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Journal Cover Jurnal Kajian Seni
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  This is an Open Access Journal Open Access journal
   ISSN (Print) 2356-296X - ISSN (Online) 2356-3001
   Published by Universitas Gadjah Mada Homepage  [28 journals]
  • Hantu Topeng Kelono, Hantu Burung Kasuari dan Hantu ngung ngung ngung
           cakcakcak: Tiga Hantu Tari yang Bergentayangan dalam Sejarah Kebudayaan
           Nasional

    • Authors: Brigitta Isabella
      Pages: 111 - 135
      Abstract: Tulisan ini membahas tiga hantu tari dalam sejarah kebudayaan nasional Indonesia. Mereka adalah hantu Topeng Kelono dari dramatari Kelono karya (1916) Raden Mas Jodjana (1893-1972), hantu Burung Kasuari dari Tari Merak (1964) gubahan Irawati Durban Ardjo (1943 - ) dan hantu ngung ngung ngung cakcakcak dari koreografi Cak Tarian Rina (1972) karya Sardono Waluyo Kusumo (1945 - ). Tiga tari ini dibaca sebagai hantu-hantu yang bergentayangan karena karakternya yang hibdrid dianggap menganggu keutuhan wacana identitas nasional. Dengan melacak jejak hantu-hantu tari ini, akan disinggung relasi antara tradisi dan modernitas dalam kaitannya dengan struktur produksi pengetahuan estetik yang diciptakan oleh jalinan wacana orientalisme, wacana identitas nasional Negara pascakolonial dan wacana ideologi pembangunan.  
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.23335
      Issue No: Vol. 3, No. 2 (2017)
       
  • TRANSFORMASI BENTUK-REPRESENTASI DAN PERFORMATIVITAS GENDER DALAM SENI
           TRADISI TOPENG IRENG

    • Authors: Kiswanto Kiswanto
      Pages: 136 - 149
      Abstract: Transformation of Topeng Ireng Traditional Arts into Topeng Ireng Gugur Gunung of Duta Seni Pelajar Boyolali in this paper was discourse through some theory perspective developed by Maruška Svašek, Judith Butler, and some related writers. Transformation is characterized by changes in objects that transit within the location or the new owner, that is the material or forms of traditional art patterns of Topeng Ireng that transit as the initial idea of the creator. The object changed because in the process has been adapted to the concept of Gugur Gunung, which then processed, combined, developed, transformed into new works of art. Transformation is also marked by transitions related to the shifting meaning, value, and benefi ts of the object. The changes show a transition in several aspects, including content represented through art forms and performativity of gender.
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.22706
      Issue No: Vol. 3, No. 2 (2017)
       
  • CAN YOU SEE WHAT I SEE, MATA SEBAGAI OBJEK PENCIPTAAN SENI FOTOGRAFI
           EKSPRESI

    • Authors: Handry Rochmad Dwi Happy, Elfa Olivia Verdiana
      Pages: 150 - 164
      Abstract: The human eye holds a beauty potential that is rarely seen. In contrast to the eyes of animals such as insects and reptiles that are almost the same in the preparation and shape, the human eyes are composed of a different variety of patterns and textures even right and left eye on each person. In this paper, the photographs are presented using the conceptual techniques of macro photography and photographic expression. By using macro photography techniques that can magnify an object and capture the details of the beauty of the human eye, it can be seen clearly. The creation process concist of
      exploration, experimentation, and formation. Taking picture was done by using DSLR camera and helped by the lighting from studio. Selection of the human eye as an object in photography using macro technique is a new thing. The results obtained in each image capture raise an unexpected impression.
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.30040
      Issue No: Vol. 3, No. 2 (2017)
       
