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Publisher: RMIT Publishing   (Total: 400 journals)

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Showing 1 - 200 of 400 Journals sorted alphabetically
40 [degrees] South     Full-text available via subscription   (Followers: 2)
Aboriginal and Islander Health Worker J.     Full-text available via subscription   (Followers: 14)
Aboriginal Child at School     Full-text available via subscription   (Followers: 5)
About Performance     Full-text available via subscription   (Followers: 11)
Access     Full-text available via subscription   (Followers: 25)
ACCESS: Critical Perspectives on Communication, Cultural & Policy Studies     Full-text available via subscription   (Followers: 9)
Accounting, Accountability & Performance     Full-text available via subscription   (Followers: 16)
ACORN : The J. of Perioperative Nursing in Australia     Full-text available via subscription   (Followers: 17, SJR: 0.198, CiteScore: 0)
Adelaide Law Review     Full-text available via subscription   (Followers: 20, SJR: 0.122, CiteScore: 0)
Advocate: Newsletter of the National Tertiary Education Union     Full-text available via subscription   (Followers: 1)
Agenda: A J. of Policy Analysis and Reform     Full-text available via subscription   (Followers: 1)
Agora     Full-text available via subscription   (Followers: 4)
Agricultural Commodities     Full-text available via subscription   (SJR: 0.123, CiteScore: 0)
Agricultural Science     Full-text available via subscription   (Followers: 2)
AIMA Bulletin     Full-text available via subscription   (Followers: 4)
AJP : The Australian J. of Pharmacy     Full-text available via subscription   (Followers: 10, SJR: 0.142, CiteScore: 0)
Analysis     Full-text available via subscription   (Followers: 3)
Ancient History : Resources for Teachers     Full-text available via subscription   (Followers: 4)
Anglican Historical Society J.     Full-text available via subscription   (Followers: 3)
Annals of the Royal Australasian College of Dental Surgeons     Full-text available via subscription   (Followers: 4)
ANZSLA Commentator, The     Full-text available via subscription   (Followers: 3)
Appita J.: J. of the Technical Association of the Australian and New Zealand Pulp and Paper Industry     Full-text available via subscription   (Followers: 14, SJR: 0.168, CiteScore: 0)
AQ - Australian Quarterly     Full-text available via subscription  
Arena J.     Full-text available via subscription   (Followers: 1)
Around the Globe     Full-text available via subscription   (Followers: 1)
Art + Law     Full-text available via subscription   (Followers: 12)
Art Monthly Australia     Full-text available via subscription   (Followers: 10)
Artefact : the journal of the Archaeological and Anthropological Society of Victoria     Full-text available via subscription   (Followers: 3)
Artlink     Full-text available via subscription   (Followers: 5)
Asia Pacific J. of Clinical Nutrition     Full-text available via subscription   (Followers: 10, SJR: 0.697, CiteScore: 2)
Asia Pacific J. of Health Management     Full-text available via subscription   (Followers: 3)
Aurora J.     Full-text available via subscription  
Australasian Biotechnology     Full-text available via subscription   (Followers: 1, SJR: 0.1, CiteScore: 0)
Australasian Catholic Record, The     Full-text available via subscription   (Followers: 5)
Australasian Drama Studies     Full-text available via subscription  
Australasian Epidemiologist     Full-text available via subscription  
Australasian Historical Archaeology     Full-text available via subscription   (Followers: 7, SJR: 0.212, CiteScore: 0)
Australasian J. of Early Childhood     Full-text available via subscription   (Followers: 4, SJR: 0.535, CiteScore: 1)
Australasian J. of Gifted Education     Full-text available via subscription   (Followers: 5, SJR: 0.123, CiteScore: 0)
Australasian J. of Human Security, The     Full-text available via subscription   (Followers: 1, SJR: 0.144, CiteScore: 0)
Australasian J. of Irish Studies, The     Full-text available via subscription   (Followers: 8)
Australasian J. of Regional Studies, The     Full-text available via subscription   (Followers: 1, SJR: 0.118, CiteScore: 0)
Australasian Law Management J.     Full-text available via subscription   (Followers: 7)
Australasian Leisure Management     Full-text available via subscription   (Followers: 1)
Australasian Musculoskeletal Medicine     Full-text available via subscription   (Followers: 3)
Australasian Music Research     Full-text available via subscription   (Followers: 4)
Australasian Parks and Leisure     Full-text available via subscription   (Followers: 2)
Australasian Plant Conservation: J. of the Australian Network for Plant Conservation     Full-text available via subscription   (Followers: 4)
Australasian Policing     Full-text available via subscription   (Followers: 5)
Australasian Public Libraries and Information Services     Full-text available via subscription   (Followers: 33)
Australasian Review of African Studies, The     Full-text available via subscription   (Followers: 2)
Australian Aboriginal Studies     Full-text available via subscription   (Followers: 10, SJR: 0.13, CiteScore: 0)
Australian Advanced Aesthetics     Full-text available via subscription   (Followers: 4)
Australian Ageing Agenda     Full-text available via subscription   (Followers: 6)
Australian and Aotearoa New Zealand Psychodrama Association J.     Full-text available via subscription  
Australian and New Zealand Continence J.     Full-text available via subscription   (Followers: 3)
Australian and New Zealand Sports Law J.     Full-text available via subscription   (Followers: 8)
Australian Art Education     Full-text available via subscription   (Followers: 7)
Australian Bookseller & Publisher     Full-text available via subscription   (Followers: 1)
Australian Bulletin of Labour     Full-text available via subscription   (Followers: 2)
Australian Canegrower     Full-text available via subscription   (Followers: 2)
Australian Coeliac     Full-text available via subscription   (Followers: 1)
Australian Cottongrower, The     Full-text available via subscription   (Followers: 1)
Australian Educational and Developmental Psychologist, The     Full-text available via subscription   (Followers: 8, SJR: 0.146, CiteScore: 0)
