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Publisher: Project MUSE   (Total: 295 journals)

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Showing 201 - 295 of 295 Journals sorted alphabetically
Philippine Studies     Full-text available via subscription   (Followers: 2, SJR: 0.18, CiteScore: 0)
philoSOPHIA     Full-text available via subscription   (Followers: 4)
Philosophy and Literature     Full-text available via subscription   (Followers: 25, SJR: 0.13, CiteScore: 0)
Philosophy East and West     Full-text available via subscription   (Followers: 11, SJR: 0.249, CiteScore: 0)
Philosophy, Psychiatry, & Psychology     Full-text available via subscription   (Followers: 6, SJR: 0.183, CiteScore: 0)
Ploughshares     Full-text available via subscription   (Followers: 2, SJR: 0.1, CiteScore: 0)
Population Review     Full-text available via subscription   (Followers: 1, SJR: 0.123, CiteScore: 0)
portal: Libraries and the Academy     Full-text available via subscription   (Followers: 226, SJR: 1.182, CiteScore: 1)
Postmodern Culture     Full-text available via subscription   (Followers: 11, SJR: 0.143, CiteScore: 0)
Progress in Community Health Partnerships: Research, Education, and Action     Full-text available via subscription   (Followers: 3, SJR: 0.427, CiteScore: 1)
Pushkin Review     Full-text available via subscription  
Quaker History     Full-text available via subscription   (Followers: 5)
Race/Ethnicity : Multidisciplinary Global Perspectives     Full-text available via subscription   (Followers: 8)
Red Cedar Review     Full-text available via subscription   (Followers: 1, SJR: 0.101, CiteScore: 0)
Region : Regional Studies of Russia, Eastern Europe, and Central Asia     Full-text available via subscription   (Followers: 11, SJR: 0.17, CiteScore: 0)
Register of the Kentucky Historical Society     Full-text available via subscription   (Followers: 4)
Restoration: Studies in English Literary Culture, 1660-1700     Full-text available via subscription   (Followers: 7)
Review of Higher Education     Full-text available via subscription   (Followers: 23, SJR: 1.601, CiteScore: 2)
Review of Japanese Culture and Society     Full-text available via subscription   (Followers: 3)
Reviews in American History     Full-text available via subscription   (Followers: 21, SJR: 0.101, CiteScore: 0)
Revista de Estudios Hisp├ínicos     Full-text available via subscription   (Followers: 6)
Revista Hisp├ínica Moderna     Full-text available via subscription   (Followers: 6)
Rhetoric & Public Affairs     Full-text available via subscription   (Followers: 10, SJR: 0.556, CiteScore: 1)
River Teeth: A J. of Nonfiction Narrative     Full-text available via subscription  
Rocky Mountain Review     Full-text available via subscription   (Followers: 1)
Romance Notes     Full-text available via subscription   (Followers: 2, SJR: 0.107, CiteScore: 0)
RSF : The Russell Sage Foundation J. of the Social Sciences     Open Access   (Followers: 1)
SAIS Review     Full-text available via subscription   (Followers: 2)
Scottish Literary Review     Full-text available via subscription   (Followers: 1, SJR: 0.101, CiteScore: 0)
SEL Studies in English Literature 1500-1900     Full-text available via subscription   (Followers: 11, SJR: 0.131, CiteScore: 0)
Seoul J. of Korean Studies     Full-text available via subscription   (Followers: 6, SJR: 0.102, CiteScore: 0)
Serbian Studies: J. of the North American Society for Serbian Studies     Full-text available via subscription   (Followers: 2)
Sewanee Review     Full-text available via subscription   (Followers: 1, SJR: 0.1, CiteScore: 0)
Shakespeare Bulletin     Full-text available via subscription   (Followers: 13)
Shakespeare Quarterly     Full-text available via subscription   (Followers: 26, SJR: 0.111, CiteScore: 0)
Shofar: An Interdisciplinary J. of Jewish Studies     Full-text available via subscription   (Followers: 15, SJR: 0.103, CiteScore: 0)
Sign Language Studies     Full-text available via subscription   (Followers: 7, SJR: 0.554, CiteScore: 1)
Sirena: poesia, arte y critica     Full-text available via subscription   (Followers: 2)
Social Research : An Intl. Quarterly     Full-text available via subscription   (Followers: 5, SJR: 0.19, CiteScore: 0)
Sojourn: J. of Social Issues in Southeast Asia     Full-text available via subscription   (Followers: 11, SJR: 0.294, CiteScore: 0)
South Central Review     Full-text available via subscription   (SJR: 0.105, CiteScore: 0)
Southeast Asian Affairs     Full-text available via subscription   (Followers: 6)
Southeastern Geographer     Full-text available via subscription   (SJR: 0.258, CiteScore: 0)
Southern Cultures     Full-text available via subscription   (SJR: 0.106, CiteScore: 0)
Southern Literary J.     Full-text available via subscription   (Followers: 4)
