with general trends in Anglo-Saxon literary culture, and ensures the resonance of The Phoenix’s resurrection allegory with its Anglo-Saxon audience.
      PubDate: 2017-08-07
      DOI: 10.1007/s11061-017-9531-y
  • Justified: Ecocriticism and Moral Development in Espido Freire’s
           Irlanda (1998)
    • Authors: Maria T. Pao
      Abstract: Within the last decade or so, several specialists of Spanish Peninsular studies have adopted an ecocritical approach to prose and focused their attention on explicit environmental concerns in novels such as Instrucciones para salvar el mundo (2008) by Rosa Montero or Alberto Vázquez-Figueroa’s El mar en llamas (2011). This approach has yielded important scholarship, signaling the participation of Spanish novelists in this thematic current. The present essay, however, suggests that ecocriticism may also be fruitfully pursued in narratives whose topics may not seem overtly germane. This is the case, I argue, with Irlanda (1998) by Espido Freire, a novel that has been characterized as the bildungsroman of a young witch. Despite her shocking behavior, it is the contention of this essay that the protagonist’s moral development is predicated on notions of fairness, care, and other prosocial stances that ensue from her sensitivity to the natural environment. The kind of close reading practiced in this article provides a broader lens to evaluate narratives that might otherwise be left at the margins of ecocritical literature.
      PubDate: 2017-06-29
      DOI: 10.1007/s11061-017-9529-5
  • Eteokles in Spain? On Brecht’s Mein Bruder war ein Flieger
    • Authors: Filippomaria Pontani
      Abstract: One of Bertolt Brecht’s most famous poems, Mein Bruder war ein Flieger, is often invoked as a manifesto for pacifist ideals, but some essential questions (who is the lyric I? what is the literal meaning of the poem?) have hardly received any attention. By evoking the poem’s nature as a Kinderlied, the context of its first publication, and its relationship with Brecht’s play Die Gewehre der Frau Carrar, this article tentatively identifies the source of its final pointe in a famous passage of Aeschylus’ Seven against Thebes, thereby suggesting—on the basis of textual comparisons—an example of far-reaching, ideological Antikerezeption in Brecht’s oeuvre, working all the way down to his Kalendergeschichten and to his Antigone.
      PubDate: 2017-06-06
      DOI: 10.1007/s11061-017-9528-6
  • Illness as a Burden in Anglo-Saxon England
    • Authors: Penelope J. Scott
      Abstract: As a culturally constructed concept, illness may be conceptualised through various metaphors across different times and cultures. This paper presents evidence based on readings from the Dictionary of Old English Corpus in Electronic Form (Healey et al. 1998) and the Dictionary of Old English (DOE) that in Old English illness is conceptualised as a heavy burden. The significance of the illness is a burden metaphor in Old English is greater than in Present Day English, in which, as pointed out by Goddard and Wierzbicka (2014) it would not be usual to speak of a heavy illness. The paper also investigates whether there is evidence for a nascent form of the military metaphor for illness and medicine, as identified by Sontag (1978/1991) and exemplified in Middle English by Díaz-Vera (2009). The military metaphor suggests a different approach to illness, in which one ‘fights’ the affliction. This is not well-evidenced in Old English, and it is argued in this paper that these two conceptual metaphors are based on distinct cultural schemas (Quinn 1987). While illness is a burden is to an extent grounded in embodied experience (Lakoff and Johnson 1999), the conceptualisation in Old English cannot fully be understood without also taking into account cultural schemas influenced by the humoral theory of disease aetiology, and by the religious context.
      PubDate: 2017-05-29
      DOI: 10.1007/s11061-017-9527-7
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