Australian Family Physician     Full-text available via subscription   (Followers: 3, SJR: 0.317, CiteScore: 1)
Australian Field Ornithology     Full-text available via subscription   (Followers: 4, SJR: 0.209, CiteScore: 0)
Australian Forest Grower     Full-text available via subscription   (Followers: 4)
Australian Forestry     Full-text available via subscription   (Followers: 2, SJR: 0.41, CiteScore: 1)
Australian Grain     Full-text available via subscription   (Followers: 2)
Australian Holstein J.     Full-text available via subscription   (Followers: 1)
Australian Humanist, The     Full-text available via subscription   (Followers: 3)
Australian Indigenous Law Review     Full-text available via subscription   (Followers: 20)
Australian Intl. Law J.     Full-text available via subscription   (Followers: 23)
Australian J. of Acupuncture and Chinese Medicine     Full-text available via subscription   (Followers: 3, SJR: 0.116, CiteScore: 0)
Australian J. of Adult Learning     Full-text available via subscription   (Followers: 16, SJR: 0.297, CiteScore: 0)
Australian J. of Advanced Nursing     Full-text available via subscription   (Followers: 12, SJR: 0.299, CiteScore: 1)
Australian J. of Asian Law     Full-text available via subscription   (Followers: 4)
Australian J. of Cancer Nursing     Full-text available via subscription   (Followers: 8)
Australian J. of Civil Engineering     Full-text available via subscription   (Followers: 5, SJR: 0.158, CiteScore: 0)
Australian J. of Dyslexia and Learning Difficulties     Full-text available via subscription   (Followers: 8, SJR: 0.1, CiteScore: 0)
Australian J. of Emergency Management     Full-text available via subscription   (Followers: 11, SJR: 0.354, CiteScore: 0)
Australian J. of French Studies     Full-text available via subscription   (Followers: 7, SJR: 0.123, CiteScore: 0)
Australian J. of Herbal Medicine     Full-text available via subscription   (Followers: 3)
Australian J. of Language and Literacy, The     Full-text available via subscription   (Followers: 3, SJR: 0.282, CiteScore: 1)
Australian J. of Legal History     Full-text available via subscription   (Followers: 14)
Australian J. of Mechanical Engineering     Full-text available via subscription   (Followers: 3, SJR: 0.119, CiteScore: 0)
Australian J. of Medical Science     Full-text available via subscription   (Followers: 1)
Australian J. of Multi-Disciplinary Engineering     Full-text available via subscription   (Followers: 2)
Australian J. of Music Education     Full-text available via subscription   (Followers: 4)
Australian J. of Music Therapy     Full-text available via subscription   (Followers: 9, SJR: 0.549, CiteScore: 1)
Australian J. of Parapsychology     Full-text available via subscription   (Followers: 2, SJR: 0.511, CiteScore: 0)
Australian J. of Social Issues     Full-text available via subscription   (Followers: 5, SJR: 0.399, CiteScore: 1)
Australian J. of Structural Engineering     Full-text available via subscription   (Followers: 6, SJR: 0.281, CiteScore: 1)
Australian J. of Water Resources     Full-text available via subscription   (Followers: 5, SJR: 0.156, CiteScore: 0)
Australian J. on Volunteering     Full-text available via subscription   (Followers: 2)
Australian J.ism Review     Full-text available via subscription   (Followers: 8)
Australian Life Scientist     Full-text available via subscription   (Followers: 2)
Australian Literary Studies     Full-text available via subscription   (Followers: 5)
Australian Mathematics Teacher, The     Full-text available via subscription   (Followers: 6)
Australian Nursing J. : ANJ     Full-text available via subscription   (Followers: 6)
Australian Orthoptic J.     Full-text available via subscription  
Australian Primary Mathematics Classroom     Full-text available via subscription   (Followers: 4)
Australian Screen Education Online     Full-text available via subscription   (Followers: 2)
Australian Senior Mathematics J.     Full-text available via subscription   (Followers: 1)
Australian Sugarcane     Full-text available via subscription  
Australian TAFE Teacher     Full-text available via subscription   (Followers: 4)
Australian Tax Forum     Full-text available via subscription   (Followers: 3)
Australian Universities' Review, The     Full-text available via subscription   (Followers: 4)
Australian Voice     Full-text available via subscription   (Followers: 6)
Bar News: The J. of the NSW Bar Association     Full-text available via subscription   (Followers: 6)
Bioethics Research Notes     Full-text available via subscription   (Followers: 13)
BOCSAR NSW Alcohol Studies Bulletins     Full-text available via subscription   (Followers: 4)
Bookseller + Publisher Magazine     Full-text available via subscription   (Followers: 5)
Breastfeeding Review     Full-text available via subscription   (Followers: 17, SJR: 0.183, CiteScore: 0)
British Review of New Zealand Studies     Full-text available via subscription   (Followers: 4)
Brolga: An Australian J. about Dance     Full-text available via subscription   (Followers: 1)
Cancer Forum     Full-text available via subscription   (SJR: 0.115, CiteScore: 0)
Cardiovascular Medicine in General Practice     Full-text available via subscription   (Followers: 7)
Chain Reaction     Full-text available via subscription  
Childrenz Issues: J. of the Children's Issues Centre     Full-text available via subscription  
Chiropractic J. of Australia     Full-text available via subscription   (SJR: 0.111, CiteScore: 0)
Chisholm Health Ethics Bulletin     Full-text available via subscription   (Followers: 1)
Church Heritage     Full-text available via subscription   (Followers: 4)
Commercial Law Quarterly: The J. of the Commercial Law Association of Australia     Full-text available via subscription   (Followers: 5)
Communicable Diseases Intelligence Quarterly Report     Full-text available via subscription   (Followers: 2, SJR: 0.563, CiteScore: 1)
Communication, Politics & Culture     Open Access   (Followers: 13)
Communities, Children and Families Australia     Full-text available via subscription   (Followers: 2)
Connect     Full-text available via subscription   (Followers: 2)
Contemporary PNG Studies     Full-text available via subscription  
Context: J. of Music Research     Full-text available via subscription   (Followers: 8)