Southern Quarterly     Full-text available via subscription   (Followers: 1)
Southern Review     Full-text available via subscription   (Followers: 2)
Southwestern Historical Quarterly     Full-text available via subscription   (Followers: 5, SJR: 0.116, CiteScore: 0)
Spiritus: A J. of Christian Spirituality     Full-text available via subscription   (Followers: 9, SJR: 0.125, CiteScore: 0)
Studies in American Fiction     Full-text available via subscription   (Followers: 2, SJR: 0.101, CiteScore: 0)
Studies in Bibliography     Full-text available via subscription   (Followers: 9)
Studies in Eighteenth Century Culture     Full-text available via subscription   (Followers: 26, SJR: 0.101, CiteScore: 0)
Studies in Latin American Popular Culture     Full-text available via subscription   (Followers: 7, SJR: 0.102, CiteScore: 0)
Studies in Philology     Full-text available via subscription   (Followers: 4, SJR: 0.101, CiteScore: 0)
Studies in the Age of Chaucer     Full-text available via subscription   (Followers: 3, SJR: 0.24, CiteScore: 1)
Studies in the Literary Imagination     Full-text available via subscription   (Followers: 11, SJR: 0.1, CiteScore: 0)
Studies in the Novel     Full-text available via subscription   (Followers: 10, SJR: 0.101, CiteScore: 0)
Syllecta Classica     Full-text available via subscription   (Followers: 3)
Tampa Review     Full-text available via subscription  
Technology and Culture     Full-text available via subscription   (Followers: 23, SJR: 0.284, CiteScore: 0)
Tenso     Full-text available via subscription   (Followers: 2)
Texas Studies in Literature and Language     Full-text available via subscription   (Followers: 2)
The Comparatist     Full-text available via subscription   (Followers: 4)
The Hopkins Review     Full-text available via subscription   (Followers: 2)
The Jurist : Studies in Church Law and Ministry     Full-text available via subscription   (Followers: 1)
The Lion and the Unicorn     Full-text available via subscription   (Followers: 14, SJR: 0.123, CiteScore: 0)
The Massachusetts Review     Full-text available via subscription   (Followers: 2, SJR: 0.1, CiteScore: 0)
The Moving Image     Full-text available via subscription   (Followers: 4, SJR: 0.1, CiteScore: 0)
The Scriblerian and the Kit-Cats     Full-text available via subscription  
The Tocqueville Review/La revue Tocqueville     Full-text available via subscription   (Followers: 3, SJR: 0.169, CiteScore: 0)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
Theatre History Studies     Full-text available via subscription   (Followers: 6, SJR: 0.101, CiteScore: 0)
Theatre J.     Full-text available via subscription   (Followers: 19, SJR: 0.156, CiteScore: 0)
Theatre Notebook     Full-text available via subscription   (Followers: 5)
Theatre Symposium     Full-text available via subscription   (Followers: 5)
Theatre Topics     Full-text available via subscription   (Followers: 12)
Theory & Event     Full-text available via subscription   (Followers: 12)
Tolkien Studies     Full-text available via subscription   (Followers: 10)
Toronto J. of Theology     Full-text available via subscription   (Followers: 7, SJR: 0.105, CiteScore: 0)
Traditio     Full-text available via subscription   (Followers: 2, SJR: 0.111, CiteScore: 0)
Transactions of the American Philological Association     Full-text available via subscription   (Followers: 5, SJR: 0.338, CiteScore: 0)
Transformation: Critical Perspectives on Southern Africa     Full-text available via subscription   (Followers: 3)
Tulsa Studies in Women's Literature     Full-text available via subscription   (Followers: 7, SJR: 0.101, CiteScore: 0)
U.S. Catholic Historian     Full-text available via subscription   (Followers: 2)
U.S.-Japan Women's J.     Full-text available via subscription   (Followers: 1)
Victorian Periodicals Review     Full-text available via subscription   (Followers: 14, SJR: 0.338, CiteScore: 0)
Victorian Poetry     Full-text available via subscription   (Followers: 10, SJR: 0.166, CiteScore: 0)
Wallace Stevens J.     Full-text available via subscription   (SJR: 0.1, CiteScore: 0)
West Virginia History: A J. of Regional Studies     Full-text available via subscription   (Followers: 1)
Wicazo Sa Review     Full-text available via subscription   (Followers: 1)
William Carlos Williams Review     Full-text available via subscription   (Followers: 3)
Women in French Studies     Full-text available via subscription   (Followers: 3)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 11)
Yearbook of Comparative Literature     Full-text available via subscription   (Followers: 17)
Yearbook of the Association of Pacific Coast Geographers     Full-text available via subscription   (Followers: 2)

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Similar Journals
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The Massachusetts Review