  • EFEKTIVITAS KERONCONG GARAPAN ORKES KERONCONG TRESNAWARA TERHADAP AUDIENSI
           GENERASI MUDA

    • Authors: Nugrahanstya Cahya Widyanta
      Pages: 165 - 180
      Abstract: Nowadays, kroncong of music seems less attractive to young people. The listener of this style of music is dominated by the elders. Orkes kroncong Tresnawara appeared to revive kroncong to be more appealing to younger generation. Orkes kroncong Tresnawara modifi ed kroncong in its every performance to be fi twith the musical taste of the younger generation. Kroncong creation relatively has high tempo and dynamic beat with the
      beat syncopation with accents. It brings orkes kroncong Tresnawara a unique musical style. The style andits young players make the kroncong song arranged by this group is very appealing to the youth. Kroncong creation is a mean chosen by orkes kroncong Tresnawara to communicate with young people. In this modern era, the environment and function are different. Therefore, Orkes kroncong Tresnawara attempts to adapt to the era
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.30042
      Issue No: Vol. 3, No. 2 (2017)
       
  • IDEOLOGI DAN IDENTITAS DALANG DALAM SELEKSI DALANG PROFESIONAL YOGYAKARTA

    • Authors: Bambang Sulanjri
      Pages: 181 - 196
      Abstract: This study discusses a shadow puppet show packaged in a format in the Yogyakarta Professional Puppeteer Selection Year 2008. This research data is very unique because this kind of event does not happen again until 2016. Data were collected with audio visual recordings and direct observations. Data analysis uses formal analysis to review the performance structure, and content analysis based on various theories to reveal the ideology and identity that play a role in the show. The results of this study shows that the structure of the performance is not the same as that of the common shadow puppet show due to the adjustment of the puppeteers to the rules set by the organizers. Personal and collective identity appeared in the puppet show. Here, the puppeteers could express their personal ideas without eliminating their collective identity. There were three puppeteer ideologies: conservative, development and competitive ideologies, and the ccompetitive ideology is the dominant ideology.
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.30045
      Issue No: Vol. 3, No. 2 (2017)
       
  • TRANSFORMASI BUDAYA ADU ZATUA DI NIAS SUMATERA UTARA

    • Authors: Maria Veronika Halawa, Aton Rustandi
      Pages: 197 - 215
      Abstract: This study describes how the cultural transformation zatua shootout that occurred in Nias. Adu zatua was originally a ritual objects Nias tribe belief that is sacred. Entering the 2000s appeared reproduction shootout zatua being secular and profane objects. Cultural traditions in Nias slowly started to change and evolve into a global culture. This study aimed to determine the cultural transformation in the shootout zatua, shape and also the value that is applied. Transformation contest zatua produce objects tourism. The strong cultural tourism makes fi ghts zatua production of a commercial character
      and commodities cultural objects.
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.30047
      Issue No: Vol. 3, No. 2 (2017)
       
  • Rumangsamu Penak; Analisis Wacana Politik Hidup Harian Buruh Migran
           Indonesia dalam Lagu Dangdut Koplo

    • Authors: Irfan R Darajat
      Pages: 216 - 230
      Abstract: Musik dangdut begitu lekat dengan tema persoalan hidup harian. Dalam perkembangannya muncul irama musik baru yang disebut dangdut koplo. Meskipun irama dalam musik dangdut terus berkembang karakternya yang ramah terhadap persoalan hidup harian tetap dipertahankan. Salah satu contoh menarik adalah lagu ‘Rumangsamu Penak’. Lagu tersebut lahir dari ujaran-ujaran dan curahan hati seorang buruh migran. Ujaran tersebut lahir dari polemik antara buruh migran (perempuan) dengan kaum lelaki di kampung halaman, serta dengan kelompok buruh migran yang lain. Dengan menggunakan analisis wacana Michel Foucault, penulis mencoba mencatat bagaimana praktik diskursif yang berlangsung dalam lagu tersebut. Bagaimana relasi kuasa bekerja di dalamnya, yang secara spesifik berkaitan dengan persoalan buruh migran Indonesia. Serta bagaimana mereka dipandang dan diposisikan oleh negara dan oleh masyarakat.
      PubDate: 2017-11-06
      DOI: 10.22146/jksks.23818
      Issue No: Vol. 3, No. 2 (2017)
       
 
 
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