Corporate Governance Law Review, The     Full-text available via subscription   (Followers: 7)
Creative Approaches to Research     Full-text available via subscription   (Followers: 13)
Critical Care and Resuscitation     Full-text available via subscription   (Followers: 18, SJR: 1.032, CiteScore: 1)
Cultural Studies Review     Full-text available via subscription   (Followers: 15)
Culture Scope     Full-text available via subscription   (Followers: 4)
Current Issues in Criminal Justice     Full-text available via subscription   (Followers: 11)
Dance Forum     Full-text available via subscription   (Followers: 2)
DANZ Quarterly: New Zealand Dance     Full-text available via subscription   (Followers: 3)
Day Surgery Australia     Full-text available via subscription   (Followers: 2)
Deakin Law Review     Full-text available via subscription   (Followers: 15)
Developing Practice : The Child, Youth and Family Work J.     Full-text available via subscription   (Followers: 19)
Early Days: J. of the Royal Western Australian Historical Society     Full-text available via subscription  
Early Education     Full-text available via subscription   (Followers: 8)
EarthSong J.: Perspectives in Ecology, Spirituality and Education     Full-text available via subscription   (Followers: 1)
East Asian Archives of Psychiatry     Full-text available via subscription   (Followers: 3, SJR: 0.36, CiteScore: 1)
Educare News: The National Newspaper for All Non-government Schools     Full-text available via subscription  
Educating Young Children: Learning and Teaching in the Early Childhood Years     Full-text available via subscription   (Followers: 17)
Education in Rural Australia     Full-text available via subscription   (Followers: 1)
Education, Research and Perspectives     Full-text available via subscription   (Followers: 10)
Educational Research J.     Full-text available via subscription   (Followers: 17)
Electronic J. of Radical Organisation Theory     Full-text available via subscription   (Followers: 3)
Employment Relations Record     Full-text available via subscription   (Followers: 2)
English in Aotearoa     Full-text available via subscription   (Followers: 2)
English in Australia     Full-text available via subscription   (Followers: 2, SJR: 0.18, CiteScore: 0)
Essays in French Literature and Culture     Full-text available via subscription   (Followers: 7)
Ethos: Official Publication of the Law Society of the Australian Capital Territory     Full-text available via subscription   (Followers: 5)
Eureka Street     Full-text available via subscription   (Followers: 5)
Extempore     Full-text available via subscription  
Family Matters     Full-text available via subscription   (Followers: 10, SJR: 0.228, CiteScore: 1)
Federal Law Review     Full-text available via subscription   (Followers: 21)
Fijian Studies: A J. of Contemporary Fiji     Full-text available via subscription   (Followers: 1)
Focus on Health Professional Education : A Multi-disciplinary J.     Full-text available via subscription   (Followers: 7)
Food New Zealand     Full-text available via subscription   (Followers: 4)
Fourth World J.     Full-text available via subscription   (Followers: 1)
Frontline     Full-text available via subscription   (Followers: 18)
Future Times     Full-text available via subscription   (Followers: 2)
Gambling Research: J. of the National Association for Gambling Studies (Australia)     Full-text available via subscription   (Followers: 5)
Gay and Lesbian Law J.     Full-text available via subscription   (Followers: 2)
Gender Impact Assessment     Full-text available via subscription   (Followers: 1)
Geographical Education     Full-text available via subscription   (Followers: 2)
Geriatric Medicine in General Practice     Full-text available via subscription   (Followers: 8)
Gestalt J. of Australia and New Zealand     Full-text available via subscription   (Followers: 2, SJR: 0.1, CiteScore: 0)
Globe, The     Full-text available via subscription   (Followers: 3)
Government News     Full-text available via subscription   (Followers: 2)
Great Circle: J. of the Australian Association for Maritime History, The     Full-text available via subscription   (Followers: 7)
Grief Matters : The Australian J. of Grief and Bereavement     Full-text available via subscription   (Followers: 10)
He Puna Korero: J. of Maori and Pacific Development     Full-text available via subscription   (Followers: 4)
Headmark     Full-text available via subscription   (Followers: 2)
Health Inform     Full-text available via subscription  
Health Issues     Full-text available via subscription   (Followers: 2)
Health Promotion J. of Australia : Official J. of Australian Association of Health Promotion Professionals     Full-text available via subscription   (Followers: 8, SJR: 0.531, CiteScore: 1)
Health Voices     Full-text available via subscription  
Heritage Matters : The Magazine for New Zealanders Restoring, Preserving and Enjoying Our Heritage     Full-text available via subscription   (Followers: 2)
High Court Quarterly Review, The     Full-text available via subscription   (Followers: 3)
History of Economics Review     Full-text available via subscription   (Followers: 9)
HIV Australia     Full-text available via subscription   (Followers: 3)
HLA News     Full-text available via subscription   (Followers: 3, SJR: 0.438, CiteScore: 1)
Hong Kong J. of Emergency Medicine     Full-text available via subscription   (Followers: 4, SJR: 0.19, CiteScore: 0)
Idiom     Full-text available via subscription   (Followers: 1)
Impact     Full-text available via subscription   (Followers: 1)
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InPsych : The Bulletin of the Australian Psychological Society Ltd     Full-text available via subscription   (Followers: 2)
Inside Film: If     Full-text available via subscription   (Followers: 7)
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Instyle     Full-text available via subscription   (SJR: 0.116, CiteScore: 0)
Intellectual Disability Australasia     Full-text available via subscription   (Followers: 7)
Interaction     Full-text available via subscription   (Followers: 3)
Intl. Employment Relations Review     Full-text available via subscription   (Followers: 2)
Intl. J. of Disability Management Research     Full-text available via subscription   (Followers: 2)