Journal Prestige (SJR): 0.1
Number of Followers: 2  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 0025-4878 - ISSN (Online) 2330-0485
Published by Project MUSE Homepage  [295 journals]
  • Introduction
    • Abstract: THE TITLE OF the first volume of Charlotte Delbo's masterwork, Auschwitz and After, is straightforward: Aucun de nous ne reviendra. None of us will return. And yet, of course, some did. Scholars tell us that "Ausch witz"—the cultural symbol, synecdoche for the Holocaust—is in large part a result of the work and writings of those survivors. (What we know of Treblinka II, in contrast, depends largely on the testimony of perpetrators.) And yet, we know what Delbo means. In some sense, no survivor ever returns. The calendar of their life, whatever their future holds, dates from that single moment, that crossroads experience where they "lost the path that does not stray." Whatever was there before has been lost ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • A Scene Played on the Stage of Memory: A One-act Play
    • Abstract: PAUL'S cell at the prison of the Santé, the 23rd of May 1942, just before daybreak. The scene is acted very precisely: nothing is vague in FRANCINE'S memory. The door of the cell is open, a soldier is standing guard. Noise of boots: noise of approaching steps. FRANCINE is surrounded by two German soldiers. She stops on the threshold. PAUL, standing up, leaning against the wall, straightens up as FRANCINE approaches. FRANCINE takes a step toward PAUL and stops. The two soldiers who accompanied her disappear. The one who is standing outside the door of the cell does not budge, his back to the audience. The noise of the boots moves further and further away down the corridor.Francine…PaulFrancinePaulI waited for you ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Have I Told You Enough How Much I Love You'
    • Abstract: My dear Immaculée, my dear daughter, have I told you enough how much I love you' Now with the life draining out of me, I fear I'll leave you alone again, like when they took me away from you.Yes, I know, the government does not want us to tell the story of what really happened here in Rwanda in 1994, but in a little while I will be no more than a memory, and a daughter needs to know the truth about her mother.I know what the neighbors secretly say about me among themselves, what they call us, how they sneer at us. Their polite and proud greetings on the main road do not trick me. I know that if it were only for them, I would still be in jail. Fortunately, Jesus has listened to me, and the judge has not acted in the ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • From Deaf Republic
    • Abstract: A young soldier presses his gun to Sonya's head. His hand trembles. He forces Sonya to walk. Around her neck a sign I RESISTED ARREST. The town watches. At each door and window, they stop.For an apple a peek, they display Sonya, naked, under the troops are fighting for your freedom poster. Snow swirls in her nostrils. Soldiers circle her eyes with a red pencil. The young soldier aims in the red circle, spits. Another aims. Spits. The town watches.The arrested are made to walk with their arms raised up. As if they are about to leave the earth and are trying out the ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • The Beasts
    • Abstract: I'll never be able to tell you how I sunk lower and lower, day by day, among other lost men—thieves and murderers and women whose faces are rougher than cracked limestone. Sometimes, when I reassess the low latitude I have reached, I feel great canvases of shadows falling upon my brain, I stumble along like a sleepwalker and it's as if the process of my decomposition were mounted into the architecture of a dream that never occurred.It's been a long time, though, that I've been lost. I lack the strength that would be needed to escape the gears of indolence, which through succeeding nights sink me lower and lower in the depths of a corner of a whorehouse. Here, other wretches as bored as me hold an array of playing ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Shelter
    • Abstract: When my parents broke the kitchen window for the third time, I took it as my sign to fly the coop. I was sixteen. I didn't know if I could stay out long, but I deserved an escape. I was done running to Henderson's Hardware for drywall squares to patch up the fist holes in the walls. I was done sweeping up the fake china and replacing picture frames. I was done airing out the ammoniac stink that stuck between tiles and lurked in every corner.I asked my cousin Davie if he could put me up in his basement again, but his parents had soured on my side of the family. He wouldn't even let me through his front door, but he seemed sorry about it. He told me to check in with a fellow named Zeke, whose crew was squatting in ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Gardener in a Swimsuit