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Journal Cover
Art Monthly Australia
Number of Followers: 10  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 1033-4025
Published by RMIT Publishing Homepage  [400 journals]
  • Issue 308 - Welcome to issue 308
    • Abstract: Fitzgerald, Michael
      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Contributors
    • PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Constructing fantasy worlds
    • Abstract: Jean, Anne-Marie; Carlin, Esther
      Review(s) of: 'Sarah Contos: Nikola Tesla sends Theda Bara to Mars' and 'Jess Johnson and Simon Ward: Terminus' by National Gallery of Australia, Canberra, until 26 August 2018.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Notes from the field
    • Abstract: Wolifson, Chloe
      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Dispatches
    • Abstract: Stephens, Andrew
      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Art history which sparkles 'cartier: The exhibition'
    • Abstract: Anderson, Patricia
      Review(s) of: 'Cartier: The exhibition', by National Gallery of Australia in Canberra until 22 July 2018.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Floating and flouting the national: Two museums in windy
           Wellington
    • Abstract: Ewington, Julie
      Review(s) of: 'Pacific Sisters: Fashion Activists' and 'Lisa Walker: I want to go to my bedroom but I can't be bothered' are being exhibited, by Toi Art, Museum of New Zealand Te Papa Tongarewa, Wellington, until 8 July and 22 July 2018.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Daniel Buren in conversation with Anais Lellouche
    • Abstract: Lellouche, Anais; Buren, Daniel
      Daniel Buren is an artist who in the 1960s pioneered a new approach to art-making, responsive to the specificities of site. By taking on some of the most illustrious monuments of the world, Buren has revolutionised the space of art in the museum and in the city. His volumes brimming with colours are neither painting nor sculpture yet challenge both. These geometric interventions are united by one element, white and coloured stripes each measuring 8.7 centimetres wide. 'Buren's stripes', as they are known, function as an 'outil visuel' ('tool for seeing'). Through their lens the artist focuses our gaze, bodies and mind to experience our environment anew.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Throw your arms around the world' Samson Young and the M+
           effect
    • Abstract: Wolifson, Chloe
      Review(s) of: 'Samson Young: Songs for Disaster Relief World Tour' was on view at M+ Pavilion, by West Kowloon, from 9 February until 6 May 2018.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - It's 1968 (again) and 'the field' rises (again)
    • Abstract: Barrett-Lennard, John
      'The Field' opened the new National Gallery of Victoria (NGV) building on St Kilda Road in August 1968 with a broad selection of recent Australian painting and sculpture by 40 artists (just three of whom were women). It was a moment of high ambition, and an innovative contemporary exhibition that presented new abstract painting and sculpture never before seen on this scale in any Australian art museum. It challenged the verities of postwar art in this country (and Melbourne, in particular), and was both controversial and intriguingly came as this moment in painting - of hard and colourfield abstraction - was about to be superseded by new conceptually and politically engaged forms in the 1970s. 'The Field' has been discussed, written about and heavily referenced in subsequent exhibitions ever since. The NGV has now, 50 years later, restaged it, aiming to get as close to the original as possible, gathering together 62 of the 74 works in the original exhibition, with the 12 missing represented by life-size monochrome reproductions.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Building a house with hairs 'Bronwyn Oliver: Strange things
    • Abstract: Bruce, Candice
      Review(s) of: Bronwyn Oliver: Strange Things, by Hannah Fink, Piper Press, Sydney, 2017, 224 pages, AU$59.95.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - Sense memory 'Archie Moore 1970-2018'
    • Abstract: Hughes, Helen
      Review(s) of: Archie Moore: 1970-2018, by Griffith University Art Museum, Brisbane, 2018.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - In the margins: Howard Taylor's omission from 'the field'
           exhibition
    • Abstract: Snell, Ted
      When the British artist Bridget Riley and curator Bryan Robertson visited Perth in 1977, their plane was delayed, enabling them to take a short trip down south. While in the small hamlet of Northcliffe they visited Howard Taylor in his studio. Riley was a star of the op art movement and her response to Taylor's work proved to be very helpful in building his profile nationally. On her arrival in Sydney, she spruiked his abilities, and gallerist Chandler Coventry offered him an exhibition in 1978 based on her recommendation.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 308 - The field revisited': Let's talk about gender
    • Abstract: Fitzgerald, Michael
      Review(s) of: 'The field revisited', by NGV Australia until 26 August 2018.

      PubDate: Mon, 18 Jun 2018 19:08:00 GMT
       
  • Issue 307 - Contributors
    • PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Welcome to issue 307
    • Abstract: Fitzgerald, Michael
      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Dispatches
    • Abstract: Stephens, Andrew
      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Notes from the field
    • Abstract: Wolifson, Chloe
      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - 'Art turns. world turns': The first months at MACAN
    • Abstract: Ewington, Julie
      Review(s) of: Art turns. World turns, exhibition installation views, Museum MACAN, Jakarta, images courtesy Museum MACAN, Jakarta.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Curiouser and curiouser Patricia piccinini at GOMA
    • Abstract: Maunder, Tess
      Review(s) of: 'Patricia Piccinini: Curious Affection' is on display at the Queensland Art Gallery's Gallery of Modern Art, Brisbane, until 5 August 2018.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - The curators, the diplomat and 'The lady and the Unicorn'
    • Abstract: Mendelssohn, Joanna
      Review(s) of: 'The Lady and the Unicorn' is currently on display at the Art Gallery of New South Wales, Sydney, until 24 June 2018.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Violet mace: Native or indigenous'
    • Abstract: Hughes, Peter
      In late 2016, the Tasmanian Museum and Art Gallery (TMAG) received a donation of 25 ceramic pieces by Violet Mace (1883-1968) made between 1929 and 1941. It included some of the earliest studio crafts objects to incorporate designs based on appropriated Australian Aboriginal art. Mace, along with her cousin and mentor Maude Poynter (1869-1945), were Tasmania's first, and among Australia's earliest, studio potters. They worked from a studio and wood-fired kiln built by Poynter around 1918 near Bothwell, a small town about 80 kilometres from Hobart. Neither of the women married, and while not wealthy, they were sufficiently financially independent to be free to experiment. Poynter had received some art training at a private academy in Victoria and later at London art schools before moving to Tasmania. Mace joined her around 1920. Much of the early work of both potters was informed by the arts and crafts movement and includes imagery based on native plants and animals. Their work also exhibits considerable experimentation with form and decoration, including low and high relief modelling, piercing and various glaze effects.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - The complexity of contemporaneity
    • Abstract: Roussos, Koulla
      Review(s) of: Franck Gohier: A Thousand Miles from Everywhere, exhibition installation views, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2018; images courtesy MAGNT, Darwin

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - A kind of calm: 'Encounters 2018' at art Basel Hong Kong
    • Abstract: Wolifson, Chloe
      Review(s) of: The 2018 edition of 'Encounters' was exhibited as part of Art Basel Hong Kong at the Hong Kong Convention and Exhibition Centre, 29-31 March 2018.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Allegories of the anthropocene: Animated dystopias in the work
           of geng Xue, qiu anxiong and sun xun
    • Abstract: Guest, Luise
      In recent years much contemporary art from China has been characterised by a re-investigation - even a re-invention - of Chinese artforms and aesthetics, and an immersion in Chinese philosophical and spiritual traditions. Rather than an intentional branding for the international art market, or a nostalgic orientalism, in many cases the current revival of pre-Mao literati traditions of ink and calligraphy, Buddhist and Daoist philosophies, and folk art reflects artists' desires to blur artificial binaries of East and West, local and global, contemporary and traditional.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 307 - Connecting the foreign with the familiar: The 21st biennale of
           Sydney
    • Abstract: Mitsuji, Tai
      Review(s) of: The 21st Biennale of Sydney, 'Superposition: Equilibrium and Engagement', is showing at the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, 4A Centre for Contemporary Asian Art, the Museum of Contemporary Art Australia and the Sydney Opera House until 11 June 2018.