    • Abstract: To unwind from his job at the bank, to shake free of the clamor of the city, and to have a little time just for himself, Manuel Benigno Lopes goes almost every Saturday to his vegetable garden out by the dam. It is a tiny parcel of land that his parents left him, where he plants potatoes, kale, tomatoes, carrots, and wild leeks. If it is a good day, he takes full advantage by diving into the dam water right alongside. Especially since Flavia doesn't look kindly upon his horticultural escapades—Manuel doesn't know quite why, maybe because she never really liked his parents, such humble, unpretentious folk, or because she doesn't think it very virile for a man to amuse himself by planting vegetables—so, if he says ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Soma
    • Abstract: Through the hills sprout white turbines, lofted over fifty meters into the air. In the breeze they swing languid arms in arcs across the sky, dipping the tips of blades beneath the horizon and pulling them back up like the strokes of a swimmer. They are propellers anchored to the Earth, carrying it through its leisurely orbit. They are bright in the sun, these turbines, and at night their rotors glow by red safety lights, and we can't see the pillars or the blades, just the hubs sprinkling the air like cigarette butts.And the miners walk in the release of the moon, heading with their meals in pails and plastic bags, heading with their hardhats heavy in their hands, heading to the shaft elevator that extends some ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • On Cursing
    • Abstract: Cartoons offer a cat, pig, duck, or wolf with an enraged face, said figure having hit its hoof, paw, or wing with a hammer, and its dialogue balloon reads: "#!@#&*!!""Cushlamachree!" is the cigar-smoking, fairy godfather's handy expletive in Crockett Johnson's World War II cartoon epic, Barnaby (published before Johnson's Harold and The Purple Crayon). You may recall other substitutes for swearing from early and midcentury popular culture such as: Aw, gosh darn! Heck. Drat. Nuts. Gol-darn, anyway. Phooey. That stinks. Ouch! Damnation! Dag-nabit! Alas! Curses! Darn it. Crud. Screw off. What a revolting development. Good grief! Geewillikers! Ay, caramba! Go to blazes! Suffering succotash!"For Whom the Bell Tolls is ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Adopted Ancestors
    • Abstract: Harriet, Before Her Mind Wandered, 2017altered cabinet card, casein, acrylicRachel, 2014altered cabinet card, casein, acrylicAbagail Herring (1874–1877), 2015altered cabinet card, casein, acrylicHer Books Are Her Universe, 2016altered cabinet card, casein, acrylicUncle Willie's Burlap Sack Story, 2016altered cabinet card, casein, acrylicPercy Lightfoot, Star Pupil, Trent School, 2017altered cabinet card, casein, acrylicAugustus Moon, headmaster of Trent School, 2017altered cabinet card, casein, acrylicDear Old Spot, 2018altered cabinet card, casein ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Miss Bruna
    • Abstract: She stole almost everything from me. First, Mom's joy. Then, Grandma Bela's tender attention. And, still, Julinho. She took away the best that I had, the adults' trust and my innocence. She tore me from my nest. And this, one couldn't forgive in a person, even if she is kind, generous, and pretty. Even if she didn't mean in the least to turn my life into a nightmare. Because that is what happened. I wanted to wake up, but there was no one beside me to hear my groans of impotence and horror, to insert me again into the light of the world outside. If they hadn't hidden from me what I came to learn later, too late, when I had already rotted in neglect and resentment, I would have regarded her with different eyes. With ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • The Man from the Zoo
    • Abstract: Stealing the giraffe wasn't the problem. Transporting it from the city to the countryside—even at two a.m. on a Wednesday with a few bribed cops clearing the path—was another story. Arquímedes couldn't help worrying about the defecation. He was no expert on the precise frequency of a giraffe's bowel movements, but based on the data he'd accrued from watching horses and cows during visits to cooperatives, the amount had to be in the range of considerable to impressive. And if this particular giraffe—endearingly named Hansel by the zookeeper—was induced to relieve himself in his confusion and fear, the birds would have a much harder time consuming such a massive trail of crumbs.Orlando seemed unfazed. He was ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Mr. Rodrigo's Identification Company