      PubDate: Tue, 8 May 2018 17:38:39 GMT
       
  • Issue 306 - 'I can't believe I still have to protest this fucking shit'
    • Abstract: Burke, Janine
      Review(s) of: Little could I guess that, 44 years after I began my practice as an arts feminist, I'd be writing about an exhibition titled 'Unfinished Business: Perspectives on art and feminism'. It was unimaginable in 1974 that the same disparities would need to be addressed, the same lacunae exist, the same frustrations remain febrile and relevant. That year, I co-curated 'A Room of One's Own: Three Women Artists', probably Australia's first feminist group show. My fellow curators were Kiffy Rubbo, director of the Ewing and George Paton Galleries, and Lynne Cooke, then a final-year honours student at Melbourne University. It was Lynne's and my dissatisfaction with the patriarchal bias of our art history course that prompted us to start talks with Kiffy that led to the exhibition, which included work by Lesley Dumbrell, Julie Irving and Ann Newmarch

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Ryan Presley: 'Prosperity'
    • Abstract: Presley, Ryan
      My exhibition consists of a newly designed suite of Australian banknotes that extends from my ongoing 'Blood Money' series of watercolour paintings on paper. These works of art explore contemporary Australian history through the lens of important and notable Aboriginal people. These key figures can teach us valuable historical lessons in regards to their experiences of dispossession, oppression and the suppression of contrary legacies. From them we can learn valuable insights that tell us much about cross-cultural histories and Aboriginal relationships with 'white' or non-Aboriginal Australia

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Mutlu Cerkez: Fake or fortune'
    • Abstract: Schmidt, Audrey
      In the first pages of the impressive tome-like catalogue for 'Mutlu erkez: 1988-2065' at the Monash University Museum of Art (MUMA) in Melbourne, Director Charlotte Day describes the death of the Turkish Cypriot-Australian artist as 'untimely' - an apt choice of words considering erkez's obsession with the passage of time. In fact, from Callum Morton's February opening speech, cut short for reasons unknown, describing the works lost in a fire at Istanbul airport in 2006, to the attendance of erkez's extended family (or future erkez generations) at the opening, the dialectic of presence and absence and the eerie disruption of linear time gave the 'retrospective' exhibition the peculiar feel of a vintage sci-fi film set in 'the not-too-distant future'. Certainly, with its generic sans-serif text and precise paint-by-numbers execution, erkez's paintings in the echoey gallery setting had a depersonalised and austere texture not unlike a spacecraft.

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Michael Whitworth 1947-2017
    • Abstract: Bruce, Candice
      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Michael Hobbs 1934-2018
    • Abstract: Anderson, Patricia
      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Notes from the field
    • Abstract: Wolifson, Chloe
      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Scintillating signifiers 'Flora' at Lawrence Wilson Art
           Gallery
    • Abstract: Schilo, Ann
      Review(s) of: With the dry heat of summer and restricted watering at this time of year, the roses in my garden struggle to look their best. The blooms are small, almost faded in colour, yet, placed in a vase on an embroidered doily on the hallway table, they bring a timid vibrancy and slender perfume to the house. What is it about a bunch of flowers that catches the eye and so delights the senses' It is a question that hovers around Gemma Weston's exhibition 'Flora', her curatorial survey of works from the Cruthers Collection of Women's Art

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Between nature and culture: 'The remarkable Tasmanian devil'
           at TMAG
    • Abstract: Hogan, Jan; Richardson, Benjamin J
      Review(s) of: In this time of rapid species losses, the philosopher Donna Haraway exhorts us to 'make kin, not babies'. 'The Remarkable Tasmanian Devil' exhibition at Hobart's Tasmanian Museum and Art Gallery appears to have embraced this mantra in tracing the evolving public aesthetics of the island state icon, from a reviled predator persecuted through bounty schemes to an adorable tourist ambassador and official animal emblem. Haraway argues that 'we need stories (and theories) that are just big enough to gather up the complexities and keep the edges open and greedy for surprising new and old connections'.1 She asks for alliances with the natural world that include other species in our network of relationships and responsibilities

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - From sadness to sunshine: 'The unflinching gaze' at BRAG
    • Abstract: Almeida, Pedro de
      Review(s) of: Several years in the making, 'The Unflinching Gaze: Photo Media and the Male Figure' opened at the Bathurst Regional Art Gallery (BRAG) in the middle of October 2017 - the middle of spring, for that matter, a time of renewal and the ushering in of vitality and virility over all that might have withered or perished in the past - or should have. Whether Richard Perram, longtime BRAG director and curator of the exhibition, scheduled the show with this in mind is a secondary consideration to the acknowledgement of the immense good fortune that could not have been planned nor predicted - of his impressive undertaking: 'The Unflinching Gaze' graced audiences just as elected representatives in the nation's upper and lower houses of parliament, confounded with their final round of morally expedient machinations as to the question of amending the Marriage Act to include same-sex unions, reached a vote that was, on 7 December 2017, finally passed

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - A magnificent obsession: The Howard Hinton collection at NERAM
    • Abstract: Frost, Andrew
      Review(s) of: At 6.05 p.m. on a hot February evening in Armidale, the New England Regional Art Museum (NERAM) was already packed for the opening of 'Hinton: Treasures of Australian Art'. The crush was so tight the line at the cash bar was five deep. People take their art openings seriously here, and when it came time for the official speeches, the lively back rooms had to be vigorously shushed

      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Welcome to issue 306
    • Abstract: Fitzgerald, Michael
      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 306 - Travelling north
    • Abstract: Stephens, Andrew
      PubDate: Mon, 23 Apr 2018 10:20:49 GMT
       
  • Issue 305 - Welcome to issue 305
    • Abstract: Kataoka, Mami
      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Small steps, larger journey: Sydney Biennales in the 1970s and
           1980s
    • Abstract: Smith, Terry
      At a time when 225 regularly recurrent exhibitions of contemporary art are listed on the website of the Biennial Foundation, it is salutary to recall the situation in Australia in the early 1970s.Contemporary art was rarely shown in the state galleries, commercial galleries depended mostly on established artists, and independent art spaces were just getting started. Artist-run spaces such as Central Street Gallery, founded in Sydney in 1966, and artist-prioritising spaces such as Pinacotheca, established by Bruce Pollard in Melbourne in 1967, were pioneers. When, in 1968, the Power Institute sought to 'bring the latest ideas and theories concerning contemporary art to the people of Australia' as its founder's will required, it met with loud local opprobrium for collecting and discussing art from Europe and the United States. But signs of change were all around. In 1969 Christo and Jeanne-Claude's Wrapped Coast launched John Kaldor's amazing 'Public Art Projects' - the first, and arguably the granddaddy of them all. Some private galleries began to show young, experimental Australian artists: among them Gallery A in Melbourne and Sydney, Tolarno in Melbourne, Rudy Komon and Frank Watters in Sydney, and Bonython in Adelaide. Some state galleries gave younger curators a room or two to show these artists, and to occasionally survey what they were doing. And in 1973, the first Biennale of Sydney was launched.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Stimulating thinking, feeling and seeing: Gerhard Richter at
           GOMA
    • Abstract: Ross, Toni
      While Gerhard Richter's status as one of the greatest living artists was secured decades ago, 'The Life of Images' at the Queensland Art Gallery's Gallery of Modern Art (GOMA) was the first major exhibition of his work in Australia. The big surprise was that this gathering of over 90 works from the artist's multifaceted oeuvre was conceived here rather than arriving as a package from overseas. Not only did GOMA convince numerous major collections to part with their precious Richter holdings, the artist was so persuaded by the serious intent of curators Rosemary Hawker and Geraldine Kirrihi Barlow that he contributed significant loans from his own collection.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Penny Byrne: Armed and vulnerable
    • Abstract: Aziz, Arjmand
      Hurt Locker, the two-metre glass and steel sculpture by Australian artist Penny Byrne, has come home. In 2015 the Berengo foundation and studio at Murano and the Hermitage Museum in Saint Petersburg invited Byrne, along with many international artists, to create a contemporary work exploring Gothic style for 'Glasstress', a regular collateral exhibition of the Venice Biennale. Responding to this curatorial theme, Byrne was inspired to produce Hurt Locker, a meditation on the concept of armour, protection and, ultimately, vulnerability.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Entertainment and wonder: Speculating on the 'NGV triennial
    • Abstract: Fitzgerald, Michael
      Is bigger better' Have art audiences become soft targets for large-scale spectacle' Is there a meaningful nexus between the international and the local'