    • Abstract: When the package arrived on Monday morning by overnight FedEx, a disturbance ensued. Mr. Rodrigo made an agitated phone call in his glassed-in sanctum, looking in turns horrified, elated, and apprehensive.At first, Jay did not know what the fuss was about. The company often received overnight packages; most customers wanted prompt identification because they were desperate to find the proper means of eradicating whatever was terrorizing their children, bankrupting their businesses, devouring their belongings, or attacking their crops."Take pictures! Every angle, and distribute to all three!" Mr. Rodrigo shouted across the crowded office floor to Selena, the receptionist and general assistant, upon emerging from his ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • A Defense of the Artist-Critic: Part Two of Two
    • Abstract: The artist-critic's habits can influence academic methods only if we do away with the critical fictions latent in our approaches—that our politics are purer or nobler than the public intellectual's, that our critiques are somehow more objective or authoritative by dint of our scholarly credentials. In doing so, it is also fair to turn our tendency to historical critique on ourselves. As Benjamin and Chakrabarty demonstrate, the danger of historicism is its production of false histories, particularly those that adapt the language of natural, deep, geological time to describe the rise of "modernity." Chakrabarty notes that such a presumed "basic code of history" allows "for a particular formation of the modern ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Kenning Season
    • Abstract: The goddess Benzaiten appeared to me in a tree. I was in the city park, eating meat on a stick, and then there was a noise like doves and when I looked up to see what was touching my head she was there.She looked down at me from among the white and pink blossoms and said, "You don't belong here.""Neither do you," I said (which was rude, but I was surprised). "What are you doing in a tree'"She laughed, and her long sleeves moved. They were what I'd felt stroking my hair."This is the season when everyone writes poems," she said. "And I'm god of the arts, so of course I'm here. Didn't you know that' Isn't that why you're here, to look at the trees in their riot of blossom and write me a poem about how they resemble ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • At the Open House
    • Abstract: Outside I saw the flagstones moving like heads in a Picasso painting—black beetles for eyes.The space unpeopled yet so alive.The sky torn off but still dusted with clouds.My father died in his bed—silent and cooling like the steel kettle my mother used for tea.I can't translate summers and winters into another language.I sometimes see my life as a wolf—galloping toward an open window, listening to the moon move.The moon makes a soft hissing sound. You can hear through the doors. No way out or in.The day will come when my feet leave this floor—take them with softness in your hands.When I was five I ran through a glass door. It cut me before I had a chance to cry.I feel like an oyster building a pearl around a grain ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Like Jesus He Rises from His Hospice Bed
    • Abstract: The death rattles start. Gurgle sounds from the mouth—the dying man dreams. Girds up with newfound superhero gusto. Longsto reinhabit the world. Zaps away hospice nurse, wife, children, floats through walls, pierces clouds collecting the universe's emails.Flummoxed, sour-faced, he weeps. We did this to ourselves, he says. The human voice a relic, eye to eye contact a sin. Into the sewer he jumps; frail limbs bulk, visionrestores. He lands in the Atlantic, reincarnates as a whale. Divines, swims with turtles and eels. Water leafy green; rain wallops the shore,etches eyeballs on the sea. What did the sea teach a man camouflaged in blubber' Water is the Almighty … he says … before my awakening, my wife, in the early ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
  • Burn Rubber
    • Abstract: It begins as a soft motor purr. Lures her to the garage in the middle of the night, where her car slumps beside her husband's Subaru. She empties the car onto the lawn: her gym clothes, an armful of toys, the baby seat her daughter outgrew long ago, and three bags of stuff for Goodwill. She crawls into the back, where she hasn't been since college when her boyfriend accompanied her home for spring break. They'd snuck out of her parents' house to the nature reserve parking lot. She'd gone down on him as headlights swept through the woods.Cheerios grind to powder under her knees. The seats are crusted with spit-up. The vacuum gasps. She scrubs the windows until she can see herself in them, the night mess of her hair. ... Read More
      PubDate: 2018-06-05T00:00:00-05:00
       
 
 
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