      Such pesky questions coalesced in my consciousness as I toured the inaugural 'NGV Triennial' for its media preview in mid-December. My brain swelled with statistics (the work of over 100 artists are displayed across four floors of the NGV International, with 20 new commissions), my senses nearing overstimulation (Sissel Tolaas's SmellScape: Melbourne_PastPresentPast, 2017, being but an olfactory example), as transgressive thought bubbles kept disrupting my otherwise immaculate field of view.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - 'Permitted to exist': Akira Takayama's our songs - Sydney
           Kabuki project
    • Abstract: Kataoka, Mami
      The first Australian citizenship ceremony at Sydney Town Hall happened in 1954. And it was this hall that served as the setting for a recent performance commissioned by the 21st Biennale of Sydney from the Japanese theatre director Akira Takayama, entitled Our Songs - Sydney Kabuki Project.1 In a hall where one typically declares Australian allegiance while the national anthem plays, around 70 participants in this project sang songs and recited poems that had been passed down to each of them by their families and ancestors, in nearly 40 different languages. A record of these events will be exhibited in the form of a video work at 4A Centre for Contemporary Asian Art for the duration of the Biennale. Although the 'kabuki' in the title of the work is a traditional artform particular to Japan, Takayama notes that it also has a relationship to immigrant histories.2 Project participants crossed a specially installed hanamichi (the long raised platform used in kabuki) in order to reach the hall's stage. But this passage also served as a metaphor for the process by which different people assimilate into a new community. The empty audience seats indicated that the songs and poetry being performed were directed at the souls of the dead or departed ancestors.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Dispatches from a parallel universe
    • Abstract: Hsu, Chia-Wei
      In 2012 I launched a project series in Huai Mo Village, a mountainous area on the border of Thailand and Myanmar that is inseparable from recent developments in modern history. Having conducted field research in the area, I began these long-term collaborations with locals, such as Ruins of the Intelligence Bureau (2015). Following their defeat in the Chinese Civil War in 1949, the Kuomintang (KMT) retreated to Taiwan while one of their troop divisions withdrew to the mountains along the Thai-Myanmar border. KMT leader Chiang Kai-shek commanded the troops to remain there in a state of combat and to prepare for their counterattack. However, their plans were in vain. Not being able to return to China, retreat to Taiwan or be recruited by the Thai government, the lone troops became a group of people without national identity. This was how the isolated soldiers came to form their villages in this mountainous region.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - From a distance: Lili Dujourie's American Imperialism and
           Substantia
    • Abstract: Germann, Martin
      When Lili Dujourie (born 1941) began her artistic trajectory in the middle of the 1960s, she was on her own. This refers not only to her studies of painting and sculpture at the Royal Academy of Fine Arts in Brussels (she did not want to decide on just one academic discipline) at a time when there were few female Belgian artists. This also fits with the fact that a strongly feminist movement failed to appear in Belgium as opposed to neighbouring France, Germany and the Netherlands. But Dujourie shows little interest in being defined in this context, since an overly categorical focus might lead away from the complex richness of her work, in concealing its multilayered, often productively ambiguous connections with gestures and figures from art, literature and their histories.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Semiconductor: Surveying the technological sublime
    • Abstract: Jarman, Ruth; Gerhardt, Joe
      'In nature everything happens all at once.' During our many encounters with scientists, they have often said this to us, yet humankind only has the ability to model parts of nature. Science offers a universal language for exploring the world but a limited viewpoint of nature that also differs from our direct experiences of it. This conflict isn't opposed to the balance of nature and how it orders itself; through its difference we are able to explore who we are as humans. In our artworks we are interested in exploring this dichotomy, between the material nature of the physical world and how we experience and engage with it through the lens of science and technology.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Revelations and revolutions
    • Abstract: Perkins, Hetti; Kataoka, Mami
      The presentation of Aboriginal and Torres Strait Islander art at the Biennale of Sydney started in 1979, featuring artists from Central Arnhem Land, including David Malangi. According to the artistic director Nick Waterlow, this was 'the first time [Indigenous artists] had been shown in an international contemporary art context'.1 In 1982, Bill Wright introduced the extraordinary Warlpiri earth painting to the central void of the Art Gallery of New South Wales, and 1988, of course, saw the installation of The Aboriginal Memorial by the Ramingining artist community.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Singapore art week: Facilitating creativity
    • Abstract: Jean, Anne-Marie
      A fascinating thread to be pulled from the plethora of art offerings at this year's Singapore Art Week in late January was the value of facilitated art practice: the presence of one or more contributors enriching an artist's creative vision by providing some combination of frameworks, skills, knowledge, experience, materials and/or momentum. As an idea put into action, this was immediately apparent on a tour of the Singapore Tyler Print Institute, which was established in 2002 to foster innovation in the work of established artists through print and papermaking. And as a collaborative aspect of contemporary art practice, facilitation could be witnessed in shows such as Superhero Me's 'Is Anyone Home'' at the National Museum of Singapore and Dawn Ng's 'Perfect Stranger' at Chan + Hori Contemporary.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
  • Issue 305 - Anthony Mannix: Capturing the definitive nerve
    • Abstract: Jenkins, Gareth
      When asked about his recent visit from James Brett, founder and spiritual leader of the Museum of Everything, Anthony Mannix smiles and affectionately calls him an 'efficient hunting beast'. I think he said 'humming bee' - but, no, 'hunting beast'. This is quite a compliment and brings Brett into the fold so to speak, Mannix having entertained all manner of beasts and presences in his life - images, artist books, sculptures and writings produced over a prolific 35 years of artmaking. With Mannix's recent inclusion in the Museum of Everything, his resultant showing at Hobart's Museum of Old and New Art (MONA), and the first book-length publication of his collected writings to be released this year, Mannix has achieved the kind of legacy which ensures, as he puts it, his work 'won't end up in the skip bin'.

      PubDate: Mon, 12 Mar 2018 22:24:32 GMT
       
 
 
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